In this mesmerising book, at once fable and history, fiction becomes a way of remaining faithful to the stories of cities strung across the globe like pearls on a string, to the maps and narratives etched in the minds of old men talking in a cafe by the sea.
The Fig Tree is a tender book of true stories about family, about journeys, about home. Zable writes with wonderful feeling about the Greek villagers who made the long journey to and from Australia, about those lost in the Holocaust and postwar diaspora, about Jewish actors and writers who found new audiences in their adoptive country.
It's 1958 and Australia is becoming a different place. The Melbourne working-class suburb of Carlton is now home to many immigrant families trying to begin new lives and make sense of the old. Romek and Zofia, liberated from the camps in Poland, work hard at the local market, but their love is in ruins. Bloomfield is king and custodian of Curtin Square and is rarely absent from his post. The resplendent Valerio, stylish and soccer-mad, has just arrived from Italy. War veteran Mr Sommers sits alone on his verandah, while Yiddish actors gather at the barber's to reminisce and curse. Romek and Zofia's skinny twelve-year-old son Josh takes up boxing and becomes bewitched by the Swedish Girl. But Zofia is tormented, and as she falls further into madness, Josh wonders if she can ever be made whole again. Scraps of Heavenis a stunning evocation of a changing world, where optimism is tinged with sorrow at the raw memories of war. Arnold Zable's irresistible storytelling becomes a celebration of survival, a reminder that all lives are to be lived and that scraps of heaven can be found everywhere.
In this mesmerising book, at once fable and history, fiction becomes a way of remaining faithful to the stories of cities strung across the globe like pearls on a string, to the maps and narratives etched in the minds of old men talking in a cafe by the sea.
It's 1958 and Australia is becoming a different place. The Melbourne working-class suburb of Carlton is now home to many immigrant families trying to begin new lives and make sense of the old. Romek and Zofia, liberated from the camps in Poland, work hard at the local market, but their love is in ruins. Bloomfield is king and custodian of Curtin Square and is rarely absent from his post. The resplendent Valerio, stylish and soccer-mad, has just arrived from Italy. War veteran Mr Sommers sits alone on his verandah, while Yiddish actors gather at the barber's to reminisce and curse. Romek and Zofia's skinny twelve-year-old son Josh takes up boxing and becomes bewitched by the Swedish Girl. But Zofia is tormented, and as she falls further into madness, Josh wonders if she can ever be made whole again. Scraps of Heavenis a stunning evocation of a changing world, where optimism is tinged with sorrow at the raw memories of war. Arnold Zable's irresistible storytelling becomes a celebration of survival, a reminder that all lives are to be lived and that scraps of heaven can be found everywhere.
The Fig Tree is a tender book of true stories about family, about journeys, about home. Zable writes with wonderful feeling about the Greek villagers who made the long journey to and from Australia, about those lost in the Holocaust and postwar diaspora, about Jewish actors and writers who found new audiences in their adoptive country.
From the songs of Arab diva Umm Khultum on the banks of the Tigris to the strains of a young boy playing the violin for his mother in Melbourne, to the swing jazz of the nightclubs and cabarets of 1940s Baghdad, a fisherman playing a flute on the banks of the Mekong, and Paganini in the borderlands of eastern Poland... Music weaves its way through each of these spellbinding stories. Each tale, each fragment of music, leads to Amal, the woman who saved her life by clinging to a corpse for twenty hours alone in the sea. Arnold Zable takes the reader on an intimate journey into the lives of people he met on travels over the last forty years. These are tales aching to be told. Tales of hardship, of yearning and of celebration. Tales that span the globe, and bring us back to Melbourne to the powerful and heartbreaking story of Amal—her flight from Baghdad, her fears boarding the unseaworthy SIEV X, her survival when it went down, and her desire to have her story told.
Henry Nissen was a champion boxer, the boy from Amess Street in working-class Carlton who fought his way up to beat some of the world’s best in the 1970s. Now, he works on the Melbourne docks, loading and unloading, taking shifts as they come up. But his real work is on the streets. He’s in and out of police stations and courts giving character statements and providing support, working to give the disaffected another chance. And all the while, in the background is the memory of another fighter, his mother—and her devastating decline into madness. The Fighter is a moving and poetic portrait of a compassionate man, but also a window onto the unnoticed recesses of Melbourne. Arnold Zable is a highly acclaimed novelist, storyteller, educator and human rights advocate. His books include Jewels and Ashes, The Fig Tree, Café Scheherazade, Scraps of Heaven, Sea of Many Returns and Violin Lessons. He lives in Melbourne. ‘Written in Zable’s lyrical style, The Fighter reads like a novel. The text provides many aesthetic pleasures; it also has heart and soul. This is an excellent addition to the literature on the survivors of war, focussing on the grief their families inherit.’ Books + Publishing ‘A master storyteller.’ Australian Book Review ‘His ability to see the beauty in the ordinary in a world obsessed with the extraordinary informs every aspect of Zable’s writing.’ Australian ‘Arnold Zable is a writer who turns the unnoticed and the overlooked into something fine and lustrous.’ Courier-Mail ‘Arnold Zable is a long-distance athlete among novelists, and his command of his material is superb...Years of reflection and his own life experiences have contributed to the mastery with which Zable explores the themes of displacement, loss, nostalgia and homecoming in all of his books.’ Canberra Times ‘Arnold Zable performs his own masterclass in literary shadowboxing in The Fighter...[He] has a superb eye for detail and it serves the narrative exceptionally well...Zable channels the story of an ordinary man, a good man, who, to this day, is still winning on points.’ Saturday Paper ‘[Zable] takes the art of the novel—the attention to tone, rhythm and perspective—and applies it to the true story of Nissen...This book is about more [than boxing]: endeavor, belonging and redemption...It’s also about Melbourne, its light and shade, and the people who fall between the cracks and the ones who survive.’ Herald Sun ‘A poignant tale of fortitude, love and sorrow...Arnold Zable draws an evocative portrait of post-war Carlton, underpinning his story of the compassionate man and the forces that moulded him.’ Chronicle ‘A truly inspiring slice-of-life tale...[Zable] skilfully peels back the layers of Henry’s troubled mum Sonia and the effect it has had on the family.’ Adelaide Advertiser ‘Nissen is an unlikely hero, and Zable recreates his world with the utmost respect...The Fighter is an autumnal book, with leaves of many colours and limbs heavy with fruit. It offers a rich sense of the ways in which pain can mellow and create community.’ Australian Book Review ‘A study of loss, memory and displacement embodied in the lives of the previous generation, the refugees from Nazism and the war in Europe...In Zable’s sensitive hands, each individual story of survival belongs to all.’ Australian ‘The Fighter does not merely echo the slang of Melbourne’s once mean, working-class streets or the cries and clangs of its equally mean docks, but it also utterly inhabits its protagonist’s voice and perspective. This book is an intriguing, compelling, moving and lyrical hybrid between memoir and fiction, just like the many lives of its subject, Henry Nissen. Boxer, dock worker, social worker, son, brother, husband and father, Jew and Australian, Nissen’s life story is, literally, stranger than fiction — and more heart-breaking and inspiring than any novel could ever imagine. Zable unflinchingly tells Nissen’s inspiring and affecting story. In vivid, evocative prose he celebrates not only Nissen’s many unprecedented achievements in the boxing ring and his tireless, selfless work with Melbourne’s most desperate, but also the achievements of his family, friends, and community. Skilfully juxtaposing the intersections between boxing, fighting and survival, good luck and bad, sanity and madness, this sensitively written book is ultimately a paean of hope and dignity, generosity and optimism, courage and love.’ Judges’ comments NSW Premier’s Literary Awards
Many chemical substances or compounds - organic or inorganic, natural or synthetic - are not used in their pure form. In order for the active ingredient to be most effective or to obtain the ideal delivery form for the market, the actual synthesis and purification steps are followed by formulation to give end products that range from powders, agglomerates, and granules to suspensions, emulsions, microemulsions, microcapsules, instant preparations, liposomes, and tablets. Formulation combines colloid and surface chemistry with chemical process engineering; sometimes it consists of a simple mixing operation, sometimes it requires an entire series of rather complicated engineering procedures such as comminution, dispersion, emulsification, agglomeration or drying. This book covers basic physico-chemical theory as well as its applications in the chemical industry for the production of pharmaceuticals, agrochemicals, pigments and dyes, food, detergents, cosmetics and many other products; it also provides chemists and chemical engineers with the necessary practical tools for the understanding of the structure/ activity relationship.
Why Don't You Just Talk to Him? looks at the broad political contexts in which violence, specifically domestic violence, occurs. Kathleen Arnold argues that liberal and Enlightenment notions of the social contract, rationality and egalitarianism -- the ideas that constitute norms of good citizenship -- have an inextricable relationship to violence. According to this dynamic, targets of abuse are not rational, make bad choices, are unable to negotiate with their abusers, or otherwise violate norms of the social contract; they are, thus, second-class citizens. In fact, as Arnold shows, drawing from Nietzsche and Foucault's theories of power and arguing against much of the standard policy literature on domestic violence, the very mechanisms that purportedly help targets of domestic abuse actually work to compound the problem by exacerbating (or ignoring) the power differences between the abuser and the abused. The book argues that a key to understanding how to prevent domestic violence is seeing it as a political rather than a personal issue, with political consequences. It seeks to challenge Enlightenment ideas about intimacy that conceive of personal relationships as mutual, equal and contractual. Put another way, it challenges policy ideas that suggest that targets of abuse can simply choose to leave abusive relationships without other personal or economic consequences, or that there is a clear and consistent level of help once they make the choice to leave. Asking "Why Don't You Just Talk to Him?" is in reality a suggestion riven with contradictions and false choices. Arnold further explores these issues by looking at two key asylum cases that highlight contradictions within the government's treatment of foreigners and that of long-term residents. These cases expose problematic assumptions in the approach to domestic violence more generally. Exposing major injustices from the point of view of domestic violence targets, this book promises to generate further debate, if not consensus.
Xanthe is drawn to Ithaca, the birthplace of her father Manoli and her maternal grandfather Mentor. She is translating Mentor's manuscript, his story of leaving Ithaca and his life in Australia: fleeing the Kalgoorlie riots, working in Melbourne coffee houses with his compatriots, studying in the State Library, and learning to dream his way back to Ithaca and back to his lost son. Slowly she begins to understand her father's dark moods. The lure of the sea. The promise of fortune. And the ache for the hum of the Ionian winds, the rhythm of the looms and the silence of the rocky Ithacan soil. The island of Homer's Odyssey has beguiled readers for millennia. Master storyteller Arnold Zable takes us to modern-day Ithaca, to its mountains, its villages and its harbours, and into the houses of its people. Sea of Many Returns is a profound meditation on displacement, nostalgia and exile-a story that affirms the enduring resonance of the Odyssey for voyagers of all times.
Henry Nissen was a champion boxer, the boy from Amess Street in working-class Carlton who fought his way up to beat some of the world’s best in the 1970s. Now, he works on the Melbourne docks, loading and unloading, taking shifts as they come up. But his real work is on the streets. He’s in and out of police stations and courts giving character statements and providing support, working to give the disaffected another chance. And all the while, in the background is the memory of another fighter, his mother—and her devastating decline into madness. The Fighter is a moving and poetic portrait of a compassionate man, but also a window onto the unnoticed recesses of Melbourne. Arnold Zable is a highly acclaimed novelist, storyteller, educator and human rights advocate. His books include Jewels and Ashes, The Fig Tree, Café Scheherazade, Scraps of Heaven, Sea of Many Returns and Violin Lessons. He lives in Melbourne. ‘Written in Zable’s lyrical style, The Fighter reads like a novel. The text provides many aesthetic pleasures; it also has heart and soul. This is an excellent addition to the literature on the survivors of war, focussing on the grief their families inherit.’ Books + Publishing ‘A master storyteller.’ Australian Book Review ‘His ability to see the beauty in the ordinary in a world obsessed with the extraordinary informs every aspect of Zable’s writing.’ Australian ‘Arnold Zable is a writer who turns the unnoticed and the overlooked into something fine and lustrous.’ Courier-Mail ‘Arnold Zable is a long-distance athlete among novelists, and his command of his material is superb...Years of reflection and his own life experiences have contributed to the mastery with which Zable explores the themes of displacement, loss, nostalgia and homecoming in all of his books.’ Canberra Times ‘Arnold Zable performs his own masterclass in literary shadowboxing in The Fighter...[He] has a superb eye for detail and it serves the narrative exceptionally well...Zable channels the story of an ordinary man, a good man, who, to this day, is still winning on points.’ Saturday Paper ‘[Zable] takes the art of the novel—the attention to tone, rhythm and perspective—and applies it to the true story of Nissen...This book is about more [than boxing]: endeavor, belonging and redemption...It’s also about Melbourne, its light and shade, and the people who fall between the cracks and the ones who survive.’ Herald Sun ‘A poignant tale of fortitude, love and sorrow...Arnold Zable draws an evocative portrait of post-war Carlton, underpinning his story of the compassionate man and the forces that moulded him.’ Chronicle ‘A truly inspiring slice-of-life tale...[Zable] skilfully peels back the layers of Henry’s troubled mum Sonia and the effect it has had on the family.’ Adelaide Advertiser ‘Nissen is an unlikely hero, and Zable recreates his world with the utmost respect...The Fighter is an autumnal book, with leaves of many colours and limbs heavy with fruit. It offers a rich sense of the ways in which pain can mellow and create community.’ Australian Book Review ‘A study of loss, memory and displacement embodied in the lives of the previous generation, the refugees from Nazism and the war in Europe...In Zable’s sensitive hands, each individual story of survival belongs to all.’ Australian ‘The Fighter does not merely echo the slang of Melbourne’s once mean, working-class streets or the cries and clangs of its equally mean docks, but it also utterly inhabits its protagonist’s voice and perspective. This book is an intriguing, compelling, moving and lyrical hybrid between memoir and fiction, just like the many lives of its subject, Henry Nissen. Boxer, dock worker, social worker, son, brother, husband and father, Jew and Australian, Nissen’s life story is, literally, stranger than fiction — and more heart-breaking and inspiring than any novel could ever imagine. Zable unflinchingly tells Nissen’s inspiring and affecting story. In vivid, evocative prose he celebrates not only Nissen’s many unprecedented achievements in the boxing ring and his tireless, selfless work with Melbourne’s most desperate, but also the achievements of his family, friends, and community. Skilfully juxtaposing the intersections between boxing, fighting and survival, good luck and bad, sanity and madness, this sensitively written book is ultimately a paean of hope and dignity, generosity and optimism, courage and love.’ Judges’ comments NSW Premier’s Literary Awards
From the songs of Arab diva Umm Khultum on the banks of the Tigris to the strains of a young boy playing the violin for his mother in Melbourne, to the swing jazz of the nightclubs and cabarets of 1940s Baghdad, a fisherman playing a flute on the banks of the Mekong, and Paganini in the borderlands of eastern Poland... Music weaves its way through each of these spellbinding stories. Each tale, each fragment of music, leads to Amal, the woman who saved her life by clinging to a corpse for twenty hours alone in the sea. Arnold Zable takes the reader on an intimate journey into the lives of people he met on travels over the last forty years. These are tales aching to be told. Tales of hardship, of yearning and of celebration. Tales that span the globe, and bring us back to Melbourne to the powerful and heartbreaking story of Amal—her flight from Baghdad, her fears boarding the unseaworthy SIEV X, her survival when it went down, and her desire to have her story told.
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