As Crescenta Valley residents gathered to ring in the 1934 New Year, a cloudburst broke over Southern California's San Gabriel Mountains, unleashing a deluge on mountainsides denuded by recent fires. A roaring wall of rocks, mud and water crashed down the canyons, uprooting trees, tossing boulders and automobiles like toys and carving a path of destruction. Using painstaking research and heart-rending firsthand accounts, historian Art Cobery paints a picture of survival and redemption in the face of natural disaster, including the heroic efforts of eleven-year-old Marcie Warfield to save her father and younger brother, the devastating debris flow that claimed the lives of refugees and aid workers at the American Legion Hall and the selfless acts of neighbors caught in the storm of events.
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
As Crescenta Valley residents gathered to ring in the 1934 New Year, a cloudburst broke over Southern California's San Gabriel Mountains, unleashing a deluge on mountainsides denuded by recent fires. A roaring wall of rocks, mud and water crashed down the canyons, uprooting trees, tossing boulders and automobiles like toys and carving a path of destruction. Using painstaking research and heart-rending firsthand accounts, historian Art Cobery paints a picture of survival and redemption in the face of natural disaster, including the heroic efforts of eleven-year-old Marcie Warfield to save her father and younger brother, the devastating debris flow that claimed the lives of refugees and aid workers at the American Legion Hall and the selfless acts of neighbors caught in the storm of events.
Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Previously unpublished, and perhaps even unknown to scholars, are works by some of the foremost Italian painters of the Middle Ages and Renaissance, including a leaf here attributed for the first time to the Sienese master Duccio di Buoninsegna and cuttings by Stefano da Verona and Cosimo Tura. Lesser-known arists, such as Neri da Rimini, Belbello da Pavia, and Girolamo da Cremona, once renowned for their beautifully illuminated volumes, are also discussed in full."--BOOK JACKET.
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