SHOW BIZ’ “LAST TYCOON” At eighteen he was president of a $2-million-a-year construction company. At twenty he couldn’t afford a house of his own. When he was thirty-seven he had four plays running simultaneously, netting him $20,000 a week. The following year he went into bankruptcy for over a million dollars. At forty-nine he married Hollywood’s reigning beauty, Elizabeth Taylor, and had the greatest hit in motion-picture history—Around the World in Eighty Days, the first motion picture likely to gross $100 million. Brash, flamboyant, half genius, half conman, he rose from the slums to giddy heights in the roller-coaster worlds of Broadway and Hollywood. Then, as in a script he might have written himself, he met death in a tragic plane crash—along with his biographer, the man who wrote this book.
In this second edition of his bestselling book, author Art Kleiner explores the nature of effective leadership in times of change and defines its importance to the corporation of the future. He describes a heretic as a visionary who creates change in large-scale companies, balancing the contrary truths they can’t deny against their loyalty to their organizations. The Age of Heretics reveals how managers can get stuck in counterproductive ways of doing things and shows why it takes a heretical point of view to get past the deadlock and move forward.
This catalogue reproduces nearly 500 works which include the most significant group of drawings outside France by such masters as David, Gericault, Ingres, Delacroix and Prud'hon. Many of the drawings are published here for the first time
The definitive edition of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read” A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
In Anal Probe writer Art Greenwald shares his "best of," a collected works of non-fiction stories and columns viewed through a gay man's lens. Part autobiographical, the Central Pennsylvania native and South Floridian chronicles the people, places and situations he's observed and experienced first-hand. Greenwald offers up a mixed bag of high drama, humor, personality profiles and closet adventures from the 1950's to the present, including his own painstaking journey for self-acceptance from small-town USA to his college days at Penn State University to life in gay Fort Lauderdale. The author reveals in searing detail his dance with death in a stripper bar, an AIDS survivor overcoming the odds, a meth addict's struggle to stay clean, a Hurricane that united, the high price of friendship, a riches to rags account of redemption, an immigration indignity and more. His quirky, tongue-in-cheek tales lighten the load, from his first prostate exam to aging gay gracefully to lampooning the dating game to gay gym rats, a lesbian guide to rejection and his rose-colored realization of Florida as the first gay state. Greenwald's provocative and profound opinion pieces tackle taboo topics with candor and without self-censure, poking fun at politics, the lifestyle and its ancient stereotypes while exposing hypocrisy. A controversial take on killer Andrew Cunanan, drag queens, a letter to the late Jerry Falwell, his laughableattempt to give up sex and an Andy Rooney "what makes gay" parody both entertains and enlightens. The author also profiles a young gay singer, a comic genius, a Franciscan Priest who uplifts the lives of individuals with HIV/AIDS, unforgettable Charlie Squires, figure skater Rudy Galindo, a champion for abused and neglected children, a security guard, transgender activist, bar owner and volunteer making a difference.
In a lively panorama of stimulating juxtapositions, sequences, and cross references, this new edition of Modern Contemporary provides a cornucopia of 590 works of key contemporary art (37 more than in the original edition).
The author-illustrator traces his father's imprisonment in a Nazi concentration camp through a series of disarming and unusual cartoons arranged to tell the story as a novel.
The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
A master photographer, Alfred Stieglitz was also a visionary promoter and avid collector of modern American and European art from the first half of the 20th century. This book is the first fully-illustrated catalogue of works in the unparalleled 'Alfred Stieglitz Collection', which was given to the Metropolitan Museum after Stieglitz's death.
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