The enduring search for female salvation in American literature is first expressed through typology, an interpretive framework that pairs type with antitype, historical scriptural promise with future spiritual fulfillment. When Cotton Mather invokes the typos of Esther in Ornaments of the Daughters of Zion, a Puritan conduct book, he offers a female type of divine wisdom, authority and force. In the biblical Book of Esther, Esther acts as a female type of wisdom and redemption, but her story also engages the larger history of Hebrew salvation. In nineteenth-century America, Margaret Fuller seeks to extend the spiritual claims once made by Mather and establish the role of the divine female in the salvation of American culture and society. Fuller supplants the type of male sacrifice with a type of female transfiguration in works such as Woman in the Nineteenth Century. Nathaniel Hawthorne then transforms these iconoclastic ideals into literary life by engaging the multi-faceted figure of Esther as a typos of female redemption and salvation in “Legends of the Province House,” The Scarlet Letter, The Blithedale Romance, and The Marble Faun. Through his female characters -- Esther Dudley, Hester Prynne, Zenobia, and Miriam -- he seeks to fulfill the divine destiny of the American woman. Hawthorne discovers, however, that female redemption is followed by revenge, as Esther turns from saving her people to ensuring an end to their oppression. When Henry Adams later revives Esther Dudley in his novel Esther, he rejects male redemption for the American woman. In Democracy, Esther, Mont Saint Michel, and The Education of Henry Adams, Adams envisions an independent, eternal woman who can rival the political, scientific, artistic, and theological power of men. The movement from male to female salvation is achieved when the terms of female redemption are transformed and the American woman is established as her own source of divine wisdom, power, retribution, and force. The typology of female transfiguration in America is fulfilled by Fuller, Hawthorne, and Adams through the promise extended by the type of Esther.
The enduring search for female salvation in American literature is first expressed through typology, an interpretive framework that pairs type with antitype, historical scriptural promise with future spiritual fulfillment. When Cotton Mather invokes the typos of Esther in Ornaments of the Daughters of Zion, a Puritan conduct book, he offers a female type of divine wisdom, authority and force. In the biblical Book of Esther, Esther acts as a female type of wisdom and redemption, but her story also engages the larger history of Hebrew salvation. In nineteenth-century America, Margaret Fuller seeks to extend the spiritual claims once made by Mather and establish the role of the divine female in the salvation of American culture and society. Fuller supplants the type of male sacrifice with a type of female transfiguration in works such as Woman in the Nineteenth Century. Nathaniel Hawthorne then transforms these iconoclastic ideals into literary life by engaging the multi-faceted figure of Esther as a typos of female redemption and salvation in “Legends of the Province House,” The Scarlet Letter, The Blithedale Romance, and The Marble Faun. Through his female characters -- Esther Dudley, Hester Prynne, Zenobia, and Miriam -- he seeks to fulfill the divine destiny of the American woman. Hawthorne discovers, however, that female redemption is followed by revenge, as Esther turns from saving her people to ensuring an end to their oppression. When Henry Adams later revives Esther Dudley in his novel Esther, he rejects male redemption for the American woman. In Democracy, Esther, Mont Saint Michel, and The Education of Henry Adams, Adams envisions an independent, eternal woman who can rival the political, scientific, artistic, and theological power of men. The movement from male to female salvation is achieved when the terms of female redemption are transformed and the American woman is established as her own source of divine wisdom, power, retribution, and force. The typology of female transfiguration in America is fulfilled by Fuller, Hawthorne, and Adams through the promise extended by the type of Esther.
In this powerful cultural critique, Ariel Dorfman explores the political and social implications of the smiling faces that inhabit familiar books, comics, and magazines. He reveals the ideological messages conveyed in works of popular culture such as the Donald Duck comics, the Babar children’s books, and Reader’s Digest magazine. The Empire’s Old Clothes was widely praised when it was first published in 1983. This edition, including a new preface by the author, makes a contemporary classic newly available.
This is a study of the most fascinating and idiosyncratic of all seventeenth-century figures: Thomas Totney (1608-1659), a London puritan, goldsmith and veteran of the Civil War. In November 1649, after fourteen weeks of self-abasement, fasting and prayer, Totney experienced a profound spiritual transformation and declared himself TheaurauJohn Tany, 'a Jew of the Tribe of Reuben' descended from Aaron the High Priest. During his prophetic phase Tany enacted a millenarian mission to restore the Jews to their own land and wrote a number of remarkable but elusive works. By contextualizing and then unraveling the mind of this exceptional person, this book provides a clearer view of what it was like living in the wake of the English Revolution, when freed men and women spoke their minds and challenged the times.
From the bestselling author of Code Name Hélène comes a gripping historical mystery inspired by the life and diary of Martha Ballard, a renowned 18th-century midwife who investigates a shocking murder that unhinges her small community. Maine, 1789: When a man is found entombed in the frozen Kennebec River, Martha Ballard is summoned to examine the body and determine cause of death. As the local midwife and healer, Martha is good at keeping secrets. Her diary is a record of every birth, death and debacle that unfolds in the town of Hallowell. In that diary she has also documented the details of an alleged rape committed by one of the town’s most esteemed gentlemen – the same man who has now been found dead in the ice. While certain townspeople are eager to put both matters to rest, Martha suspects that the two crimes are linked, and that there is more to both cases than meets the eye. Over the course of one long, hard winter, whispers and prejudices mount, and Martha’s diary lands at the centre of the scandal, threatening to tear both her family and her community apart. The Frozen River is a thrilling, tense and tender story of an unsung heroine who refused to accept anything less than justice on behalf of those no one else would protect. ‘A gripping mystery, a touching love story, and a fascinating account of the life and times of women … Brilliantly atmospheric, with characters who leap off the page, a beautifully rendered landscape and an icy tension that pulls you through each chapter.’ Hannah Richell, bestselling author of The Search Party 'The Frozen River is so vivid, so textured and multi-layered that I felt I'd opened a door and entered post-revolutionary America ... This novel was unlike anything I'd read before, and it left me awe-struck.' Lauren Belfer, New York Times bestselling author
From the National Book Critics Circle Award-winning author comes the gripping true story of a sensational religious forgery and the scandal that shook Harvard. In 2012, Dr. Karen King, a star religion professor at Harvard, announced a breathtaking discovery just steps from the Vatican: she’d found an ancient scrap of papyrus in which Jesus calls Mary Magdalene “my wife.” The mysterious manuscript, which King provocatively titled “The Gospel of Jesus’s Wife,” had the power to topple the Roman Catholic Church. It threatened not just the all-male priesthood, but centuries of sacred teachings on marriage, sex, and women’s leadership, much of it premised on the hallowed tradition of a celibate Jesus. Award-winning journalist Ariel Sabar covered King’s announcement in Rome but left with a question that no one seemed able to answer: Where in the world did this history-making papyrus come from? Sabar’s dogged sleuthing led from the halls of Harvard Divinity School to the former headquarters of the East German Stasi before landing on the trail of a Florida man with an unbelievable past. Could a motorcycle-riding pornographer with a fake Egyptology degree and a prophetess wife have set in motion one of the greatest hoaxes of the century? A propulsive tale laced with twists and trapdoors, Veritas is an exhilarating, globe-straddling detective story about an Ivy League historian and a college dropout—and how they worked together to pass off an audacious forgery as a long-lost piece of the Bible.
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