‘Hard-hitting’ Hansda Sowvendra Shekhar ‘[A] novel of deep feeling’ Tanuj Solanki Residents of a small town in Tamil Nadu are stunned by the beheading of a prominent man, whose head is missing from the scene of the crime. Everyone suspects Veni, a geography teacher at the local school, but she appears to have vanished from the face of the earth. As the police gather testimonies from those who closely knew Veni, unsettling truths about this seemingly unknowable woman’s past gradually come to the fore. Where is Veni? The question haunts her family and other townsfolk, but the investigating officer has a different problem: Who is Veni? Where Mayflies Live Forever is as much a suspenseful mystery as it is a story about one woman’s self-discovery in the natural world, with a disillusioned but probing heart. Anupama Mohan’s astonishing literary debut, written in fiery yet sublime prose and rendered with extraordinary power, is an absorbing exploration of violence and trauma, choice and identity, and the journey to find oneself in the wild.
A powerful book on caste, a subject that has dramatic importance not only for the history of democracy in modern India, but for the general discussion on the interferences of social inequalities and cultural exclusions. The Caste Question goes beyond the usual antitheses of localism and globalism, and illustrates a decisive notion of intensive universality."—Etienne Balibar "A sustained and probing analysis of the modern history of caste in Western India, connecting issues of gender, personhood, property, and politics to facts of oppression and inequality. This is the most politically and theoretically engaged book on caste to have come out in a long time."—Dipesh Chakrabarty, author of Habitations of Modernity "A profound reflection, at once historically rich and theoretically nuanced, on the nature of political modernity itself."—John Comaroff, co-author (with Jean Comaroff) of Of Revelation and Revolution "Rao is entirely convincing in this brilliant and audacious re-evaluation of political modernity in India through the perspective of anti-caste struggles."—Mrinalini Sinha, author of Specters of Mother India: The Global Re-Structuring of an Empire
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Freeze Frame is a book of conversations with film people, actors, directors, writers, producers. These interviews, conducted between 2007 and 2011, by author and film critic, Anupama Chopra, capture a place and a time. They offer an insight into the magic and madness of making movies; the heartache and malice of the business; the craft, creativity and inevitable compromises of cinema. "I never thought about why people love me so much. I won’t think about why people hate me now." Shah Rukh Khan "Not every Bollywood film is perfect and some people say, ‘Oh, it is so ridiculous.’ I say, yes, like Shakespeare is ridiculous. Like human beings are ridiculous. Ridiculous not meaning idiotic. Ridiculous meaning, not necessarily a reflection of realism." Baz Luhrmann Anupama Chopra is an award-winning author and film critic. She has hosted popular review shows on television and written extensively about cinema. Her articles have been published in India Today, The New York Times, Los Angeles Times, Variety, Sight & Sound and Vogue India. Her first book, Sholay: The Making of a Classic won the 2001 National Award for Best Book on Cinema. She has also authored Dilwale Dulhaniya Le Jayenge (The Brave-hearted Will Take The Bride) (2002) published by the British Film Institute as part of their Modern Classics Series; King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema, and First Day First Show: Writings from the Bollywood Trenches, a compilation of her articles on Hindi cinema over two decades. She lives and works in Mumbai. Key Features: Based on ‘Picture This’, an NDTV film-based programme Interviews by well-known film journalist and author, Anupama Chopra, Amitabh Bacchan, Shah Rukh Khan, Anurag Kashyap, Aamir Khan, Farhan Khan, amongst others, speak of their vision and experience of cinema. Interviews of internationally renowned cinema personalities like Tom Hanks, Werner Herzog, Luc Besson, Baz Luhrmann, as well Worldwide readership/market Cinema buffs, directors, actors, film historians, artists, teachers and students of film studies, special-edition collectors, libraries, museums, cultural and educational institutions, general-trade readers.
Dilwale Dulhaniya Le Jayenge ('The Brave-hearted Will Take the Bride'), universally known as DDLJ, opened to huge popular acclaim in India in 1995. This work points out that it is a paradoxical film which affirms old-fashioned values of pre-marital chastity and family authority, affirming the idea that Westernization need not affect an essential Indian identity.
Successive amendments in the citizenship law in India have spawned distinct regimes of citizenship. The idea of citizenship regimes is crucial for making the argument that law must be seen not simply as bare provisions but also examined for the ideological practices that validate it and lay claims to its enforceability. While citizenship regime in India can be distinguished from one another on the basis on their distinct political and legal rationalities, cumulatively they present a movement from jus soli to jus sanguinis. The movement towards jus sanguinis has been a complex process of entrenchment of exclusionary nationhood under the veneer of liberal citizenship. This work argues that the contemporary landscape of citizenship in India is dominated by the Citizenship Amendment Act (CAA) 2019 and the National Register of Citizens (NRC). The CAA 2019 and the NRC emerged as distinct tendencies from the amendment in the citizenship law in 2003. These tendencies subsequently become conjoined in an ideological alignment to make citizenship dependent on lineage, spelling out ideas of belonging which are tied to descent and blood ties. The NRC has invoked the spectre of 'crisis' in citizenship generated by indiscriminate immigration and the risks presented by 'illegal migrants', to justify an extraordinary regime of citizenship. The CAA provides for the exemption of some migrants from this regime by making religion the criterion of distinguishability. The CAA 2019 and NRC have generated a regime of 'bounded citizenship' based on the assumption that citizenship can be passed on as a legacy of ancestry making it a natural and constitutive identity. The politics of Hindutva serves as an ideological apparatus buttressing the regime and propelling the movement away from the foundational principles of secular-constitutionalism that characterised Indian citizenship in 1949.
As the constitutional body that conducts elections, the Election Commission of India (ECI) has emerged as a trusted institution within the shared space of democracy in India. This process has, however, been a fraught one because of contestation over the ECI’s constitutional responsibility and the power of Parliament to make laws to govern electoral matters. This comprehensive monograph discusses the history of the ECI through a study of the measures it has adopted to ensure certainty of procedures in order to maintain the democratic uncertainty of electoral outcome. In this context, innovations such as the Model Code of Conduct have enhanced the rule-making powers of the ECI. Going beyond the ECI’s design and performance framework, Singh and Roy argue that changes in the nature of electoral contests and domination of political regimes have made the task of preserving electoral integrity and assuring its deliberative content a challenging one.
London, the very name of this iconic capital of United Kingdom evokes strong emotions and associations, wanderlust, fashion shopping, a plush lifestyle, land of the rich and famous, architecture dated back hundreds of years, rainy days, teatime; well, the list is endless. Wonders and joys of living in a multicultural, multiethnic, international city like London abound. This book, Treatise - the London Diaries is a compendium of scholarly articles, experiences, viewpoints, research reports, and even some historical accounts all with a perspective to London and United Kingdom and is intended for a very wholistic reading experience.
The land cover of the earth’s land surface has been changing since time immemorial and is likely to continue to change in the future (Ramankutty and Foley, 1998). These changes occur at various spatial sizes, ranging from local to global, and at temporal frequencies ranging from days to millennia (Townshend et al., 1991). The change is caused by both natural and man-made forces.
National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.
The Bay of Bengal is prone to tropical cyclones and storm surges as a result of its location, and many of the mostly poor people living along the coastal regions of South Asia lose their lives almost every year. These disasters have been particularly devastating and have caused serious damage. During the past five decades, the low-lying coastal and offshore islands have experienced a tragic history of 50 severe cyclones and storm surges, with more than one million victims dead or missing. People accepted and waited for the next disaster as they had no alternatives. Members of the poor families who survived the disasters experienced hard times recovering from damage and the loss of their loved ones. After disasters, epidemic diseases arise in the affected areas. Many of the people in distress are also deprived of public services. Providing all sorts of assistance and emergency health preparedness are most essential to overcome such a situation. The causes of these huge casualties have been mainly: (1) the high population density of costal settlements, (2) inadequate cyclone shelters in the disaster risk areas, (3) lack of awareness of the disaster risk by the vulnerable population, (4) deterministic attitudes of people who accept disasters as “fate”, (5) houses that are weakly constructed and (6) underdeveloped central awareness programmes and weather forecast systems. This book is based on an empirical study presenting a timeline analysis of major cyclones and their impacts and consequent losses through the super-cyclones in the disaster-prone coastal regions of India, Sri Lanka and Bangladesh. This study also investigates resilience mechanisms based on early warning systems, technology applications including GIS and remote sensing, best practices, success stories and case studies that can be used for effective cyclone management and development of a resilience mechanism among coastal communities.
For the students of undergraduate and postgraduate students. All the diagrams have been made of several colours making these more attractive. As per the new format of question papers , three types of questions -Essay type, Short answer type and Objective type Questions have been added.
The result of more than 15 years of collective research, Multimedia Ontology: Representation and Applications provides a theoretical foundation for understanding the nature of media data and the principles involved in its interpretation. The book presents a unified approach to recent advances in multimedia and explains how a multimedia ontology can
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