This is the first volume to focus specifically on Rabindranath Tagore’s dramatic literature, visiting translations and adaptations of Tagore’s drama, and cross-cultural encounters in his works. As Asia’s first Nobel Laureate, Tagore’s highly original plays occupy a central position in the Indian theatrescape. Tagore experimented with dance, music, dance drama, and plays, exploring concepts of environment, education, gender and women, postcolonial encounters, romantic idealism, and universality. Tagore’s drama plays a generous host to experimentations with new performance modes, like the writing and staging of an all-women play on stage for the first time, or the use of cross-cultural styles such as Manipuri dance, Thai craft in stage design, or the Baul singing styles. This book is an exciting re-exploration of Tagore’s plays, visiting issues such as his contribution to Indian drama, drama and environment, feminist readings, postcolonial engagements, cross-cultural encounters, drama as performance, translational and adaptation modes, the non-translated or the non-translatable Tagore drama, Tagore drama in the 21st century, and Indian film. The volume serves as a wide-ranging and up-to-date resource on the criticism of Tagore drama, and will appeal to a range of Theatre and Performance scholars as well as those interested in Indian theatre, literature, and film.
The wave of liberalization in the 1990s changed forever the face of India. It bolstered the economy. It raised the stock index. It raised hem lines of skirts even more. It led to the growth of the fashion police And also the moral police. Numbered items became item numbers. To the twenty-two scheduled languages were added C, Cobol, Java. You were either watching sitcoms or starting dotcoms. News became entertainment. Entertainment became news. Terror struck the country-sometimes in the form of gunmen from across the border and sometimes in the form of Bollywood movies. To SMS-ize-'It wuz da best of tyms, it wuz da wrst of tyms' Having been a part of this chaotic revolution in popular culture, blogger Arnab Ray of greatbong.net takes a funny, sarcastic, politically incorrect and totally irreverent look at assorted random stuff including Bollywood C-grade revenge masalas, ribald songs of the people, movie punching, fake educational institutes, stubborn bathroom flushes, unreal reality shows, the benefits of corruption, opulent weddings, brains in toaster ovens, seedy theatres and pompous non-resident Indians.Nothing here is off-limits and no cow too holy.We guarantee it
Arnab Dey examines the intersecting role of law, ecology, and agronomy in shaping the history of tea and its plantations in British east India. He suggests that looking afresh at the legal, environmental, and agro-economic aspects of tea production illuminate covert, expedient, and often illegal administrative and commercial dealings that had an immediate and long-term human and environmental impact on the region. Critiquing this imperial commodity's advertised mandate of agrarian modernization in colonial India, Dey points to numerous tea pests, disease ecologies, felled forests, harsh working conditions, wage manipulation, and political resistance as examples of tea's unseemly legacy in the subcontinent. Dey draws together the plant and the plantation in highlighting the ironies of the tea economy and its consequences for the agrarian history of eastern India.
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