(CONTINUED from AUTHOR BIO)To Lestat My writing of the book seems that of memory. But my writing of the book is LOVE ; because Love dwells in Memory Lestat. And because Love dwells in Memory, my writing of the book is the same as I LOVE YOU. So I Love You. With Love, and thereof Memory, With Memory, and thereof Love, Red-breasted Tongueless Bird Tearing the Sky throatily, Ariel Wolfe * * * * * There has been a lot about Love. And this book may tell 'about' the same. However, it is different because it was originally written for the sake of a melancholy Genius who constantly is to be replenished with a nightly dose of novel passion, and because it is written by a passionate Asian woman whose mind is always seething with fleeting thoughts and imagination and whose heart is full of passion, pity and love. Apparently it is a love story in a form of verse extracted from over 1,200 letters between an Asian poetess and an American musician (or a Vampire and a Vampire-Lover; or simply two Pain-kissers) that have never met in person but through music and internet, and pain - And both egos are alike in that they hated the world from the bottom of the guts, although they emulated each other in demonstrating how much they loved the world - yet at once they always wanted to create something more than the world. It is not about pinky rosy weakling Love. It is much of blood from naked soul. It is a voice unique, something else than human that has been sleeping in the human. And it is not for people. Pain is how these two souls were connected at first and Passion comes in place. To quote her: "Without pain, neither pleasure nor happiness can be. Even beauty, without suffering, cannot be true beauty enduring. Sheer happiness, with passion castrated, is simply incomplete. Therefore, it is about pleasure, happiness, beauty and passion embracing pain within." -Editor M. Channdler- * * * * * Introduction October 3, 2004, I release the heavy fardel long-loaded upon my soul into the lighted world, from my own secret terrain, that darkly shadowed nook of my heart, encysting a seed of ever-implacable fire, hotly transfused into the pith of my bone, marked by a rebellious sensation of constant burning. Amongst all those humanities, ghosts and specters, aged and ageless, formed and formless, somewhere distant by a half round of the planet, there existed an eclipsed ego of a Genius, J. Lestat S., a soul kindred to mine who managed, Oh blind God, to crash into my soul this life again on that narrow path of fate, with all the labyrinthine, slow snaky trails that seem interminable, heavily packed with the despairingly huge, pitiably blind multitude of crowd aimlessly revolving among. Oh, blind God, You there over stared at us, that, Ah, look of fate, of permanent pity and apathy, of indelible mark of lugubrious memory, and of implacable hunger and of unspeakable grief ever unfathomed so far and forever. Amidst an irreparable fever, Besieged by a thickened air of exile, And in the spinning axis of time, Ariel Wolfe from the counterpoint shore-end of the Haven of origin * * * * * To the Reader: With Tears, Liquors & Roses Ah, Lord, I cannot speak, for I am a child. [Jeremiah 1:6] We were two isolated continents parted by the gaping gulf of grieved water whose rumpled page margins were not to be met together, nor whose benign surface to cut short to bump together, or whose hospitable current to dwindle to one slim graceful confluence to crash together. Such is the same as the wor
This book provides theoretical and practical insights for effective decision making in situations that involve various types of conflict cleavages. Embedding historical analysis, negotiation analysis, political scientific analysis and game theoretical analysis in an integrated analytical framework allows a comprehensive perspective on various dilemmas and self-enforcing dynamics that inhibit decision making. The conceptualization of strategic facilitation highlights the value of leadership, chairmanship and the role of threshold states in facilitating decision making as the global climate change negotiations unfolds.
Historically, the scientific method has been said to require proposing a theory, making a prediction of something not already known, testing the prediction, and giving up the theory (or substantially changing it) if it fails the test. A theory that leads to several successful predictions is more likely to be accepted than one that only explains what is already known but not understood. This process is widely treated as the conventional method of achieving scientific progress, and was used throughout the twentieth century as the standard route to discovery and experimentation. But does science really work this way? In Making 20th Century Science, Stephen G. Brush discusses this question, as it relates to the development of science throughout the last century. Answering this question requires both a philosophically and historically scientific approach, and Brush blends the two in order to take a close look at how scientific methodology has developed. Several cases from the history of modern physical and biological science are examined, including Mendeleev's Periodic Law, Kekule's structure for benzene, the light-quantum hypothesis, quantum mechanics, chromosome theory, and natural selection. In general it is found that theories are accepted for a combination of successful predictions and better explanations of old facts. Making 20th Century Science is a large-scale historical look at the implementation of the scientific method, and how scientific theories come to be accepted.
A groundbreaking introduction to the photographic work of an iconic modern artist The pathbreaking artist Georgia O'Keeffe (1887-1986) is revered for her iconic paintings of flowers, skyscrapers, animal skulls, and Southwestern landscapes. Her photographic work, however, has not been explored in depth until now. After the death of her husband, the photographer Alfred Stieglitz, in 1946, photography indeed became an important part of O'Keeffe's artistic production. She trained alongside the photographer Todd Webb, revisiting subjects that she had painted years before--landforms of the Southwest, the black door in her courtyard, the road outside her window, and flowers. O'Keeffe's carefully composed photographs are not studies of detail or decisive moments; rather, they focus on the arrangement of forms. This is the first major investigation of O'Keeffe's photography and traces the artist's thirty-year exploration of the medium, including a complete catalogue of her photographic work. Essays by leading scholars address O'Keeffe's photographic approach and style and situate photography within the artist's overall practice. This richly illustrated volume significantly broadens our understanding of one of the most innovative artists of the twentieth century.
Throughout history, magic has been as widely and passionately practiced as religion. But while religion continues to flourish, magic stumbles towards extinction. What is magic? What does it do? Why do people believe in magic? Ariel Glucklich finds the answers to these questions in the streets of Banaras, India's most sacred city, where hundreds of magicians still practice ancient traditions, treating thousands of Hindu and Muslim patients of every caste and sect. Through study and interpretation of the Banarsi magical rites and those who partake in them, the author presents fascinating living examples of magical practice, and contrasts his findings with the major theories that have explained (or explained away) magic over the last century. These theories, he argues, ignore an essential sensory phenomenon which he calls "magical experience": an extraordinary, though perfectly natural, state of awareness through which magicians and their clients perceive the effects of magic rituals.
Big-Leaf Mahogany is the most important commercial timber species of the tropics. Current debate concerning whether to protect it as an endangered species has been hampered by the lack of complete, definitive scientific documentation. This book reports on vital research on the ecology of big-leaf mahogany, including genetic variations, regeneration, natural distribution patterns and the silvicutural and trade implications for the tree.
How tort, contract, and restitution law can be reformed to better serve the social good Lawyers, judges, and scholars have long debated whether incentives in tort, contract, and restitution law effectively promote the welfare of society. If these incentives were ideal, tort law would reduce the cost and frequency of accidents, contract law would lubricate transactions, and restitution law would encourage people to benefit others. Unfortunately, the incentives in these laws lead to too many injuries, too little contractual cooperation, and too few unrequested benefits. Getting Incentives Right explains how law might better serve the social good. In tort law, Robert Cooter and Ariel Porat propose that all foreseeable risks should be included when setting standards of care and awarding damages. Failure to do so causes accidents that better legal incentives would avoid. In contract law, they show that making a promise often causes the person who receives it to change behavior and undermine the cooperation between the parties. They recommend several solutions, including a novel contract called "anti-insurance." In restitution law, people who convey unrequested benefits to others are seldom entitled to compensation. Restitution law should compensate them more than it currently does, so that they will provide more unrequested benefits. In these three areas of law, Getting Incentives Right demonstrates that better law can promote the well-being of people by providing better incentives for the private regulation of conduct.
This book explores the potential of domestic abuse data to assess the level of harm caused to victims and the amount of resources required to respond to it. Policing domestic abuse has become a major activity for the police service in England and Wales. Part of the police strategy is to gather hundreds of thousands of detailed records about victims and suspects – the single largest set of domestic abuse records available, but one that to date has largely unexplored by researchers. In this volume, Matthew Bland and Barak Ariel analyse three substantial datasets taken from police forces across the country and ask: · Can police data be used to derive meaningful insight? · How should we use these data to measure harm? · Just how much domestic abuse involves a repeat victim? · Does abuse get more serious over time? · Can serious domestic abuse be predicted before it occurs? This volume illustrates the scale of the challenge the police and other agencies face with reducing domestic abuse. A small proportion of individuals generate a majority of harm; this book argues that police records offer opportunities to identify these individuals before the harm occurs. Demonstrating that statistical techniques can be used to profile domestic abuse to target harm reduction strategies more precisely and even identify a sizable proportion of serious cases before they occur, this volume will be of interest to law enforcement officials, policing researchers, and policy makers interested in reducing the phenomenon of domestic abuse.
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