This is a unique and enlightened insight into mental illness. This book has taken the author over two decades to write. A must-read for all interested in not just the working of the human brain but also its breakdown. This is an exciting new work that uses the latest ideas of the functioning of the human brain to tell a dark but true story of its dysfunction. This is his first novel,his first work of fiction.
Arjun Raina- Nine Contemporary Plays with stories from India, and the diaspora in Austria and Australia. This is the first-ever anthology of plays by a South Asian playwright and actor Arjun Raina. Arjun’s plays have been commissioned by, and performed at some of the finest theatre festivals of Europe, including the Zurich Specktakel, the Vienna Festwochen, Linz 09, the Bharat Rang Mahotsav, and the International theatre festival of Kerala. It encompasses a two-decade-long theatrical exploration of the lives of contemporary Indians, both in the home country, and in the diaspora of Austria and Australia. The works are a chronicle and critique of political, and contemporary social relationships in South Asia and the diaspora. The collection is bookended by plays concerned with two cataclysmic world events. The terrorist attacks on the World Trade Centre which is the backdrop for the first play, A Terrible Beauty is Born. Camp Darwin, the second last play in the anthology evokes a life lived in an Australian Quarantine Centre, during the present Coronavirus Pandemic. From the phenomenon of International Call Centres in India, to the political and economic fallout of a fast globalising India as played out over the bodies of its citizens, to the rise of Hindu Nationalism. Also the emotional trauma of Indian migrants in Austria, to issues of race and prejudice as experienced by the Indian Hawkers in 19th Century Australia. The authors own experience as a new migrant to Australia, the plays chronicle and critique the steady rise and increasing presence of South Asian/ Indian characters on the contemporary global creative consciousness. These Indian characters engage with American, Austrian, and Australian characters making for diverse and inclusive casts.
This book tells the story of teaching Kathakali, a seventeenth century Indian dance-drama, to contemporary performers in Australia. A rigorous analysis and detailed documentation of the teaching of multiple learners in Melbourne, both in the group workshop mode and one-on-one, combined with the author’s ethnographic research in India, leads to a unique insight into what the author argues persuasively is at the heart of the art’s aesthetic- a practical realisation of the theory of rasa as first articulated in the ancient Sanskrit treatise on drama The Natyashastra. The research references the latest discoveries in neuroscience on ‘mirror neurons’ and argues for a reconceptualization of Kathakali’s imitative methodology, advancing it from the reductive category of ‘mimicry’ to a more contemporary and complex mirroring which is where its value lies in Australian actor performer training. The Teaching of Kathakali in Australia will be of great interest to students and scholars of theatre and dance, intercultural actor training, practice-led research, and interdisciplinary studies of neuroscience and performance.
This is a unique and enlightened insight into mental illness. This book has taken the author over two decades to write. A must-read for all interested in not just the working of the human brain but also its breakdown. This is an exciting new work that uses the latest ideas of the functioning of the human brain to tell a dark but true story of its dysfunction. This is his first novel,his first work of fiction.
This book tells the story of teaching Kathakali, a seventeenth century Indian dance-drama, to contemporary performers in Australia. A rigorous analysis and detailed documentation of the teaching of multiple learners in Melbourne, both in the group workshop mode and one-on-one, combined with the author’s ethnographic research in India, leads to a unique insight into what the author argues persuasively is at the heart of the art’s aesthetic- a practical realisation of the theory of rasa as first articulated in the ancient Sanskrit treatise on drama The Natyashastra. The research references the latest discoveries in neuroscience on ‘mirror neurons’ and argues for a reconceptualization of Kathakali’s imitative methodology, advancing it from the reductive category of ‘mimicry’ to a more contemporary and complex mirroring which is where its value lies in Australian actor performer training. The Teaching of Kathakali in Australia will be of great interest to students and scholars of theatre and dance, intercultural actor training, practice-led research, and interdisciplinary studies of neuroscience and performance.
Arjun Raina- Nine Contemporary Plays with stories from India, and the diaspora in Austria and Australia. This is the first-ever anthology of plays by a South Asian playwright and actor Arjun Raina. Arjun’s plays have been commissioned by, and performed at some of the finest theatre festivals of Europe, including the Zurich Specktakel, the Vienna Festwochen, Linz 09, the Bharat Rang Mahotsav, and the International theatre festival of Kerala. It encompasses a two-decade-long theatrical exploration of the lives of contemporary Indians, both in the home country, and in the diaspora of Austria and Australia. The works are a chronicle and critique of political, and contemporary social relationships in South Asia and the diaspora. The collection is bookended by plays concerned with two cataclysmic world events. The terrorist attacks on the World Trade Centre which is the backdrop for the first play, A Terrible Beauty is Born. Camp Darwin, the second last play in the anthology evokes a life lived in an Australian Quarantine Centre, during the present Coronavirus Pandemic. From the phenomenon of International Call Centres in India, to the political and economic fallout of a fast globalising India as played out over the bodies of its citizens, to the rise of Hindu Nationalism. Also the emotional trauma of Indian migrants in Austria, to issues of race and prejudice as experienced by the Indian Hawkers in 19th Century Australia. The authors own experience as a new migrant to Australia, the plays chronicle and critique the steady rise and increasing presence of South Asian/ Indian characters on the contemporary global creative consciousness. These Indian characters engage with American, Austrian, and Australian characters making for diverse and inclusive casts.
Cayden Wilson is just an ordinary boy living a normal life with his adoptive family. But destiny has far greater plans in store when celebrated fantasy author Evelyn Porter inexplicably appears, triggering a cosmic convergence that awakens Cayden's long-dormant power as the legendary Dragonborn - a mythical being prophesied to serve as the living nexus that harmonizes the primal cadences of Light and Darkness across all planes of existence.
Welcome to Shore Mount ? one of India's most prestigious co-ed residential schools. Here, short skirts reign and sports stars are revered, and skinny dips and sneaking girls into boys' rooms are as much a part of the curriculum as the cool Mr Gomez's literature lessons... Into this world arrives Nirvan Shrivastava, with tremendous expectations weighing on his shoulders. After all, he's following in the footsteps of three generations of brilliant Shrivastavas immortalized on every possible honors board in the school. As he hesitatingly negotiates the crazy roller-coaster ride that is life at Shore Mount, he finds true buddies in Gautam, an unlikely musical genius obsessed with all things edible, and Faraz, the slick ladies' man. Together the boys discover that in Shore Mount survival means much more than braving the chill of heater-less dorms, or scrubbing toilets clean with toothbrushes. And as they learn to stand up to vicious bullies on and off the playing fields and survive the agony of heartaches and broken bones, they find themselves hurtling towards adulthood far sooner than they could have ever imagined...
India’s armed forces play a key role in protecting the country and occupy a special place in the Indian people’s hearts, yet standard accounts of contemporary Indian history rarely have a military dimension. In India’s Wars, serving Air Vice Marshal Arjun Subramaniam seeks to rectify that oversight by giving India’s military exploits their rightful place in history. Subramaniam begins India’s Wars with a frank call to reinvigorate the study of military history as part of Indian history more generally. Part II surveys the development of the India’s army, navy, and air force from the early years of the modern era to 1971. In Parts III and IV, Subramaniam considers conflicts from 1947 to 1962 as well as conflicts with China in 1962 and Pakistan in 1965 and 1971. Part V concludes by assessing these conflicts through the lens of India’s ancient strategist, Kautilya, who is revered in India as much as Sun Tzu is in China. Not merely a wide-ranging historical narrative of India’s military performance in battle, India’s Wars also offers a strategic, operational, and human perspective on the wars fought by independent India’s armed forces. Subramaniam highlights possible ways to improve the synergy between the three services, and argues in favor of the declassification of historical material pertaining to national security. The author also examines the overall state of civil-military relations in India, leadership within the Indian armed forces, as well as training, capability building, and other vitally important issues of concern to citizens, the government, and the armed forces. This objective and critical analysis provides policy cues for the reinvigoration of the armed forces as a critical tool of statecraft and diplomacy. Readers will come away from India’s Wars with a greater understanding of the international environment of war and conflict in modern India. Laced with veterans’ intense experiences in combat operations, and deeply researched and passionately written, it unfolds with surprising ease and offers a fresh perspective on independent India’s history.
A Military History of India since 1972 is a definitive work of military history that gives the Indian military its rightful place as a key contributor to Indian democracy. Arjun Subramaniam offers an engaging narrative that combines superb storytelling with the academic rigor of deep research and analysis. It is a comprehensive account of India’s resolute, responsible, and restrained use of force as an instrument of statecraft and how the military has played an essential role in securing the country’s democratic tradition along with its rise as an economic and demographic power. This book is also about how the Indian nation-state and its armed forces have coped with the changing contours of modern conflict in the decades since 1972. These include the 2016 “surgical” or cross-border strikes by the Indian Army’s Special Forces across the line of control with Pakistan, the face-off with the Chinese at Doklam in 2017 and in Ladakh in 2020, the preemptive punitive strikes by the Indian Air Force against terrorist camps in Pakistan in 2019, and the large-scale aerial engagement between the Indian Air Force and the Pakistan Air Force the following day. These conflicts also include the long-running insurgencies in the northeast, terrorism and proxy war in Jammu and Kashmir, separatist violence in Punjab, and the Indian Peacekeeping Force’s intervention in Sri Lanka. The author also includes a chapter on the development of India’s nuclear capabilities. Arjun Subramaniam enlivens the narrative with a practitioner’s insights amplified by interviews and conversations with almost a hundred serving and retired officers, including former chiefs from all three armed forces, for an in-depth exploration of land, air, and naval operations. The structure of the book offers readers a choice of either embarking on a comprehensive and chronological examination of war and conflict in contemporary India or a selective reading based on specific time lines or campaigns.
Water is useful for life activities of human beings. It is used for various purposes like drinking, irrigation, transport, sanitation, power generation and industries. Water is the most important and essential abiotic factor of all kinds of ecosystem and it also forms the habitat for enormous varieties of organisms. In other words, water forms the largest ecosystem, that is aquatic ecosystem of the biosphere. Global water is broadly classified into two classes viz fresh water and salt water. Fresh water present in lentic and lotic form. The rise and fall in chemical and physical factors of water bodies frequently affect the flora & fauna, alternating their number and diversity. About 97% of earths water is ocean water. It is saline and not useful for drinking and irrigation. Rest of 02% is in the form of ice at Polar Regions.
One of India’s best-loved film directors, Hrishikesh Mukherjee is perhaps best known today for his perennially popular creations like Anand, Chupke Chupke and Gol Maal. But Hrishi-da’s best work was provocative, wide-ranging and always aware of the complexities of people and their relationships. Often combining breezy narratives with serious ideas, his films created a distinct world with recurring themes. Jai Arjun Singh looks closely at Hrishikesh Mukherjee’s oeuvre, from well-known films like Satyakam, Guddi, Abhimaan and Khubsoorat to lesser known works such as Mem-Didi, Biwi aur Makaan and Anuradha. Combining a fan’s passion with a critic’s rigour, The World of Hrishikesh Mukherjee is a must-read for anyone who takes their filmed entertainment seriously.
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