On 9 October 1967, Ernesto Che Guevara, Marxist guerrilla leader and hero of the Cuban Revolution, was captured and executed by Bolivian forces. When the Guevara family learned from the front pages that Che was dead, they decided to say nothing. Fifty years on, his younger brother, Juan Martin, breaks the silence to narrate his intimate memories and share with us his views of the character behind one of history's most iconic figures. Juan Martin brings Che back to life, as a caring and protective older brother. Alongside the many practical jokes and escapades they undertook together, Juan Martin also relates the two extraordinary months he spent with the Comandante in 1959, in Havana, at the epicentre of the Cuban Revolution. He remembers Che as an idealist and adventurer and also as a committed intellectual. And he tells us of their parents - eccentric, cultivated, bohemian - and of their brothers and sisters, all of whom played a part in his political awakening. This unique autobiographical account sheds new light on a figure who continues to be revered as a symbol of revolutionary action and who remains a source of inspiration for many who believe that the struggle for a better world is not in vain.
Cape Town’s public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the ‘research tools’ one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive ‘mother city’. Various of its constituent parts sound different from each other … [T]here is the sound of the singing men and their choirs (“teams” they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. […] There are texts of the hallowed ‘Dutch songs’ but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago – back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city." — Shamil Jeppie, Associate Professor, Department of Historical Studies, University of Cape Town
Voyage au bout de la nuit (1932), by Louis-Ferdinand Celine (1894-1961), and Zazie dans le metro (1959), by Raymond Queneau (1903-1976), were two revolutionary novels in their transposition of spoken language into written language. Since their publication they have been adapted into a broad range of media, including illustrated novel, bande dessinee, film, stage performance and recorded reading. What happens to their striking literary voices as they are transposed into media that combine text and image, sound and image, or consist of sound alone? In this study, Armelle Blin-Rolland examines adaptations sparked by these two seminal novels to understand what 'voice' means in each medium, and its importance in the process of adaptation.
This timely in-depth study of award-winning Kate Atkinson's work provides a welcome comprehensive overview of the novels, play and short stories. It explores the major themes and aesthetic concerns in her fiction. Combining close analysis and literary contextualisation, it situates her multi-faceted work in terms of a hybridisation of genres and innovative narrative strategies to evoke contemporary issues and well as the past. Chapters offer insights into each major publication (from Behind the Scenes at the Museum to Big Sky, the latest instalment in the Brodie sequence, through the celebrated Life After Life and subsequent re-imaginings of the war) in relation to the key concerns of Atkinson's fiction, including self-narrativisation, history, memory and women’s lives.
The Hedge Fund Compliance and Risk Management Guide provides you with a broad examination of the most important compliance and risk management issues associated with today’s hedge funds. Straightforward and accessible, this invaluable resource covers everything from how hedge funds continue to generate lucrative returns to why some use sophisticated instruments and financial engineering to get around fundamental regulatory laws.
On 9 October 1967, Ernesto Che Guevara, Marxist guerrilla leader and hero of the Cuban Revolution, was captured and executed by Bolivian forces. When the Guevara family learned from the front pages that Che was dead, they decided to say nothing. Fifty years on, his younger brother, Juan Martin, breaks the silence to narrate his intimate memories and share with us his views of the character behind one of history's most iconic figures. Juan Martin brings Che back to life, as a caring and protective older brother. Alongside the many practical jokes and escapades they undertook together, Juan Martin also relates the two extraordinary months he spent with the Comandante in 1959, in Havana, at the epicentre of the Cuban Revolution. He remembers Che as an idealist and adventurer and also as a committed intellectual. And he tells us of their parents - eccentric, cultivated, bohemian - and of their brothers and sisters, all of whom played a part in his political awakening. This unique autobiographical account sheds new light on a figure who continues to be revered as a symbol of revolutionary action and who remains a source of inspiration for many who believe that the struggle for a better world is not in vain.
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