A Place in My Heart is a many-splendored thing. It is a listicle. It is a celebration of the power of storytelling. It is also an account of a life lived in the Bollywood trenches. National Award-winning author, journalist and film critic Anupama Chopra writes about fifty films, artistes and events that have left an indelible impression on her and shaped her twenty-five-year-long career. Shah Rukh Khan is here. So are Super Deluxe and the Cannes Film Festival. A Place in My Heart is a blend of recommendations and remembrances, nostalgia and narratives. It is a smorgasbord of cinematic delights, written, as Marie Kondo would say, to 'spark joy.' Above all, it is a testament to Chopra's enduring love for all things cinema.
Anupama Chopra's The Front Row hosted some of the biggest names from Bollywood, Hollywood and world cinema. There were candid, intelligent discussions on stardom, craft, fame, relationships, work-life balance and much more. The Front Row broke the mould of the celebrity chat show, reflecting instead the thoughtful, straight-talking nature of the host herself. It brought to bear on the conversations Chopra's own deep understanding of cinema and of the world behind it. This book is a selection of the very best of The Front Row. From Salman Khan to Madhuri Dixit, Priyanka Chopra to Nicole Kidman, Raju Hirani to Rohit Shetty, they are all here. The insightful discussions range from the Rs 100-crore club, supporting actors and villains in Hindi cinema, to the making of some of the most celebrated movies in recent times. While Ang Lee talks about surrendering to the movie god, Amitabh Bachchan discusses what it is like to be called God. If Aamir Khan owns up to how Satyamev Jayate changed him as a person, Shah Rukh Khan talks about what it is like to be 'just an employee of the Shah Rukh Khan myth'. Johnny Depp reacts to Tim Burton's verse about him - 'There was a young man, people thought he was handsome, so he tied up his face and held it to ransom' - Martin Scorsese wrestles with the question of how a film-maker can combine artistic integrity with commercial success, and Spielberg acknowledges how he 'wouldn't know how to make a Martin Scorsese movie' and how that makes him sad. Engaging, penetrating and great fun, The Front Row: Conversations on Cinema is essential reading for all movie buffs.
Freeze Frame is a book of conversations with film people, actors, directors, writers, producers. These interviews, conducted between 2007 and 2011, by author and film critic, Anupama Chopra, capture a place and a time. They offer an insight into the magic and madness of making movies; the heartache and malice of the business; the craft, creativity and inevitable compromises of cinema. "I never thought about why people love me so much. I won’t think about why people hate me now." Shah Rukh Khan "Not every Bollywood film is perfect and some people say, ‘Oh, it is so ridiculous.’ I say, yes, like Shakespeare is ridiculous. Like human beings are ridiculous. Ridiculous not meaning idiotic. Ridiculous meaning, not necessarily a reflection of realism." Baz Luhrmann Anupama Chopra is an award-winning author and film critic. She has hosted popular review shows on television and written extensively about cinema. Her articles have been published in India Today, The New York Times, Los Angeles Times, Variety, Sight & Sound and Vogue India. Her first book, Sholay: The Making of a Classic won the 2001 National Award for Best Book on Cinema. She has also authored Dilwale Dulhaniya Le Jayenge (The Brave-hearted Will Take The Bride) (2002) published by the British Film Institute as part of their Modern Classics Series; King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema, and First Day First Show: Writings from the Bollywood Trenches, a compilation of her articles on Hindi cinema over two decades. She lives and works in Mumbai. Key Features: Based on ‘Picture This’, an NDTV film-based programme Interviews by well-known film journalist and author, Anupama Chopra, Amitabh Bacchan, Shah Rukh Khan, Anurag Kashyap, Aamir Khan, Farhan Khan, amongst others, speak of their vision and experience of cinema. Interviews of internationally renowned cinema personalities like Tom Hanks, Werner Herzog, Luc Besson, Baz Luhrmann, as well Worldwide readership/market Cinema buffs, directors, actors, film historians, artists, teachers and students of film studies, special-edition collectors, libraries, museums, cultural and educational institutions, general-trade readers.
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.
Dilwale Dulhaniya Le Jayenge ('The Brave-hearted Will Take the Bride'), universally known as DDLJ, opened to huge popular acclaim in India in 1995. This work points out that it is a paradoxical film which affirms old-fashioned values of pre-marital chastity and family authority, affirming the idea that Westernization need not affect an essential Indian identity.
For the students of undergraduate and postgraduate students. All the diagrams have been made of several colours making these more attractive. As per the new format of question papers , three types of questions -Essay type, Short answer type and Objective type Questions have been added.
This is a first of its kind, comprehensive compendium for pediatrics practical examination, with frequently asked questions and case sheet formats. It is structured to help medical students to prepare in an intense framework that mimics the examination. It also aids in untangling complex topics like ventilator graphics, ECG, and X-rays with appended images. It also includes recent guidelines, algorithms, growth charts and reference charts. The book will prove invaluable to postgraduates and undergraduates who require clear and systematic approach to clinical cases in Pediatrics. • Prototype case sheet for long and short cases serves as a ready reckoner. • Detailed case analysis, encompassing history elicitation to counseling and prognosis. • Case-based discussion with frequently asked questions (similar to viva voce). • Comprehensive coverage of both MD as well as DNB topics. • Core topics that are complex, such as ECG, X-ray, EEG, and CT/MRI, are dealt in a simple manner. • A must have book for pediatrics practial examinations.
The Objective of this book is to explain and discuss the various green processing strategies, so the Book has been divided into distinct sections which cover 5 sub themes i.e. Green technologies in Food Production, Post Harvest Management and Value Addition for Sustainable Value Chains, Green and eco-friendly techniques in food packaging, Waste management and valorization. The First section aims at obtaining insight in various green technologies like non thermal processing technologies. In the Second section, technologies related to waste valorization are discussed, and in Third Section, post harvest management and value addition are described in detail. The Last Section deals with the concerns of various stakeholders in this food value chain and also few topics related to eco friendly techniques. The editors hope that the readers of this book will get a broad overview on all the relevant topics and technologies, and will also find valuable information on Green perspectives in the Food Processing Sector. This book is a welcome resource for Food Engineers/Food Scientists/Food Technologists and academia.
The story of how the emerging food justice movement is seeking to transform the American food system from seed to table. In today's food system, farm workers face difficult and hazardous conditions, low-income neighborhoods lack supermarkets but abound in fast-food restaurants and liquor stores, food products emphasize convenience rather than wholesomeness, and the international reach of American fast-food franchises has been a major contributor to an epidemic of “globesity.” To combat these inequities and excesses, a movement for food justice has emerged in recent years seeking to transform the food system from seed to table. In Food Justice, Robert Gottlieb and Anupama Joshi tell the story of this emerging movement. A food justice framework ensures that the benefits and risks of how food is grown and processed, transported, distributed, and consumed are shared equitably. Gottlieb and Joshi recount the history of food injustices and describe current efforts to change the system, including community gardens and farmer training in Holyoke, Massachusetts, youth empowerment through the Rethinkers in New Orleans, farm-to-school programs across the country, and the Los Angeles school system's elimination of sugary soft drinks from its cafeterias. And they tell how food activism has succeeded at the highest level: advocates waged a grassroots campaign that convinced the Obama White House to plant a vegetable garden. The first comprehensive inquiry into this emerging movement, Food Justice addresses the increasing disconnect between food and culture that has resulted from our highly industrialized food system.
Here is the astonishing true story of Bollywood, a sweeping portrait about a country finding its identity, a movie industry that changed the face of India, and one man's struggle to become a star. Shah Rukh Khan's larger than life tale takes us through the colorful and idiosyncratic Bollywood movie industry, where fantastic dreams and outrageous obsessions share the spotlight with extortion, murder, and corruption. Shah Rukh Khan broke into this $1.5 billion business despite the fact that it has always been controlled by a handful of legendary film families and sometimes funded by black market money. As a Muslim in a Hindu majority nation, exulting in classic Indian cultural values, Shah Rukh Khan has come to embody the aspirations and contradictions of a complicated culture tumbling headlong into American style capitalism. His story is the mirror to view the greater Indian story and the underbelly of the culture of Bollywood. "A bounty for cinema lovers everywhere." --Mira Nair, Director, The Namesake and Monsoon Wedding "King of Bollywood is the all-singing, all-dancing back stage pass to Bollywood. Anupama Chopra chronicles the political and cultural story of India with finesse and insight, through fly-on-wall access to one of its biggest, most charming and charismatic stars." -- Gurinder Chadha, director of Bend it Like Beckham "The "Easy Rider Raging Bull" of the Bollywood industry and essential reading for any Shah Rukh Khan fan." --Emma Thompson, actress "Anu Chopra infuses the pivotal moments of Shah Rukh Khan's life with an edge-of-your-seat tension worthy of the best Bollywood blockbusters." --Kirkus
Freeze Frame is a book of conversations with film people, actors, directors, writers, producers. These interviews, conducted between 2007 and 2011, by author and film critic, Anupama Chopra, capture a place and a time. They offer an insight into the magic and madness of making movies; the heartache and malice of the business; the craft, creativity and inevitable compromises of cinema. "I never thought about why people love me so much. I won’t think about why people hate me now." Shah Rukh Khan "Not every Bollywood film is perfect and some people say, ‘Oh, it is so ridiculous.’ I say, yes, like Shakespeare is ridiculous. Like human beings are ridiculous. Ridiculous not meaning idiotic. Ridiculous meaning, not necessarily a reflection of realism." Baz Luhrmann Anupama Chopra is an award-winning author and film critic. She has hosted popular review shows on television and written extensively about cinema. Her articles have been published in India Today, The New York Times, Los Angeles Times, Variety, Sight & Sound and Vogue India. Her first book, Sholay: The Making of a Classic won the 2001 National Award for Best Book on Cinema. She has also authored Dilwale Dulhaniya Le Jayenge (The Brave-hearted Will Take The Bride) (2002) published by the British Film Institute as part of their Modern Classics Series; King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema, and First Day First Show: Writings from the Bollywood Trenches, a compilation of her articles on Hindi cinema over two decades. She lives and works in Mumbai. Key Features: Based on ‘Picture This’, an NDTV film-based programme Interviews by well-known film journalist and author, Anupama Chopra, Amitabh Bacchan, Shah Rukh Khan, Anurag Kashyap, Aamir Khan, Farhan Khan, amongst others, speak of their vision and experience of cinema. Interviews of internationally renowned cinema personalities like Tom Hanks, Werner Herzog, Luc Besson, Baz Luhrmann, as well Worldwide readership/market Cinema buffs, directors, actors, film historians, artists, teachers and students of film studies, special-edition collectors, libraries, museums, cultural and educational institutions, general-trade readers.
National Award Winner: 'Best Book On Film' Year 2000 Film Journalist Anupama Chopra Tells The Fascinating Story Of How A Four-Line Idea Grew To Become The Greatest Blockbuster Of Indian Cinema. Starting With The Tricky Process Of Casting, Moving On To The Actual Filming Over Two Years In A Barren, Rocky Landscape, And Finally The First Weeks After The Film'S Release When The Audience Stayed Away And The Trade Declared It A Flop, This Is A Story As Dramatic And Entertaining As Sholay Itself. With The Skill Of A Consummate Storyteller, Anupama Chopra Describes Amitabh Bachchan'S Struggle To Convince The Sippys To Choose Him, An Actor With Ten Flops Behind Him, Over The Flamboyant Shatrughan Sinha; The Last-Minute Confusion Over Dates That Led To Danny Dengzongpa'S Exit From The Fim, Handing The Role Of Gabbar Singh To Amjad Khan; And The Budding Romance Between Hema Malini And Dharmendra During The Shooting That Made The Spot Boys Some Extra Money And Almost Killed Amitabh.
Dilwale Dulhania Le Jayenge, Which Opened To Huge Popular Acclaim In 1995, Has Since Become The Longest-Running Film In The History Of Indian Cinema. Directed By First-Time Film-Maker Aditya Chopra, Ddlj Was One Of The Earliest Contemporary Hindi Films To Focus On Indian Residents Abroad. The Film Is A Heady Cocktail Of European Locations, Flashy Cars, Gorgeous Mansions And The Hearty, Rustic Traditions Of Punjab. It Has Spawned Numerous Imitations And Epitomizes Popular Indian Cinema Today. But, As Anupama Chopra Points Out, It S A Surprising Film In That It Upholds Old-Fashioned Values Of Premarital Chastity And Family Authority. Whereas The Lobbers Of A Previous Generation Might Have Attempted To Flee From Their Interfering Families, Ddlj S Lovers Need The Approval Of Their Elders. The Film Thus Affirms The Idea That Westernization Need Not Affect An Essentially Indian Identity. Having Conducted In-Depth Interviews With The Film-Makers, Chopra Gives Us The Definite Account Of A Bollywood Phenomenon. Anupama Chopra Is A Special Correspondent With The India Today. She Is The Author Of Sholay: The Making Of A Classic (2000), Which Won The Prestigious National Award For The Year S Best Book On Indian Cinema
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.