The Titanic is one of the most famous maritime disasters of all time, but did the Titanic really sink on the morning of 15 April 1912? Titanic's older sister, the nearly identical Olympic, was involved in a serious accident in September 1911 – an accident that may have made her a liability to her owners the White Star Line. Since 1912 rumours of a conspiracy to switch the two sisters in an elaborate insurance scam has always loomed behind the tragic story of the Titanic. Could the White Star Line have really switched the Olympic with her near identical sister in a ruse to intentionally sink their mortally damaged flagship in April 1912, in order to cash in on the insurance policy? Laying bare the famous conspiracy theory, world-respected Titanic researchers investigate claims that the sister ships were switched in an insurance scam and provide definitive proof for whether it could - or could not - have happened.
The Titanic is one of the most famous maritime disasters of all time, but did the Titanic really sink on the morning of 15 April 1912? Titanic's older sister, the nearly identical Olympic, was involved in a serious accident in September 1911 - an accident that may have made her a liability to her owners the White Star Line. Since 1912 rumours of a conspiracy to switch the two sisters in an elaborate insurance scam has always loomed behind the tragic story of the Titanic. Could the White Star Line have really switched the Olympic with her near identical sister in a ruse to intentionally sink their mortally damaged flagship in April 1912, in order to cash in on the insurance policy? This book addresses some of these conspiracy theories and illustrates both the questionable anomalies and hard technical facts that will prove the swtich theory to be exactly what it is - a mere legend.
This volume looks at the work of Jan Miense Molenaer, an artist of the age of Rembrandt and Vermeer. He was probably a student of Hals and a spiritual heir of Pieter Bruegel the Elder. Essays and plates focus on Molenaer's comic scenes of Dutch peasant life. His versatile work, painted in Haarlem and Amsterdam, also includes: portraits; gene scenes including peasant weddings, theatrical performances, religious narratives and children at school and play; and allegories. 92 colour & 128 b/w illustrations
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
Famous across Europe and America, recipient of the highest possible honours in Germany including the order of the Black Eagle and elevation to nobility, admired by Degas as 'the greatest living master', Adolph Menzel was perhaps the greatest German painter of the late nineteenth century. In this splendidly illustrated book - the only comprehensive volume on Menzel in English - photographs of the artist and contemporary Berlin accompany reproductions of hundreds of his paintings and drawings. Menzel specialists and art historians contribute chapters on his life and art, his visits to France, his critical reception, relevant social and historical background, and different approaches to his work. Until recently, Menzel's many paintings and drawings were separated from one another in collections on either side of the Berlin Wall. Now, in the wake of reunification, the Berlin Museums have put together the most extensive Menzel exhibit since the retrospective that followed his death in 1905. This book is the catalogue for the exhibit that had its debut at the Musee D'Orsay in Paris (April 15 to July 28), travels to the National Gallery of Art in Washington, D.C. (September 15, 1996 to January 5, 1997) and returns to Nationalgalerie in Berlin (February 7 to May 11, 1997).
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Early European art was a consuming interest of both Robert Lehman and his father, Philip Lehman, an interest reflected in the remarkable number and quality of drawings they owned from the fifteenth and early sixteenth centuries. In addition to an important group of early German drawings, the collection includes a "Saint Paul" from a series associated with Jan van Eyck and the famous "Scupstoel" from the circle of Rogier van der Weyden, the only design for a decorative sculpture to survive from the fifteenth century. The great artists of the seventeenth century, Peter Paul Rubens, Jacob Jordaens, Claude Lorrain, and Rembrandt among them, are also represented, Rembrandt by seven drawings, including the large study of Leonardo's "Last Supper" that would stay in his mind all through his career. Drawings by Antoine Watteau, Jean-Honoré Fragonard, Gabriel de Saint-Aubin, Thomas Gainsborough, Paul Sandby, and George Romney are among the many from eighteenth-century France and England. The volume discusses all 153 drawings at length, placing each in its art historical setting and complementing the discussion with comparative illustrations of related works." This e-book on the MetPublications website is also accompanied by links to related works and under the "Additional resources"tab are links to Met works of art and Heilbrunn Timeline of Art History essays and timelines (viewed May 1, 2014).
Intended for juniors and seniors majoring in mathematics, as well as anyone pursuing independent study, this book traces the historical development of four different mathematical concepts by presenting readers with the original sources. Each chapter showcases a masterpiece of mathematical achievement, anchored to a sequence of selected primary sources. The authors examine the interplay between the discrete and continuous, with a focus on sums of powers. They then delineate the development of algorithms by Newton, Simpson and Smale. Next they explore our modern understanding of curvature, and finally they look at the properties of prime numbers. The book includes exercises, numerous photographs, and an annotated bibliography.
This study focuses on the attitudes Germans have towards their art from the Romantic period to the present, and discusses the ways they have tried to find their identity as a nation through this art. Belting proposes that German art criticism is divided by opposing ideologies and contradictions.
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