Between August and November 1888, five women were murdered in Whitechapel. For over a hundred years the murders perpetrated by Jack the Ripper have remained among one of the world's greatest unsolved crimes, until now...Antonia Alexander is a direct descendant of Mary Kelly, the Ripper's final victim. Her grandmother, also Mary, has now decided for the first time to tell the family's story. After rummaging through her grandmother's belongings, Mary found a small wooden box containing Mary Kelly's locket. The locket contained a picture of a man; a man she had always thought was her great-grandfather. Now she realises that the photo in the locket is that of Sir John Williams. The Fifth Victim reveals the compelling story of Mary Kelly and her relationship with the most recent Ripper suspect. There were stories told to her by her grandmother; stories about Mary Kelly and her affair with a prominent doctor by the name of John Williams; stories she had kept to herself until now. This is possibly the last chance she has to tell the world what she knows; what really happened to Mary Kelly...her great grandmother. Prior to this book no one had found any evidence linking Mary Kelly to the prime suspect John Williams, but Antonia has exclusive access to documents and files belonging to Williams' great-nephew. This is the incredible true story of the Ripper's final murder.
The Palm Leaf Library - Thousands of years old and an unsolved secret until today. The mystery of this place is the key subject of 'Madras'. The true story evolves around one of the greatest secrets of mankind. I have been there. I left my small hometown near Berlin and discovered a legend which says, that every life story is written on a palm leaf; every life story? No, but the live story of all those people, who will undergo the long travel to one of the libraries and search for it. That is what I have done. And this is, what I have found. People who have read this book: 'A fascinating book. Whoever wants to find the answer to the question: How many lives do we have? will find it here.' Günther Prinz, Managing Director and Chief Editor of 'Bild', Germany. 'So there is my entire life written on a Palm Leaf in Madras! This book completely changed my understanding of time and space.' Fritz Bloomberg, Ex-Vicepresident Burda Press, New York 'Mind blowing! The ideal book for everybody who wants to learn about the unbelievable truth behind our existence.' Gregor Tessnow, Germany Author of the bestseller and the script of 'Knallhart' Illustrated Version
After her tragic death in December 1938 at the early age of twenty-six, Antonia Pozzi's poems - which she had been secretly writing for years - were brought to light and became the object of great critical attention, going through several editions in Italy and being translated into all the major European languages. Since then, her reputation has risen steadily, and she is now considered one of the greatest Italian poets of the twentieth century.
Since he was beatified in 2020, Carlo Acutis has been the subject of widespread interest across the globe. The typical Italian teenager who lived a life of extraordinary virtue has captivated countless millions. And yet, even with the worldwide attention on this millennial saint, we're left wondering and wanting more. What was Carlo really like? How did he interact with those closest to him in daily life? What was it like to live in the same home as him? In My Son Carlo, Antonia Salzano Acutis shares for the first time the intimate, private moments of her son's life, including his final days in vivid detail before he died from leukemia at the age of 15. In her own words, Antonia shares stories and memories as a mother who lost her son too early but was forever shaped by his remarkable life. Carlo has quickly become a favorite patron in heaven, changing the lives of those who pray for his intercession. In this book, Antonia shares how Carlo desires to bring people to Jesus, like he did for her, helping her rekindle her faith: "This was his secret: that he had a constant, intimate relationship with Jesus. He wanted everyone he encountered to have this kind of relationship like he did. He did not consider it to be something just for him. He was convinced that this relationship was accessible to all.
This insightful read traces the development of the principal Western religions and their philosophical counterparts from the beginnings of Alexander the Great's empire in 331 B.C.E. to the emergence of the Christian world in the fourth century C.E.
In this collection of essays, Antonia Gransden brings out the virtues of medieval writers and highlights their attitudes and habits of thought. She traces the continuing influence of Bede, the greatest of early medieval English historians, from his death to the 16th century. Bede's clarity and authority were welcomed by generations of monastic historians. At the other end is a humble 14th-century chronicle produced at Lynn with little to add other than a few local references.
Using a variety of sources including chronicles, annals, secular and sacred biographies and monographs on local histories Historical Writing in England by Antonia Gransden offers a comprehensive critical survey of historical writing in England from the mid-sixth century to the early sixteenth century. Based on the study of the sources themselves, these volumes also offer a critical assessment of secondary sources and historiographical development.
This book focuses on art, palaeography, bindings and the monastic library. It is based on lectures given at the Association's Annual Conference, the 20th in the present series, which was held at Bury St Edmunds, from 16 to 20 April 1994: three specially commissioned articles are also included.
In this panoramic work of history, Lady Antonia Fraser looks at women who led armies and empires: Cleopatra, Isabella of Spain, Jinga Mbandi, Margaret Thatcher, and Indira Gandhi, among others.
Historians have long regarded fashion as something peculiarly Western. In this surprising, sumptuously illustrated book, Antonia Finnane challenges this view, which she argues is based on nineteenth- and twentieth-century representations of Chinese dress as traditional and unchanging. Fashions, she shows, were part of Chinese life in the late imperial era, even if a fashion industry was not then apparent. In the early twentieth century the key features of modern fashion became evident, particularly in Shanghai, and rapidly changing dress styles showed the effects. The volatility of Chinese dress throughout the twentieth century matched vicissitudes in national politics. Finnane describes in detail how the close-fitting jacket and high collar of the 1911 Revolutionary period, the skirt and jacket-blouse of the May Fourth era, and the military style popular in the Cultural Revolution gave way finally to the variegated, globalized wardrobe of today. She brilliantly connects China’s modernization and global visibility with changes in dress, offering a vivid portrait of the complex, subtle, and sometimes contradictory ways the people of China have worn their nation on their backs.
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