Dowani 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-along editions. Dowani 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi. The first thing you hear on the CD is the concert version in aThe first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at a slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo. All versions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a Dowani edition!
Explore the rhythmic vitality and folk-inspired melodies of Antonín Dvořák's 'Slavonic Dance No. 1, Op. 46,' through this captivating arrangement for Woodwind Quintet. Designed for intermediate-level musicians, this set of parts (6) is tailored to offer a comprehensive and engaging ensemble experience. The ensemble includes Flute, Oboe, Bb Clarinet, French Horn in F, and Bassoon, with an additional part for Bb Bass Clarinet as an alternative to the Bassoon, broadening the ensemble's tonal palette and offering versatility in performance options. This arrangement provides a unique opportunity to delve into one of Dvořák's most celebrated works, reinterpreted for the dynamic range and color of woodwind instruments. Musicians will find the score available separately within the series, allowing for a focused approach to rehearsal and performance preparation. The eBook is further enriched with informative prefaces in multiple languages—English, French, German, Spanish, Italian, and Portuguese. This feature makes the arrangement not only a musical journey but also an educational experience, offering insights into the historical and cultural context of the piece, and fostering a deeper connection with the music. This global accessibility underscores the arrangement's appeal to a wide audience, inviting musicians and classical music enthusiasts from around the world to explore the enduring legacy of Dvořák's 'Slavonic Dance No. 1, Op. 46' through the expressive lens of a woodwind quintet.
Immerse yourself in the captivating rhythms and melodies of Antonín Dvořák's 'Slavonic Dance (Op. 46 - No. 1)' through this exquisite arrangement for Saxophone Quartet SATB (Soprano, Alto, Tenor, Baritone). Specifically designed for intermediate-level players, this SET OF PARTS (4) offers a deep dive into the piece, enabling each musician to master their part within the harmonious blend of the quartet. This arrangement transforms Dvořák's iconic work into a saxophone ensemble masterpiece, allowing each voice—soprano, alto, tenor, baritone—to shine through with its unique color and texture. The parts are meticulously organized to facilitate a seamless ensemble experience, promoting both individual skill development and group cohesion. For those looking to explore the arrangement's full potential, the score is available separately in the series, providing a comprehensive overview of the quartet's interplay and dynamics. Adding a valuable layer to this musical offering, the eBook includes informative prefaces in multiple languages, such as English, French, German, Spanish, Italian, and Portuguese. These prefaces enrich the musician's understanding of the historical background, compositional insights, and cultural impact of 'Slavonic Dance (Op. 46 - No. 1)', making this edition not just a performance tool but also an educational resource. This multilingual support ensures that saxophonists and classical music aficionados from across the globe can access and appreciate the depth and beauty of Dvořák's work. Embark on a journey with this saxophone quartet arrangement, where the timeless allure of Dvořák's 'Slavonic Dance' is reborn through the vibrant and expressive medium of the saxophone, connecting musicians to a rich tapestry of sound and history.
Immerse yourself in the evocative world of Antonín Dvořák's 'Slavonic Dance No. 1, Op. 46,' through this exquisite transcription for Brass Quintet/Ensemble by Francesco Leone. Tailored for the intermediate level, this eBook offers a rich musical experience, bringing a new dimension to this beloved piece. The set comprises nine parts, including Bb Trumpets 1-2, French Horn in F, Trombone, and Tuba, along with alternative parts for Eb Horn, Bb Trombone treble clef., Eb, and Bb Tuba t.c., ensuring versatility and adaptability for various ensemble configurations. Elevate your preparation and performance with the included audio demo available at www.glissato.it, which serves as a valuable auditory guide to the nuances and dynamics of the arrangement. Additionally, the eBook is augmented with informative prefaces in multiple languages—English, French, German, Spanish, Italian, and Portuguese—making it an educational treasure for musicians worldwide, providing deeper insights into the historical and cultural context of Dvořák's masterpiece. For those seeking to complete their collection, the score is available separately within the series. This arrangement not only showcases the technical prowess and musicality of intermediate-level players but also connects them with a global audience through its comprehensive approach to cultural and linguistic accessibility. Dive into the rich textures and rhythmic vitality of 'Slavonic Dance No. 1, Op. 46,' and bring this classic piece to life with your brass quintet or ensemble.
Discover the vibrant rhythms of Antonín Dvořák's 'Slavonic Dance No. 1, Op. 46,' brought to life in a captivating transcription for Brass Quintet by Francesco Leone. This intermediate-level score eBook is designed for Bb Trumpets 1-2, French Horn in F, Trombone, and Tuba, offering a unique opportunity to explore this classical masterpiece through the rich timbres of a brass ensemble. Enhance your performance with an audio demo available at www.glissato.it, showcasing the arrangement's full potential. Dive deeper into the context and significance of Dvořák's work with informative prefaces provided in multiple languages, including English, French, German, Spanish, Italian, and Portuguese. This feature makes the eBook exceptionally accessible to a global audience, inviting musicians and classical music enthusiasts from around the world to engage with this timeless piece. For those looking to complete their ensemble, parts are available separately as part of a series. This flexibility allows for tailored performances that highlight the unique qualities of each instrument. Immerse yourself in the world of classical music with this beautifully transcribed eBook, a testament to the enduring appeal of 'Slavonic Dance No. 1, Op. 46.
Dvořák's Slavonic Dances, Op. 72 is the second of two sets of dances inspired by the composer's Bohemian folk-music roots. There are eight duets in this volume, each one displaying rhythmic energy and lyricism. Based on the original edition, this volume includes performance notes, editorial fingering, and suggested metronome marks.
Composed in the late summer of 1876, Dvorak's first effort at a full-blown concerto shows signs of an unusual amount of revision in the composer's hand - especially for the solo piano part. This might explain the delay in the concerto's premiere, which was given at the Provisional Theatre in Prague on March 24, 1878 with Karel Slavkovsky as soloist accompanied by the Provisional Theatre Orchestra under the baton of Adolf Cech. The composer himself wrote: "I see I am unable to write a Concerto for a virtuoso; I must think of other things." The ungainly solo part no doubt also played a role in the work's dely in publication, which didn't take place until 1883. Even after this, and despite much beauty in the music itself, performances were scarce due to the difficulty and charchter of the solo part. The solo part was revised heavily by the Czech pianist Vilém Kurz (1872-1945), whose version was premired by his daughter Ilona Kurzová and the Czech Philharmonic on December 9, 1919 and is the one most often performed today. This new study score is a digitally enhanced reissue of the full score first published in 1956 by the Czech State Publishers as part of the Dvorak collected works, edited by Jiri Berkovec and Karel Solc, which includes both the composer's original solo part and the re-arranged one made by Kurz. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.
Dvorak had long refused the repeated requests for a cello concerto from his friend, the renowned cellist Hanus Wihan (1855-1920) until he attended the premiere of Victor Herbert's second concerto in New York in the fall of 1894 during his tenure as director of the National Conservatory. The second movement of Herbert's concerto was in B minor, which might have been a factor in Dvorak's choice of the same key for his own concerto, which was started in New York on November 8, 1894 and completed on February 8 of the following year. Despite the dedication to Wihan, the first performance was given by the English cellist Leo Stern in London's Queen's Hall on March 19, 1896 with the composer conducting the London Philharmonic. This new study score is a reprint of the critical edition prepared by Fratisek Bartos for the Collected Works issued by the Czech State Publisher in 1955. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.
Dvorak received a commission for this work in 1877 for a benefit concert to raise funds for the construction of a new church in Prague. Composed between August 6 and 28 September, it was first performed on December 2 at the Provisional Threatre, with the orchestra conducted by Ludevit Prochazka as the composer's opus 40. It would be eleven years before the work was first published however, and Dvorak's publisher Simrock assigned the opus number of 78 to imply they were bringing out a new work. The work entered the symphonic repertoire gradually after its 1888 publication and remains extremely popular today. The score offered here is a reissue of the 1957 critical edition of Frantisek Bartos and Jiri Berkovec. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.
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