Tailored to both beginner- and intermediate-level illustrators, this highly enjoyable guide and reference was written by Arthur L. Guptill, co-founder of Watson-Guptill Publications and one of the leading art instruction authors of the twentieth century. Filled with tips, methods, and techniques on outlining, shading, stippling, portraiture, and much more, this fully illustrated introduction will help readers develop their drawing and sketching skills according to their abilities and interests. Starting with the representation of forms, values of light and dark, and the interpretation of color, the guide progresses from elementary to advanced considerations, with explanations and illustrations for each step. Pencil, crayon, charcoal, pen and ink, wash, and watercolor techniques are examined, along with a variety of unique methods that achieve original effects. Intended chiefly for enjoyment rather than commercial application, the book focuses on the sketching of objects, outdoor subjects, landscapes, animals, and people. Readers are encouraged to think for themselves and to experiment in order to develop a natural and individual style.
Introductory guide offers clear, concise instruction on composition, outline, proportion, perspective, light and shade, more. Its 66 illustrations encompass numerous subjects — mainly architectural, but also people, animals, and landscapes — and a variety of techniques.
Tailored to both beginner- and intermediate-level illustrators, this highly enjoyable guide and reference was written by Arthur L. Guptill, co-founder of Watson-Guptill Publications and one of the leading art instruction authors of the twentieth century. Filled with tips, methods, and techniques on outlining, shading, stippling, portraiture, and much more, this fully illustrated introduction will help readers develop their drawing and sketching skills according to their abilities and interests. Starting with the representation of forms, values of light and dark, and the interpretation of color, the guide progresses from elementary to advanced considerations, with explanations and illustrations for each step. Pencil, crayon, charcoal, pen and ink, wash, and watercolor techniques are examined, along with a variety of unique methods that achieve original effects. Intended chiefly for enjoyment rather than commercial application, the book focuses on the sketching of objects, outdoor subjects, landscapes, animals, and people. Readers are encouraged to think for themselves and to experiment in order to develop a natural and individual style.
Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
Introductory guide offers clear, concise instruction on composition, outline, proportion, perspective, light and shade, more. Its 66 illustrations encompass numerous subjects — mainly architectural, but also people, animals, and landscapes — and a variety of techniques.
Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
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