sons in Moscow." "Volume Two of Letters from Prison contains explanatory notes, a chronology of Gramsci's life, a bibliography, and an analytical index for the entire two-volume collection.
This major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo’s acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world’s leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo’s Moses. He combines his firsthand knowledge of Michelangelo’s work with a lively literary style to draw the reader into the very heart of Michelangelo’s genius.
Primo è un ragazzo solitario e riservato. Nei momenti più bui della sua vita, si è sempre affidato alla scrittura per sfogarsi e andare avanti. Un giorno però ritrova una lettera scritta dal padre, prima che morisse, e le sue certezze si sgretolano. Deluso da tutto, afferra i suoi appunti e sale sul tetto del palazzo per farne un falò. Qui incontra Futura, una ragazza dall’aria ingenua e indifesa che, in piedi sul parapetto, sta per gettarsi di sotto. Primo non ha la vocazione dell’eroe, anzi il cinismo che lo contraddistingue lo porta a scrollare le spalle di fronte a quella scena, proseguendo nell’intento di bruciare gli scritti che per anni ha custodito nella sua stanza. Futura però aspettava solo qualcuno a cui aggrapparsi. Inizia così a essere una presenza fissa nella vita di Primo, che invece non vuole alcun legame con lei e deve barcamenarsi fra uno strano sentimento non corrisposto per D e il coinquilino, Elia, che si sta lentamente distruggendo a causa del vortice malato in cui il suo compagno Riccardo lo sta trascinando. Quando, una notte, Primo e Futura troveranno il corpo senza vita di una giovane ragazza, Primo capirà che rimanere uniti è l’unica possibilità per affrontare la vicenda e che è arrivato il tempo di agire.
In the last fifty years the field of Late Antiquity has advanced significantly. Today we have a picture of this period that is more precise and accurate than before. However, the study of one of the most significant texts of this age, Boethius' Consolation of Philosophy, has not benefited enough from these advances in scholarship. Antonio Donato aims to fill this gap by investigating how the study of the Consolation can profit from the knowledge of Boethius' cultural, political and social background that is available today. The book focuses on three topics: Boethius' social/political background, his notion of philosophy and its sources, and his understanding of the relation between Christianity and classical culture. These topics deal with issues that are of crucial importance for the exegesis of the Consolation. The study of Boethius' social/political background allows us to gain a better understanding of the identity of the character Boethius and to recognize his role in the Consolation. Examination of the possible sources of Boethius' notion of philosophy and of their influence on the Consolation offers valuable instruments to evaluate the role of the text's philosophical discussions and their relation to its literary features. Finally, the long-standing problem of the lack of overt Christian elements in the Consolation can be enlightened by considering how Boethius relies on a peculiar understanding of philosophy's goal and its relation to Christianity that was common among some of his predecessors and contemporaries.
This book explores the history of the international order in the eighteenth and nineteenth century through a new study of Emer de Vattel’s Droit des gens (1758). Drawing on unpublished sources from European archives and libraries, the book offers an in-depth account of the reception of Vattel’s chief work. Vattel’s focus on the myth of good government became a strong argument for republicanism, the survival of small states, drafting constitutions and reform projects and fighting everyday battles for freedom in different geographical, linguistic and social contexts. The book complicates the picture of Vattel’s enduring success and usefulness, showing too how the work was published and translated to criticize and denounce the dangerousness of these ideas. In doing so, it opens up new avenues of research beyond histories of international law, political and economic thought.
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