Written by an award-wining fantasy novelist and avid gamer, R.A.G.E. is an innovative roleplaying game system. This enhanced edition produces unforgettable adventures for you and your friends. All you need to get started are some friends, dice, a pulse, and a sense of humor (roughly in that order). See why this game is all the R.A.G.E.
We are not alone. The Prometheus Probe is a human by design and sent by an advanced alien civilization. Prometheus's mission is to report on the development of intelligent life on Earth. It looks human. It walks among us, watches us, and learns from us, without exposing its secret. Through the ages, Prometheus's artificial eyes have observed humanity at its best and its worst. It has seen us rise to challenges and fall into hubris, risk all for the sake of others, and commit unspeakable atrocities. The Probe observes the human condition and reports its findings to its creator. And sometimes, it acts. THE PROMETHEUS SAGA is an anthology, thirteen speculative stories that explore what it means to be human. Florida Writers Association's Royal Palm Literary Awards: "Lilith," by Antonio Simon, Jr., won 1st Place for Published Short Story. "The Pisces Affair," by Daco Auffenorde, won 3rd Place for Published Short Story. "Manteo," by Elle Andrews Patt, won 3rd Place for Published Novella. "The Strange Case of Lord Byron's Lover," by Parker Francis, won 1st Place in General Category, and was also 1st Runnerup for Published Book of the Year.
2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio López uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. López shows how Afro-Cuban writers and performers in theU.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, Rómulo Lachatañeré, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.
A four-time award winning fantasy/comedy adventure. When an unusual assignment sends Marco overseas, he finds himself dodging pirates and a hummingbird with an appetite for human brains. Little does he know the fate of a civilization may rest upon his shoulders. In spite of himself, Marco becomes the hero he strives not to be.
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