The Intellectual Struggle for Florence is an analysis of the ideology that developed in Florence with the rise of the Medici, during the early fifteenth century, the period long recognized as the most formative of the early Renaissance. Instead of simply describing early Renaissance ideas, this volume attempts to relate these ideas to specific social and political conflicts of the fifteenth century, and specifically to the development of the Medici regime. It first shows how the Medici party came to be viewed as fundamentally different from their opponents, the 'oligarchs', then explores the intellectual world of these oligarchs (the 'traditional culture'). As political conflicts sharpened, some humanists (Leonardo Bruni and Francesco Filelfo) with close ties to oligarchy still attempted to enrich traditional culture with classical learning, while others, such as Niccolò Niccoli and Poggio Bracciolini, rejected tradition outright and created a new ideology for the Medici party. What is striking is the extent to which Niccoli and Poggio were able to turn a Latin or classical culture into a 'popular culture', and how the culture of the vernacular remained traditional and oligarchic.
Is consciousness like an iceberg? Does advertising lead to the commodification of humans? What is the hidden meaning of fairy tales? In 50 Ways to Understand Communication, Arthur Asa Berger familiarizes readers with important concepts written by leading communication and cultural theorists, such as Saussure, LZvi-Strauss, de Certeau, Lasswell, McLuhan, Postman, and many others. Organized in fifty short segments, this concise guide covers a wide range of important ideas from psychoanalysis and semiology to humor, 'otherness,' and nonverbal communication. Berger's clear explanations and examples surround this assortment of influential writing, walking the uninitiated through these sometimes dense theoretical works. His selections and commentary will challenge readers to reconsider the role of communication in our culture. This engaging, accessible book is essential for students of communication and anyone interested in how we communicate in a world of rapidly changing media.
Over the past two decades, the assessment of Attention-Deficit/Hyperactivity Disorder (AD/HD) has evolved into a sophisticated balance of science and clinical judgement essential for arriving at reliable and valid diagnostic de- sions. Because of the precarious mix of clinical and empirical skill needed to evaluate children with this disorder, diagnostic practice in this area has been found wanting by many critics. In fact, a 1998 National Institutes of Health consensus panel concluded that “existing diagnostic treatment practices ... point to the need for improved awareness by the health service sector conce- ing an appropriate assessment, treatment, and follow-up. A more consistent set of diagnostic procedures and practice guidelines is of utmost importance” (p. 21). Drs. Arthur D. Anastopoulos and Terri L. Shelton have designed a book that addresses this need. A number of themes are highlighted throughout the text. Perhaps the most important is that the assessment guidelines set forth in this book represent a balance between science and practice. The authors account for the realities of clinical practice in an age of managed care while challenging clinicians to heed the lessons of empirical research. Although the use of empirically based asse- ment procedures may at times fly in the face of cost constraints (e. g. , systematic evaluation of medication effects), the authors present a strong argument for them. Further, they call upon their vast clinical experience to provide concrete suggestions for translating research findings into effective evaluations.
The Mass Comm Murders is a novel way (both literally and figuratively) to introduce students to mass communication theory. Berger's latest comic murder mystery again features Inspector Solomon Hunter and his sidekick, Sergeant Talcott Weams, in the search for who is snuffing out a group of media theorists--though only after each, in turn, explains his or her theory of mass communications. Highlighting theories from semiotics to the spiral of silence, Berger combines theoretical discussion with a satire of academia and a parody of the mystery genre, complete with eccentric professors and international intrigue. This fun and accessible text is an ideal supplement for courses in mass communication and communication theory.
This book constructs a paradigm for the operation of subversive comedy - what Arthur Lindley, the author, calls the Augustinian carnivalesque - by examining some of the major texts of Ricardian and Elizabethan literature." "By identifying some common characteristics of these works, Lindley argues that they must be seen in terms of a continuous, fundamentally Augustinian, Christian culture that is marked by a pervasive anti-heroic comedy that interrogates the official secular order and the role-based social identities that comprise it. Underlying this is a common attitude of Christian skepticism and a common use of carnivalesque demystification of power. In this pattern of continuity, concern with subjectivity, the mysteries of the self, and the tension between inward consciousness and outward role long antedates, say, Hamlet. Subjection, in other words, is not an Elizabethan (or Shakespearean) invention, but a constant concern of Augustinian literature going back to Confessions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Emma Albani / Emily Carr / George Grant / Jacques Plante / John Diefenbaker / John Franklin / Marshall McLuhan / Phyllis Munday / Wilfrid Laurier / Nellie McClung
Emma Albani / Emily Carr / George Grant / Jacques Plante / John Diefenbaker / John Franklin / Marshall McLuhan / Phyllis Munday / Wilfrid Laurier / Nellie McClung
Presenting ten titles in the Quest Biography series that profiles prominent figures in Canada’s history. The important Canadian lives detailed here are: Emma Albani, a nineteenth century opera singer from Quebec who became a diva of the musical world; Emily Carr, the artist famous for capturing the essence in her paintings of the Native cultures of the coast of British Columbia; George Grant, a prescient political philosopher and author of Lament for a Nation; star NHL goalie Jacques Plante, the first netminder to don a protective mask; influential Prime Ministers John Diefenbaker and Sir Wilfrid Laurier; John Franklin, while not a Canadian, an explorer whose demise in the Arctic is an important part of Canada’s historical identity; Marshall McLuhan, the academic who predicted so much of the modern media world we live in today; mountaineer and explorer Phyllis Munday; and early feminist icon Nellie McClung. Includes Emma Albani Emily Carr George Grant Jacques Plante John Diefenbaker John Franklin Marshall McLuhan Phyllis Munday Wilfrid Laurier Nellie McClung
As Algeria became connected to international news networks during French colonial rule in the late nineteenth and early twentieth centuries, this study examines how news spread through communities and across social divides, how new media changed the communication landscape, and how surveillance by the French government played a role.
In this brief, inexpensive guide to the Holy Land, a pastor and is wife feature two-page essays on all the major places of interest in Israel: Jerusalem, Capernaum, Bethlehem, the Mount of Olives, and more. Each essay ends with a one-sentence prayer that can be used at that site.
Una richiesta d’aiuto molto particolare arriva a Sherlock Holmes nel suo appartamento in Baker Street. Robert Ferguson, affranto e distrutto dall’angoscia, ha scoperto l’adorata moglie a succhiare il sangue dal collo del figlio neonato, e adesso sospetta che sia un vampiro. Spinto dalla curiosità per la stranezza del caso, lo scettico Holmes, accompagnato come sempre dal dottor Watson, accetta l’incarico, ma ben presto scoprirà che nulla è come sembra.
From their inception, video games quickly became a major new arena of popular entertainment. Beginning with very primitive games, they quickly evolved into interactive animated works, many of which now approach film in terms of their visual excitement. But there are important differences, as Arthur Asa Berger makes clear in this important new work. Films are purely to be viewed, but video involves the player, moving from empathy to immersion, from being spectators to being actively involved in texts. Berger, a renowned scholar of popular culture, explores the cultural significance of the expanding popularity and sophistication of video games and considers the biological and psychoanalytic aspects of this phenomenon. Berger begins by tracing the evolution of video games from simple games like Pong to new, powerfully involving and complex ones like Myst and Half-Life. He notes how this evolution has built the video industry, which includes the hardware (game-playing consoles) and the software (the games themselves), to revenues comparable to the American film industry. Building on this comparison, Berger focuses on action-adventure games which, like film and fiction, tell stories but which also involve culturally important departures in the conventions of narrative. After defining a set of bipolar oppositions between print and electronic narratives, Berger considers the question of whether video games are truly interactive or only superficially so, and whether they have the potential to replace print narratives in the culture at large. A unique dimension of the book is its bio-psycho-social analysis of the video game phenomenon. Berger considers the impact of these games on their players, from physical changes (everything from neurological problems to obesity) to psychological consequences, with reference to violence and sexual attitudes. He takes these questions further by examining three enormously popular games-Myst/Riven, Tomb Raider, and Half-Life-for their attitudes toward power, gender, violence, and guilt. In his conclusion, Berger concentrates on the role of violence in video games and whether they generate a sense of alienation in certain addicted players who become estranged from family and friends. Accessibly written and broad-ranging in approach, Video Games offers a way to interpret a major popular phenomenon. Arthur Asa Berger is professor of broadcast and electronic communication arts at San Francisco State University, where he has taught since 1965. He is the author of more than one hundred articles and forty books on media, popular culture, humor, and everyday life.
The only book of its kind, The New Inquisitions is an exhilarating investigation into the intellectual origins of totalitarianism. Arthur Versluis unveils the connections between heretic hunting in early and medieval Christianity, and the emergence of totalitarianism in the twentieth century. He shows how secular political thinkers in the nineteenth century inaugurated a tradition of defending the Inquisition, and how Inquisition-style heretic-hunting later manifested across the spectrum of twentieth-century totalitarianism. An exceptionally wide-ranging work, The New Inquisitions begins with early Christianity, and traces heretic-hunting as a phenomenon through the middle ages and right into the twentieth century, showing how the same inquisitional modes of thought recur both on the political Left and on the political Right.
This classic text, first published in 1972, has withstood the test of time as a teaching aid for English-speaking singers, teachers, coaches, and accompanists, in order that their art may be more communicative to the public. These word-by-word translations of songs and arias allow the artist to properly interpret and express the feelings and emotions that the words require at the proper time.
Arthur Asa Berger provides a succinct, accurate, and enjoyable introduction to the mass communications field. Although the book covers the same topics as other introductory works. . . his writing and organization make the material seem like a light repast rather than an overbearing meal. . . . Essential for all undergraduate collections in mass communication theory and mass media studies." --Choice Arthur Asa Berger combines his broad knowledge of the field with his unique ability to translate difficult theories into comprehensible terms and accessible language. He uses illustrations related to popular genres to make these theories relevant to students′′ lives. The concluding chapter provides questions for further work and discussion and is designed to help the student further contemplate the implications and applications of mass communication theory. An up-to-date bibliography and glossary provide a comprehensive resource on mass communication theory.
This new fourth edition of Allen's classic Astrophysical Quantities belongs on every astronomer's bookshelf. It has been thoroughly revised and brought up to date by a team of more than ninety internationally renowned astronomers and astrophysicists. While it follows the basic format of the original, this indispensable reference has grown to more than twice the size of the earlier editions to accommodate the great strides made in astronomy and astrophysics. It includes detailed tables of the most recent data on: - General constants and units - Atoms, molecules, and spectra - Observational astronomy at all wavelengths from radio to gamma-rays, and neutrinos - Planetary astronomy: Earth, planets and satellites, and solar system small bodies - The Sun, normal stars, and stars with special characteristics - Stellar populations - Cataclysmic and symbiotic variables, supernovae - Theoretical stellar evolution - Circumstellar and interstellar material - Star clusters, galaxies, quasars, and active galactic nuclei - Clusters and groups of galaxies - Cosmology. As well as much explanatory material and extensive and up-to-date bibliographies.
The concepts of popular consent and limit as applied to the exercise of political authority are fundamental features of parliamentary democracy. Both these concepts played a role in medieval political theorizing, although the meaning and significance of political consent in this thought has not been well understood. In a careful, scholarly, and readable survey of the major political texts from Augustine to Ockham, Arthur Monahan analyses the contribution of medieval thought to the development of these two concepts and to the correlative concept of coercion. In addition, he deals with the development of these concepts in Roman and canon law and in the practices of the emerging states of France and England and the Italian city- states, as well as considering works in legal and administrative theory and constitutional documents. In each case his interpretations are placed in the wider context of developments in law, church, and administrative reforms. The result is the first complete study of these three crucial terms as used in the Middle Ages, as well as an excellent summary of work done in a number of specialized fields over the last twenty-five years.
This publication presents a comprehensive review of the life and intellectual legacy of the Dutch Nobel Peace laureate and father of the Hague tradition of international law. It is the first research study based on a wealth of recently disclosed private and family files, and deepens and modifies all earlier evaluations. It enlarges on Asser’s achievements as legal practitioner, university don, pioneer of private international law, diplomat and arbitrator, and State Councillor. It discusses his durable impact as founder of international law bodies and institutions. It likewise highlights the impressive Asser family tradition that exemplifies 19th-century Jewish emancipation in Amsterdam, addresses Asser’s youth and student years, his role as family man and the impact of personal drama on his career. Detailed Table of Contents. Layout of the Book.
This is the first systematic and thorough study of mysticism or contemplation in these three seventeenth-century poets and in three modern writers. It not only clarifies the very confused issue of mysticism in seventeenth-century poetry but also connects seventeenth-century poets with modern literature and science through the contemplative tradition; from the Bible and Plato and Church fathers and important mystics of the Middle Ages through Renaissance and modern contemplatives. The transformative and redemptive power of contemplative poetry or "holy writing" (regardless of genre or discipline) is prominent throughout the book, and the relevance, indeed the vital necessity, of such poetry and of the living contemplative tradition to our apocalyptic modern world is discussed in the last chapter. In this chapter, attention is given to modern science, especially to the new physics, and to philosophical and mystical writings of eminent scientists.
All species, extant and extinct, from the simplest unicellular prokaryotes to humans, have an existential consciousness. Without sentience, the first cells that emerged some 4 billion years ago would have been evolutionary dead-ends, unable to survive in the chaotic, dangerous environment in which life first appeared and evolved. In this book, Arthur Reber's theory, the Cellular Basis of Consciousness (CBC), is outlined and distinguished from those models that argue that minds could be instantiated on artificial entities and those that maintain consciousness requires a nervous system. The CBC framework takes a novel approach to classic topics such as the origin-of-life, philosophy of mind, the role of genes, the impact of cognition, and how biological information is processed by all species. It also calls for a rethinking of a variety of issues including the moral implications of the sentient capacities of all species, how welfare concerns need to be expanded beyond where they currently are, and critically, how all life is intertwined in a coordinated cognitive ecology. The Sentient Cell explores this revolutionary model, which updates the standard neo-Darwinian framework within which current approaches operate and examines the underlying biomolecular features that are the likely candidates for the "invention" of consciousness and outline their role in cellular life.
Berton Coffin, "creator of The Singer's Repertoire," considers this volume to be Volume VIII of the set and explains that "Mr. Shoep has concentrated on the Italian opera repertoire, and Mr. Harris has concentrated on the Italian song repertoire."--Preface, p. viii.
With the end of the Cold War, the death of Communism, and the decline of Socialism, what are the primary issues, ideologies, and parties that now structure politics? Melzer, Zinman, and Weinberger have compiled essays from prominent experts to examine the politics of the past to help plot the political future. The first half of the volume addresses OIdentity PoliticsO and OBig GovernmentO and their respective places in the shaping of the United States political environment since the end of the Cold War. The second half of the volume focuses on the political climate in Western Europe, Russia, India, and China.
It is the mid-1980s, and journalist Nick Gambles girlfriend, Natalia, is a CIA agent who works at the American consulate in Florence, Italy. When Natalia goes missing, Nick goes on the hunt for the woman he lovesand turns up so much more than he expected. Natalia has been kidnapped by Italian mobsters, under the employment of Arab terrorists. A film is missingone that exposes the names of Arab terrorists trained in East Germany and sent undercover to America in an effort to install Muslim sharia law. Natalia will be executed if the film is not recovered, but Nick has no clue where to start. With the help of the American Mafia and Italys secret police, Nicks comfortable life as a journalist is turned upside down as he learns the truth about terrorist cells in Europe and their horrific plans for the future. He is driven to save Natalia, but the reality of the Arab master plan is much more terrifying than anyone could have expected.
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