This catalogue...presents self-portraits by seventeenth-century Dutch painters and illustrates the choices they made about facial expression, clothing, hair style, gestures, attributes and background."--P. 7.
Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625. Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Achelo�s, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. This is the first such publication to fully address and reproduce these works in depth.
Genreschilderijen hebben het dagelijks leven tot onderwerp, variërend van boerentaferelen tot chique interieurscènes. Regelmatig bevatten de voorstellingen een wijze les die soms voor zichzelf spreekt, maar in andere gevallen slechts met enige moeite kan worden ontrafeld.De collectie van ruim 100 Hollandse en Vlaamse genrestukken van het Mauritshuis behoort tot de absolute wereldtop met meesterwerken van specialisten als Jan Steen, Frans van Mieris, Gerard ter Borch, Adriaen van Ostade, Gabriël Metsu, Gerrit Dou en David Teniers. De conservatoren en restauratoren van het Mauritshuis geven in deze nieuwe, rijk geïllustreerde en complete bestandscatalogus hun actuele, wetenschappelijke visie op alle genrestukken in de collectie. In twee inleidende essays komt de ontwikkeling van de genreschilderkunst uitvoerig aan bod en wordt ingegaan op de schildertechniek van deze rauwe of juist verstilde taferelen, die ons blijven verbazen.
- An investigation into the portrayal of smell in 17th-century art Scented flowers and perfumes, foul-smelling canals and unpleasant body odors, smell and well-being, new aromas from far-away lands (spices, tobacco, coffee and tea), the disappearing smells of the bleaching fields, old crafts and more. Can life in the 17th century be captured in smell? How are smell (and scent) portrayed? What significance did people attach to smell? And what aromatic connotations do artworks have? In this book the authors undertake smell-historical research. In the vicinity of the art, various historic scents will be prepared to bring the paintings in the exhibition to life.
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