Imagine that your favorite song is playing on your local R&B station as you stare at yourself in the mirror. Only you know that Curves can drive a man crazy and sometimes into a world destruction. Curves, hips, and thighs; keep the men on their toes and takes them on a ride they never thought they could go. Join me as I press play on your favorite record with the juiciest stories by none other than Ariel Carter, Dominique Cole, and Miss Dee.
Naomi Knight was married to her husband for ten years. She never thought she would see the day that her husband Rashaad would turn her away. She finds herself in a downward spiral all on the account of her husband's negligence. What will happen if she meets someone who is willing to fill the empty void her husband has left behind? Will she give in, or do what it takes to save her marriage? Is Rashaad as squeaky clean as we think? Is Naomi reading too much into both of their busy careers? What happens when it all falls apart and love isn't enough? Stay tuned for the heartbreaking, real life story that will have your emotions all over the place.
A mysterious object has been stolen from the British Museum. A group of religious fanatics intends to use it to give life to an evil creature, using an old lost language, that of angels. Adams, a young priest, together with the old chaplain Martin, will seek the help of Professor Thomas Dee, who knows Enochian, a language created by his great-great-grandfather John Dee. In search of a forbidden book, they will begin this adventure that will take them through Spain, France, Italy, Germany, Greece, the United Kingdom, the Czech Republic, Russia, Turkey, Mexico and Antarctica itself. Following in the footsteps of Lovecraft and his Myths, they will seek the answer in the Necronomicon and other Grimoires that will teach them to close the evil portal. They will come across characters like Nostradamus, Rasputin, Alice Crowley, Van Gogh and Merlin. They will also delve into the mysteries of Kabbalah and Alchemy. They will analyze the Crusades, the Holy Inquisition, the Cathars and the Essenes. Only the Angels will be able to help them with their difficult mission that will take them through great libraries and unveil the mystery of the great Cathedrals.
(CONTINUED from AUTHOR BIO)To Lestat My writing of the book seems that of memory. But my writing of the book is LOVE ; because Love dwells in Memory Lestat. And because Love dwells in Memory, my writing of the book is the same as I LOVE YOU. So I Love You. With Love, and thereof Memory, With Memory, and thereof Love, Red-breasted Tongueless Bird Tearing the Sky throatily, Ariel Wolfe * * * * * There has been a lot about Love. And this book may tell 'about' the same. However, it is different because it was originally written for the sake of a melancholy Genius who constantly is to be replenished with a nightly dose of novel passion, and because it is written by a passionate Asian woman whose mind is always seething with fleeting thoughts and imagination and whose heart is full of passion, pity and love. Apparently it is a love story in a form of verse extracted from over 1,200 letters between an Asian poetess and an American musician (or a Vampire and a Vampire-Lover; or simply two Pain-kissers) that have never met in person but through music and internet, and pain - And both egos are alike in that they hated the world from the bottom of the guts, although they emulated each other in demonstrating how much they loved the world - yet at once they always wanted to create something more than the world. It is not about pinky rosy weakling Love. It is much of blood from naked soul. It is a voice unique, something else than human that has been sleeping in the human. And it is not for people. Pain is how these two souls were connected at first and Passion comes in place. To quote her: "Without pain, neither pleasure nor happiness can be. Even beauty, without suffering, cannot be true beauty enduring. Sheer happiness, with passion castrated, is simply incomplete. Therefore, it is about pleasure, happiness, beauty and passion embracing pain within." -Editor M. Channdler- * * * * * Introduction October 3, 2004, I release the heavy fardel long-loaded upon my soul into the lighted world, from my own secret terrain, that darkly shadowed nook of my heart, encysting a seed of ever-implacable fire, hotly transfused into the pith of my bone, marked by a rebellious sensation of constant burning. Amongst all those humanities, ghosts and specters, aged and ageless, formed and formless, somewhere distant by a half round of the planet, there existed an eclipsed ego of a Genius, J. Lestat S., a soul kindred to mine who managed, Oh blind God, to crash into my soul this life again on that narrow path of fate, with all the labyrinthine, slow snaky trails that seem interminable, heavily packed with the despairingly huge, pitiably blind multitude of crowd aimlessly revolving among. Oh, blind God, You there over stared at us, that, Ah, look of fate, of permanent pity and apathy, of indelible mark of lugubrious memory, and of implacable hunger and of unspeakable grief ever unfathomed so far and forever. Amidst an irreparable fever, Besieged by a thickened air of exile, And in the spinning axis of time, Ariel Wolfe from the counterpoint shore-end of the Haven of origin * * * * * To the Reader: With Tears, Liquors & Roses Ah, Lord, I cannot speak, for I am a child. [Jeremiah 1:6] We were two isolated continents parted by the gaping gulf of grieved water whose rumpled page margins were not to be met together, nor whose benign surface to cut short to bump together, or whose hospitable current to dwindle to one slim graceful confluence to crash together. Such is the same as the wor
A groundbreaking introduction to the photographic work of an iconic modern artist The pathbreaking artist Georgia O'Keeffe (1887-1986) is revered for her iconic paintings of flowers, skyscrapers, animal skulls, and Southwestern landscapes. Her photographic work, however, has not been explored in depth until now. After the death of her husband, the photographer Alfred Stieglitz, in 1946, photography indeed became an important part of O'Keeffe's artistic production. She trained alongside the photographer Todd Webb, revisiting subjects that she had painted years before--landforms of the Southwest, the black door in her courtyard, the road outside her window, and flowers. O'Keeffe's carefully composed photographs are not studies of detail or decisive moments; rather, they focus on the arrangement of forms. This is the first major investigation of O'Keeffe's photography and traces the artist's thirty-year exploration of the medium, including a complete catalogue of her photographic work. Essays by leading scholars address O'Keeffe's photographic approach and style and situate photography within the artist's overall practice. This richly illustrated volume significantly broadens our understanding of one of the most innovative artists of the twentieth century.
Does God exist? Did a Master Designer create our universe, or did life spontaneously evolve? Can science retain objectivity in the search for truth while allowing for the possibility that God exists? Does it make any difference? Ariel A. Roth, scientist and Christian believer, examines key issues related to the God question: * the intricate organization of matter in the universe * the precision of the forces of physics * the complexity of the eye and the brain * the elaborate genetic code * the disparity between the fossil record and the vast amount of time necessary for evolution Faced with so much evidence that seems to require a God in order to explain what we find in nature, why does the scientific community remain silent about God? Hypotheses and speculations that attempt to fit data into a predetermined conclusion abound. What overriding influence prevents scientists from following the data of nature wherever it may lead?
Accessing Noun-Phrase Antecedents offers a radical shift in the analysis of discourse anaphora, from a purely pragmatic account to a cognitive account, in terms of processing procedures. Mira Ariel defines referring expressions as markers signalling the degree of Accessibility in memory of the antecedent. The notion of Accessibility is explicitly defined, the crucial factors being the Salience of the antecedent, and the Unity between the antecedent and the anaphor. This analysis yields an astonishing array of new results. The precise distribution of referring expressions in actual discourse is directly predicted. Several universals of anaphoric relations are stated. Thus, although not all languages necessarily have the same markers, and nor do they assign them precisely the same function, Ariel shows that they all obey the same Accessibility marking hierarchy. This book will be compulsory reading for anyone with an interest in the semantics and pragmatics of referring expressions, in the interaction of semantics and pragmatics, and more generally in the interaction between peripheral and central cognitive systems.
In view of the great upsurge of interest in syntax in recent years, it is remarkable that there are so few studies of Arabic syntax, and the works of a diachronic orientation are virtually nonexistent. The main portion of this book is historical, dealing with fundamental mechanisms of syntactic and semantic change. Here Bloch has made a substantial contribution to the historical syntax of Arabic. Throughout the book the phenomena are viewed form a broad perspective that takes into account evidence not only from all periods and genres of Arabic (Ancient Poetic, Koranic, Classical, Middle, Modern Literary and Colloquial) but also from other Semitic (and occasionally non-Semitic). In the second printing are almost exclusively corrections of misprints and other minor alterations made.
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