Sometimes a flower can be deadly unleashing a hell that can cause a man to lose his soul... Nicodemus LaCroix is a deranged man hellbent on making his family proud by becoming Senator of Louisiana, but he has a small problem- his insatiable appetite for killing women. Now, following the untimely and mysterious death of his beautiful wife, Marielle, he will find out exactly who he married and just how deep her blood runs within the secret societies of Haitian voodoo. Will he survive long enough to become Senator and overcome his lust for killing, or will he lose his soul to become the most feared living dead thanks to the secrets of his Deadly Magnolia? Show more Show less
Christina Calderon is a spoiled little rich girl, sheltered from the outside world due to her father's iron rule over his family. It's tough being the only daughter to Richmond's largest boss in organized crime, but Christina manages... that is until she meets Dutch. Follow Christina as she experiences the sting of betrayal, lies, and murder after being confronted with her controversial past in "Monster.
Christina Calderon is a spoiled little rich girl, sheltered from the outside world due to her father's iron rule over his family. It's tough being the only daughter to Richmond's largest boss in organized crime, but Christina manages... that is until she meets Dutch. Follow Christina as she experiences the sting of betrayal, lies, and murder after being confronted with her controversial past in "Monster.
Sometimes a flower can be deadly unleashing a hell that can cause a man to lose his soul... Nicodemus LaCroix is a deranged man hellbent on making his family proud by becoming Senator of Louisiana, but he has a small problem- his insatiable appetite for killing women. Now, following the untimely and mysterious death of his beautiful wife, Marielle, he will find out exactly who he married and just how deep her blood runs within the secret societies of Haitian voodoo. Will he survive long enough to become Senator and overcome his lust for killing, or will he lose his soul to become the most feared living dead thanks to the secrets of his Deadly Magnolia? Show more Show less
Giordano Bruno and the Geometry of Language brings to the fore a sixteenth-century philosopher's role in early modern Europe as a bridge between science and literature, or more specifically, between the spatial paradigm of geometry and that of language. Arielle Saiber examines how, to invite what Bruno believed to be an infinite universe-its qualities and vicissitudes-into the world of language, Bruno forged a system of 'figurative' vocabularies: number, form, space, and word. This verbal and symbolic system in which geometric figures are seen to underlie rhetorical figures, is what Saiber calls 'geometric rhetoric.' Through analysis of Bruno's writings, Saiber shows how Bruno's writing necessitates a crafting of space, and is, in essence, a lexicon of spatial concepts. This study constitutes an original contribution both to scholarship on Bruno and to the fields of early modern scientific and literary studies. It also addresses the broader question of what role geometry has in the formation of any language and literature of any place and time.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.