The Birds is a comic play by the Greek playwright Aristophanes. It garnered awards in 141 BC when it was first performed, and continues to be critically received today. A middle-aged Athenian convinces the world's birds to build a new city between the heavens and the earth. This position fortuitously allows them to intercept all communication of gods and men. The Athenian is transformed into a bird-like figure and with the help of his winged friends - and others - he replaces Zeus as the master of heaven and earth.
This classic comedy — from the 5th century BC — concerns the vow of Greek women to withhold sex from their husbands until the men agree to end the disastrous wars between Athens and Sparta. An exuberant battle of the sexes with underlying anti-war theme.
This volume is the first edition with commentary since 1907 of Aristophanes' last surviving play, in which, as so often before, an audacious and imaginative hero finds a miraculous remedy for the all-too-real ills of the contemporary world in this case the concentration of wealth in the hands of those who don't deserve it at the expense of ...
If the American Editor of this little volume (which is sent forth as a test of the character of American learning) deemed it either expedient or necessary to expatiate upon the merits of an author so celebrated and gifted as A ristophanes, he might extend his eulogia beyond the patient perusal of the moderns. The eloquent and erudite preliminary discourse by the accomplished translator, however, anticipates the remarks which otherwise would be expanded. No satirist, ancient or modern, ever enjoyed the deserved reputation of A ristophanes, and no one ever depicted, in colors so vivid and unfading, the essential and peculiar characteristics of democracy. As he lived under the dominion of the Universal People, he thoroughly understood the qualities of the democrats whom he has ridiculed and immortalized; and he never shrunk, when occasion demanded, from the exposure of flagrant abuses. Therefore, we commend, earnestly commend the perusal of this volume to our literary countrymen: and if the reception of this limited edition of a single comedy shall justify the editor in the more enlarged republication of all the works of A ristophanes, he will rejoice in the opportunity, thus afforded, of instructing and enlightening his countrymen.
Visiting the underworld, the god Dionysus seeks the counsel of the dead tragedians Aeschylus and Euripides on how to bring good writing back to Athens. A fierce debate - full of scathing insults and literary satire - ensues between the two dramatists.
Aristophanes is the only surviving representative of Greek Old Comedy, an exuberant form of festival drama which flourished in Athens during the fifth century BC. One of the most original playwrights in the entire Western tradition, his comedies are remarkable for their brilliant combination of fantasy and satire, their constantly inventive manipulation of language, and their use of absurd characters and plots to expose his society's institutions and values to the bracing challenge of laughter. This vibrant collection of verse translations of Aristophanes' works combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy. The volume presents Clouds, with its famous caricature of the philosopher Socrates; Women at the Thesmophoria (or Thesmophoriazusae), a work which mixes elaborate parody of tragedy with a great deal of transvestite burlesque; and Frogs, in which the dead tragedians Aeschylus and Euripides engage in a vituperative contest of 'literary criticism' of each other's plays. Featuring expansive introductions to each play and detailed explanatory notes, the volume also includes an illuminating appendix, which provides information and selected fragments from the lost plays of Aristophanes.
Frogs is by common consent one of the finest achievements of Aristophanes (456 BC to 386 BC), the greatest writer of comic drama in classical Athens and among most famous writers of dramatic comedy in our Western tradition. The play was first performed at a Festival of Dionysus in Athens in 405 BC, at a time when the disastrous Peloponnesian War between Athens and Sparta was nearing its end. The production so popular that it received the extraordinary honor of a second production and Aristophanes received a special honor from the city.In the play the god Dionysus, in the form of a middle-aged human being, insists on travelling to Hades to bring back the tragic poet Euripides (who had died the year before), so that Athens can once again enjoy fine poetry. His slave Xanthias accompanies him. The trip is full of robust comical encounters with a range of characters, including Hercules, Charon, the famous Chorus of the Frogs, various underworld figures, and, finally Euripides and Aeschylus, who stage a debate over which of them is the greatest poet, an argument which has them mercilessly satirizing each other's workFor all its extremely funny stage business, Frogs raises some important and still relevant questions about the nature of dramatic art and the role of the dramatist. It also explores and exposes the self-serving attitudes of citizens during a time of war.
This vibrant collection of verse translations of Aristophanes' works-featuring Clouds, Women at the Thesmophoria (or Thesmophoriazusae), and Frogs-combines historical accuracy with a sensitive attempt to capture the rich dramatic and literary qualities of Aristophanic comedy.
The story of 'Plutus' concerns Chremylus, a poor but just man, who accompanied by his body-servant Cario, consults the Delphic Oracle concerning his son, whether he ought not to be instructed in injustice and knavery and the other arts whereby worldly men acquire riches. By way of answer the god only tells him that he is to follow whomsoever he first meets upon leaving the temple, who proves to be a blind and ragged old man.
The acknowledged master of Greek comedy, Aristophanes brilliantly combines serious political satire with bawdiness, pyrotechnical bombast with delicate lyrics. "Lysistrata and Other Plays" features his four most celebrated masterpieces: THE CLOUDS, THE BIRDS, LYSISTRATA, and THE FROGS. This edition features wonderful translations of "The Clouds", "The Birds", "Lysistrata", and "The Frogs". The humor and satire is well-managed within the translation, particularly within "Lysistrata". The bantering dialogue within the play is hilarious from the exhortations of the women to their fellow sisters to abstain from sex with their men (regardless of their own strong, womanly desires) to the tongue-in-cheek dialogue between a teasing wife and her impatient husband, to the final division of land to be 'presented' in the form of a nude lady acting as a visual aid. "Lysistrata and Other Plays " includes THE CLOUDS. The most controversial of Aristophanes' plays, it is a brilliant caricature of the philosopher Socrates, seen as a wily sophist who teaches men to cheat through cunning argument. THE BIRDS: This portrayal of a flawed utopia called Cloudcuckooland is an enchanting escape into the world of free-flying fantasy that explores the eternal dilemmas of man on earth. LYSISTRATA: In the twenty-first year of the Peloponnesian War, the women of Athens and Sparta, tired of the incessant fighting between their men, resolve to withhold sex from their husbands until peace is settled. THE FROGS: Visiting the underworld, the god Dionysus seeks the counsel of the dead tragedians Aeschylus and Euripides on how to bring good writing back to Athens. A fierce debate - full of scathing insults and literary satire - ensues between the two dramatists.
Aristophanes was a Greek living c. 456 B C. He is known as the Father of Comedy and the Prince of Ancient Comedy. The main character of this satirical play is Socrates. This humorous look at academia is also the first self-referential piece of drama. In the middle of the play the playwright takes the stage and criticizes the audience for not having a sense of humor.
Aristophanes' "Esslesiazusae", written in the early 4th Century BC, marks a crossroads in his career. Post-dating the Peloponnesian War, it reflects a late change in his writing and a much changed society. This edition includes the complete text.
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