When the September 11, 2001 attacks in the United States occurred—causing that nation to wage wars of revenge in Afghanistan and Iraq—the people of Burundi were recovering from nearly forty years of violence, genocide and civil wars that had killed nearly one million and produced another million refugees. Here in this small East African nation, one of the four poorest nations on earth, however, was a desire for reconciliation—not revenge—and it still runs deep today. The University of Ngozi in northern Burundi was created in 1999 and is now dedicated to peace, reconciliation and sustainable development. People in this region tell remarkable stories of tragedy and recovery amid these horrors. Their stories can inspire others to preserve their humanity and resist the urge to continue the violence, focusing instead on forgiveness, reconciliation and a better way forward. This volume presents case study analysis while pointing to the promise of a new kind of education that is committed to sustainable peace and development. The lessons here for the rest of the world are deep and inspiring.
A bilingual, illustrated edition of The Selected Writings of Apollinaire, the only representative collection in English translation, with a comprehensive critical Introduction by the translator, Roger Shattuck.
Guillaume Apollinaire's final years exactly coincided with the clamorous advent of European Modernism and with the cataclysms of WWI. In The Self-Dismembered Man, poet Donald Revell offers new English translations of the most powerful poems Apollinaire wrote during those years: poems of nascent surrealism, of combat and of war-weariness. Here, too, is Apollinaire's last testament, "The Pretty Redhead," a farewell to the epoch that he—as poet, convict, art-critic, artilleryman and boulevardier—did so much to conjure and sustain until his death on Armistice Day in 1918. Readers of Apollinaire's more familiar early work, Alcools (Wesleyan, 1995), will find here a darker and yet more tender poet, a poet of the broken world who shares entirely the world's catastrophe even as he praises to the end its glamour and its strange innocence. This English translation, facing the original French, illuminates Apollinaire's crucial and continuing influence on the European and American avant-garde. The volume includes a short translator's preface.
When the September 11, 2001 attacks in the United States occurred—causing that nation to wage wars of revenge in Afghanistan and Iraq—the people of Burundi were recovering from nearly forty years of violence, genocide and civil wars that had killed nearly one million and produced another million refugees. Here in this small East African nation, one of the four poorest nations on earth, however, was a desire for reconciliation—not revenge—and it still runs deep today. The University of Ngozi in northern Burundi was created in 1999 and is now dedicated to peace, reconciliation and sustainable development. People in this region tell remarkable stories of tragedy and recovery amid these horrors. Their stories can inspire others to preserve their humanity and resist the urge to continue the violence, focusing instead on forgiveness, reconciliation and a better way forward. This volume presents case study analysis while pointing to the promise of a new kind of education that is committed to sustainable peace and development. The lessons here for the rest of the world are deep and inspiring.
A new translation of this complex and beautiful poetry. Alcools, first published in 1913 and one of the few indispensable books of twentieth-century poetry, provides a key to the century's history and consciousness. Champion of “cubism”, Guillaume Apollinaire (1880-1918) fashions in verse the sonic equivalent of what Picasso accomplishes in his cubist works: simultaneity. Apollinaire has been so influential that without him there would have been no New York School of poetry and no Beat Movement. This new translation reveals his complex, beautiful, and wholly contemporary poetry. Printed with the original French on facing pages, this is the only version of this seminal work of French Modernism currently available in the United States.
In the end you're tired of this antiquated world' Guillaume Apollinaire (1880-1918) is the most significant French poet of early modernism, and the most colourful. His exuberant, adventurous poetry matched the eventful times through which he lived, and his experimentalism heralded a new artistic order. In the Paris of the belle époque, Apollinaire's prolific writing - poems, short stories, erotic novels, art criticism - as well as his magnetic personality brought him fame and even some notoriety. His two great collections of poetry, Alcools and Calligrammes, made his reputation, and they include love poems as well as the war poetry for which he is best known. Apollinaire coined the word 'surrealism', and he led the literary and artistic avant-garde right up to his death two days before the Armistice, weakened by injuries received earlier in the War. This new selection by Martin Sorrell covers the full range of Apollinaire's career, and includes some of the poet's inventive pictorial calligrams. The introduction and notes explore his seminal role in the culture of the twentieth century. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Guillaume Apollinaire, pseudonyme de Wilhelm Albert Wlodzimierz Apollinary de Waz-Kostrowicki (1880-1918), est un des principaux poetes francais du debut du XXe siecle, auteur notamment du Pont Mirabeau. Il pratique le calligramme (terme de son invention designant ses poemes ecrits en forme de dessins et non de forme classiques en vers et strophes). Il est le chantre de toutes les avant-gardes artistiques, notamment le cubisme, poete et theoricien de L Esprit Nouveau, et precurseur du surrealisme dont il a forge le nom. Entre 1902 et 1907, il travaille pour divers organismes boursiers et commence a publier contes et poemes dans des revues. Autres titles de cet auteur sont: L Heresiarque et Cie (1910), Alcools (1913) et Les Trois Don Juan (1914).
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