Arthur Kopit burst onto the world theatrical scene right out of Harvard in 1959 with his international hit Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, which announced Kopit's comic and architectural brilliance with the monstrous whirlwind, Madame Rosepettle. Indians used Buffalo Bill and the formal of a Wild West show to dramatize America's capacity for amnesia and the dangers of changing historical fact into fiction: a demonstration of denial which was the decade's most profound theatrical metaphor for the tragedy of Vietnam and America's floundering sense of itself. Wings extended that inquiry to personal tragedy, a hallucinatory poetic study of a stroke patient's loss of speech.
This remarkable play starred Constance Cummings in a Tony-winning performance on Broadway. Emily Stilson, seventy years old and a celebrated former aviatrix and stunt pilot, suffers a stroke and is plunged into a world of disorientation and grief. Memories flood in between painful attempts to relearn the basic functions of everyday life. Aided by a dedicated young therapist, Emily's flights of memory and emotion create an evocative portrait of the ability of the human spirit to renew and survive
In early-1960s Venice, film director Guido Contini is savoring his most recent (and greatest) success but, facing his fortieth birthday,a midlife crisis is blocking his creative impulses and entangling him in a web of romantic difficulties.
Arthur Kopit burst onto the world theatrical scene right out of Harvard in 1959 with his international hit Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, which announced Kopit's comic and architectural brilliance with the monstrous whirlwind, Madame Rosepettle. Indians used Buffalo Bill and the formal of a Wild West show to dramatize America's capacity for amnesia and the dangers of changing historical fact into fiction: a demonstration of denial which was the decade's most profound theatrical metaphor for the tragedy of Vietnam and America's floundering sense of itself. Wings extended that inquiry to personal tragedy, a hallucinatory poetic study of a stroke patient's loss of speech.
30m, 7f, plus ensemble (doubling possible.) / Ints./exts. This mesmerizing Phantom is traditional musical theatre in the finest sense. The Tony award winning authors of Nine have transformed Gaston Leroux' The Phantom of the Opera into a sensation that enraptures audiences and critics with beautiful songs and an expertly crafted book. It is constructed around characters more richly developed than in any other version, including the original novel. "Everything is first rate." - N.Y. Daily News
This remarkable play starred Constance Cummings in a Tony-winning performance on Broadway. Emily Stilson, seventy years old and a celebrated former aviatrix and stunt pilot, suffers a stroke and is plunged into a world of disorientation and grief. Memories flood in between painful attempts to relearn the basic functions of everyday life. Aided by a dedicated young therapist, Emily's flights of memory and emotion create an evocative portrait of the ability of the human spirit to renew and survive
Cast in the style of a vaudeville Wild West Show, this highly theatrical play explores the theme of Americas mistreatment of the indigenious tribes was a celebrated hit on Broadway starring Stacy Keach. The hero is Buffalo Bill, whose life is defined and destroyed by an unfulfilled vision. Like all tragic heroes he has a fatal character flaw: he knows and loves the Native Americans, but craves money and fame. He helps destroy the buffalo herds, reducing the Native Americans to starvation. Ultimately, ambition leads him to even greater cruelty, destroying both the tribes and himself.
Full Length, Black Comedy / Casting: 4m, 2f, extras / Scenery: 2 int. Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.
Cast in the style of a vaudeville Wild West Show, this highly theatrical play explores the theme of Americas mistreatment of the indigenious tribes was a celebrated hit on Broadway starring Stacy Keach. The hero is Buffalo Bill, whose life is defined and destroyed by an unfulfilled vision. Like all tragic heroes he has a fatal character flaw: he knows and loves the Native Americans, but craves money and fame. He helps destroy the buffalo herds, reducing the Native Americans to starvation. Ultimately, ambition leads him to even greater cruelty, destroying both the tribes and himself.
(Applause Books). Conversations with Miller offers a personal and revealing account of one of the major playwrights of our time. Arthur Miller is revealed in deep and candid conversation with the highly regarded dramatic critic, Mel Gussow. In this series of interviews, which took place over 40 years, Miller is astonishingly forthcoming about his creative sources, his accomplishments and his disappointment; about his staunch resistance to the McCarthy witch hunts of the 1950's; about his private life including his five-year marriage to Marilyn Monroe. The result is an intimate portrait of a cultural giant who is both refreshingly down to earth and a fiercely original writer and thinker.
Foremost stage directors describe their working process: JoAnne Akalaitis, Arvin Brown, René Buch, Martha Clarke, Gordon Davidson, Robert Falls, Zelda Fichandler, Richard Foreman, Adrian Hall, John Hirsch, Mark Lamos, Marshall W. Mason, Des McAnuff, Gregory Mosher, Harold S. Prince, Lloyd Richards, Peter Sellars, Andrei Serban, Douglas Turner Ward, Robert Woodruff, and Garland Wright.
Comedy Characters: 6 male Interior Set Despite the title, it has intense meaning for these times. The scene is a room in a wealthy country club, to which the men's committee is hastily summoned early one morning after a carousing dance. Problem: what to do about the 16 luscious but low life females who drove up in a Rolls Royces and then proceeded to the tennis courts, where they are now disporting. While the committee huddles, we learn that they are the vulgar, crass peopl
Arthur Sainer's research, particularly among members of the Mostel family, has been prodigious and the facts of Zero's life are here. But the author does not hesitate to digress when there is a good story to tell.
Emily, a fiercely independent aviator and wing walker, suffers a stroke that destroys her sense of reality. Fragments of her life come together as she struggles to find her voice and herself.
Arthur Kopit's plays reflect diversity: the hilarious Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, followed by Indians, a deeply felt social satire filled with humor and featuring a pompous Buffalo Bill, who both romanticizes and exploits the Native Americans. Wings, a sensitive and beautiful work, is about an older woman who has suffered a massive stroke. End of the World turns to humor to comment on the Bomb and the preposterous rationalization that to some justifies dropping it. Road to Nirvana, the author's most biting, daring play, surprises, and suggests, once again, the breadth and diversity of his imagination.
Full Length, Black Comedy / Casting: 4m, 2f, extras / Scenery: 2 int. Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.
In early-1960s Venice, film director Guido Contini is savoring his most recent (and greatest) success but, facing his fortieth birthday,a midlife crisis is blocking his creative impulses and entangling him in a web of romantic difficulties.
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