The Glengarry Collection contains 164 Slow Airs, Marches, Strathspeys, Reels, Jigs and Hornpipes with Stories, History and Photographs. It focuses on the coreof Aonghas' music: Highland fiddling, with its links to pipe tunes andGaelic songs. Some of these tunes have never been published before, while others are available only in out-of-print books or in pipe settings, and the collection also includes a number of tunes composed by Aonghas himself, andtunes composed in honor of Aonghas. The tunes are fully chorded in a style appropriate to Aonghas' band experience. All these are richly illustrated by transcriptions of Aonghas' bowings, grace-notes, stories, and photos of scenes and people from Aonghas' varied life careers, including old family photos. Finally, there is an accompanying online videos of Aonghas' impromptu and passionateperformances of 61 of the tunes in the collection. Inlcudes access to online video
This book, with accompanying video, is the second and final volume in the Glengarry Collection of Aonghas Grant's Highland fiddle repertoire. The book contains 188 additional slow airs, marches, strathspeys, reels, jigs and hornpipes. Accompanying stories, history and photographs provide additional background to the tunes. This collection focuses on the core of Grant's music - Highland fiddling, and its connections to pipe tunes and Gaelic songs. Some of these tunes have never been published before, while others are only available in out-of-print books and pipe settings. The collection also includes a number of tunes composed by Grant, and ones composed in his honor. The tunes are fully chorded in a style representative of Grant's band experience. Transcriptions of his bowings, grace notes and stories provide insight into his playing style. Accompanying photos richlyillustrate Grant's music, including images of musicians, family, and scenes from his various careers. The accompanying video download available online includes recordings of Grant's impromptu and passionate performances, featuring 81 selections
This book, with accompanying video, is the second and final volume in the Glengarry Collection of Aonghas Grant's Highland fiddle repertoire. The book contains 188 additional slow airs, marches, strathspeys, reels, jigs and hornpipes. Accompanying stories, history and photographs provide additional background to the tunes. This collection focuses on the core of Grant's music - Highland fiddling, and its connections to pipe tunes and Gaelic songs. Some of these tunes have never been published before, while others are only available in out-of-print books and pipe settings. The collection also includes a number of tunes composed by Grant, and ones composed in his honor. The tunes are fully chorded in a style representative of Grant's band experience. Transcriptions of his bowings, grace notes and stories provide insight into his playing style. Accompanying photos richlyillustrate Grant's music, including images of musicians, family, and scenes from his various careers. The accompanying video download available online includes recordings of Grant's impromptu and passionate performances, featuring 81 selections
The settlement of the Hebrides is usually considered in terms of the state formation agenda. Yet the area was subject to successive attempts at plantation, largely overlooked in historical narrative. Aonghas MacCoinnich’s study, Plantation and Civility, explores these plantations against the background of a Lowland-Highland cultural divide and competition over resources. The Macleod of Lewis clan, ‘uncivil’, Gaelic Highlanders, were dispossessed by the Lowland, ‘civil,’ Fife Adventurers, 1598-1609. Despite the collapse of this Lowland Plantation, however, the recourse to the Mackenzie clan, often thought a failure of policy, was instead a pragmatic response to an intractable problem. The Mackenzies also pursued the civility agenda treating with Dutch partners and fending off their English rivals in order to develop their plantation.
Can historically marginalized, threatened languages be saved in the contemporary global era? In relation to the wider postcolonial world, especially the Caribbean, this book focuses on efforts to preserve and promote Lesser Antillean French Creole Kwéyòl as the national language of Saint Lucia and on the legacy of colonialism and impact of globalization, with which English has become the universal lingua franca, as mitigating factors undermining these efforts. It deals specifically with language planning for democratization and government; literacy, the schools and higher education; and the mass media. It also examines changes in the status of and attitudes toward Kwéyòl, English and French since national independence and presents language planning implications from these changes and steps already undertaken to elevate Kwéyòl. The book offers new insight into globalization and its impact on linguistic pluralism, language planning, national development, Creole languages, and cultural identity in the Caribbean.
The Glengarry Collection contains 164 Slow Airs, Marches, Strathspeys, Reels, Jigs and Hornpipes with Stories, History and Photographs. It focuses on the coreof Aonghas' music: Highland fiddling, with its links to pipe tunes andGaelic songs. Some of these tunes have never been published before, while others are available only in out-of-print books or in pipe settings, and the collection also includes a number of tunes composed by Aonghas himself, andtunes composed in honor of Aonghas. The tunes are fully chorded in a style appropriate to Aonghas' band experience. All these are richly illustrated by transcriptions of Aonghas' bowings, grace-notes, stories, and photos of scenes and people from Aonghas' varied life careers, including old family photos. Finally, there is an accompanying online videos of Aonghas' impromptu and passionateperformances of 61 of the tunes in the collection. Inlcudes access to online video
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