Khartoum, according to one theory, takes its name from the Beja word hartooma, meaning meeting place . Geographically, culturally and historically, the Sudanese capital is certainly that: a meeting place of the Blue and White Niles, a confluence of Arabic and African histories, and a destination point for countless refugees displaced by Sudan s long, troubled history of forced migration. In the pages of this book the first major anthology of Sudanese stories to be translated into English the city also stands as a meeting place for ideas: where the promise and glamour of the big city meets its tough social realities; where traces of a colonial past are still visible in day-to-day life; where the dreams of a young boy, playing in his fathers shop, act out a future that may one day be his. Diverse literary styles also come together here: the political satire of Ahmed al-Malik; the surrealist poetics of Bushra al-Fadil; the social realism of the first postcolonial authors; and the lyrical abstraction of the new Iksir generation. As with any great city, it is from these complex tensions that the best stories begin. "An exciting, long-awaited collection showcasing some of Sudan's finest writers. There is urgency behind the deceptively languorous voices and a piercing vitality to the shorter forms. These writers lay claim over the contradictions and fusions of the capital city - Nile and drought, urbanization and village ties, what is African and what is Arab." - Leila Aboulela
John Payne Collier (1789–1883), one of the most controversial figures in the history of literary scholarship, pursued a double career. A prolific and highly influential writer on the drama, poetry, and popular prose of Shakespeare's age, Collier was at the same time the promulgator of a great body of forgeries and false evidence, seriously affecting the text and biography of Shakespeare and many others. This monumental two-volume work for the first time addresses the whole of Collier's activity, systematically sorting out his genuine achievements from his impostures. Arthur and Janet Freeman reassess the scholar-forger's long life, milieu, and relations with a large circle of associates and rivals while presenting a chronological bibliography of his extensive publications, all fully annotated with regard to their creditability. The authors also survey the broader history of literary forgery in Great Britain and consider why so talented a man not only yielded to its temptations but also persisted in it throughout his life.
Up the creek without a paddle (almost) in Papua New Guinea; a sheep's nose and silver horns in Kabardino-Balkarskaya; dancing with horses on the Hungarian plains; chasing whales in Newfoundland; snooker with a frozen goose; at home with the family linked to the plot to assassinate Hitler and receiving a hair tonic from the Chinese – by mouth. A farmer's son from south-west Scotland, Arthur Anderson began work in 1961 as a copy boy on "The Scotsman" in Edinburgh shortly after leaving school at 16. As he looks back over a working lifetime as a farming journalist and television producer Arthur claims that these trials and tribulations were never even hinted at in his various job interviews.
This book contains a complete list of every person, soldier and widows, who received a Confederate pension from the state of Tennessee, Each entry contains the soldier's name, county the person was living in, unit, and pension number and, if applicable, the widow's name and pension number.
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