This book offers the first comprehensive and authoritative text on the history of physics in Italy’s industrial and financial capital, from the foundation of the University of Milan’s Institute of Physics in 1924 up to the early 1960s, when it moved to its current location. It includes biographies and a historical-scientific analysis of the main research topics investigated by world-renowned physicists such as Aldo Pontremoli, Giovanni Polvani, Giovanni Gentile Jr., Beppo Occhialini, and Piero Caldirola, highlighting their contributions to the development of Italian physics in a national and international context. Further, the book provides a historical perspective on the interplay of physics and politics in Italy during both the Fascist regime and the postwar reconstruction period, which led to the creation of the CISE (Centro Informazioni Studi Esperienze, a research center for applied nuclear physics, funded by private industries) in 1946, and of the Milan division of the National Institute of Nuclear Physics (INFN) in 1951.
This book offers the first comprehensive and authoritative text on the history of physics in Italy’s industrial and financial capital, from the foundation of the University of Milan’s Institute of Physics in 1924 up to the early 1960s, when it moved to its current location. It includes biographies and a historical-scientific analysis of the main research topics investigated by world-renowned physicists such as Aldo Pontremoli, Giovanni Polvani, Giovanni Gentile Jr., Beppo Occhialini, and Piero Caldirola, highlighting their contributions to the development of Italian physics in a national and international context. Further, the book provides a historical perspective on the interplay of physics and politics in Italy during both the Fascist regime and the postwar reconstruction period, which led to the creation of the CISE (Centro Informazioni Studi Esperienze, a research center for applied nuclear physics, funded by private industries) in 1946, and of the Milan division of the National Institute of Nuclear Physics (INFN) in 1951.
Learn Italian in 4 Simple Steps. With Living Language Complete Italian: The Basics, you’ll start by learning words, and then you’ll progress to phrases, sentences, and conversations. This simple four-step building block approach will have you speaking with confidence right from the beginning, and you’ll be able to learn gradually and effectively. If you’re confident in your pronunciation, then this coursebook includes everything you need - vocabulary, grammar, culture, and practice. But you can also use this book along with the four hours of recordings included in the Living Language Complete Italian: The Basics compact disc package, which also includes a handy learner’s dictionary. This comprehensive coursebook includes: •40 step-by-step lessons •Practical vocabulary and authentic everyday usage •Simple explanations and plenty of examples •Supplemental sections, including e-mail and internet resources •A comprehensive grammar reference section
A voler sintetizzare in breve il presente libro, già da subito c’è da dire che tre sono i termini di lettura su cui incentrare la nostra attenzione: Fede, Speranza, Amore. Mentre, per dar seguito al percorso narrativo, è bene seguire la freccia direzionale di un percorso umano che da subito porta dalla morte alla Vita. Ed è questo il traguardo verso cui ci proietta Antonella De Luca che ora ci propone una narrativa vispa, ammiccante, trascinante. È un percorso di umana sofferenza, una corsa contro il tempo per uscire da un baratro scuro e profondo e correre verso la luce, verso la Vita. Una corsa ad ostacoli sempre più alti, sempre più difficili da superare, per giungere all’abbraccio finale con la Vita.
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
The different contributions of illustrious Italian and foreign scholars that make up this book address some difficult historical-political aspects and many of the technical, iconographic, stylistic and ideological problems, among the most important, of the great artistic and cultural phenomenon of the Severe Style in Greece and in the West.
Primary elections for choosing party leaders and candidates are now becoming commonplace in Europe, Asia and America but questions as to how much they hinder a party’s organizational strength and cohesion or affect electoral performance have largely been ignored outside of the USA. Party Primaries in Comparative Perspective gives a much-needed conceptualization to this topic, describing the function and nature of primary elections and providing a comparative analytical framework to the impact of primaries on the internal and external functioning of political parties. Elaborating on the analytical tools developed to study the US experience this framework engages with primary elections in Europe and Asia offering a theoretical, comparative and empirical account of the emergence of party primaries and an invaluable guide to internal electoral processes and their impact.
This book questions the ability of crowdfunding (especially in the lending and equity-based models) to contribute to the development of European businesses, and therefore, to the relaunch of the European economy. Following a mainly micro (firm-based) approach, the study investigates the advantages of crowd investors’ increased role both in making financial resources available to the industrial base, thus reinvigorating economic growth across the European Union. The book reframes contemporary issues surrounding corporate finance and develops relevant knowledge to help companies succeed when it comes to securing the means to grow. It provides new and interesting insights into the alternative finance market, in light of the global financial crisis and the COVID-19 pandemic. The book describes the main alternative finance models which include not only lending and equity-based crowdfunding, but also marketplace lending, balance sheet lending, invoice trading, securities, real estate crowdfunding, and profit-sharing. It also analyses the due diligence process and other value-added services provided by platforms and backers. The book outlines a systematic understanding of crowdfunding as a substitute or complement to other forms of entrepreneurial finance and unpacks some of the misunderstandings surrounding the crowdfunding industry and its future evolution. The conclusions reached can be of help to entrepreneurs who have limited knowledge of the crowdfunding tool and the associated benefits. As such, this book is a valuable resource for students, researchers, professionals, and practitioners interested in discovering or better understanding the crowdfunding process, its characteristics, and the range of players in this market.
Poems between natural and human history, private life and death, and about the crises of our century, from an acclaimed Italian poet. Tacitus, the brooding historian of the Roman Empire, supplies the title of Antonella Anedda’s Historiae, in which she grapples with a legacy of Mediterranean displacement and violence that stretches from antiquity to the present day. Anedda writes about the aftermath of centuries of colonization, about the ongoing European immigration crisis, and about the wild Sardinian archipelago of La Maddalena and the teeming Roman neighborhood of Trastevere—places between which she has divided her life—in a wonderfully various collection where poems of community frame poems of private life, among them a moving elegy for her mother. With wit, insight, and economy, Anedda reminds us that history is plural and that our perspectives, too, are constituted by pluralities—by events both present and past, both world-shaking and exquisitely mundane.
Through Time and the City: Notes on Rome offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play host, and the social patterns its various structures help to organize. Through Time and the City argues that Rome is made and unmade by an endlessly evolving chorus that has, for better or worse, gained geological legitimacy; that the city absorbs and emits countless artifacts in its search for collective identity; that the city is a platform for the constant staging of negotiations between agents (humans, buildings, plants, animals, pathogens, goods, waste, water) that drive and are driven by the entanglements of climate and culture. This book provides textual and visual frameworks for identifying the material traces, emergent patterns, or speculated futures that expose a city as inseparable from its capacity to change.
The book contains twenty-one interviews with those who are unanimously considered the greatest pioneers in the scientific field of the History of Education, having opened new avenues of investigation and promoted works of considerable magnitude and depth, which have since become treasured assets for the entire scientific community. Each interview covers their biography and academic careers, highlighting not only their successes, but also the difficulties they encountered in the workplace. From the pages emerge useful hints and tips for those who today are venturing into the world of History of Education research, alongside the enthusiasm and curiosity that have unfailingly distinguished the work of each of these pioneers, in whose footsteps we continue to walk.
Italiano In Diretta is an introductory four-skills text, appropriate for use in a course meeting three days a week, or classes meeting four or five days a week in which significant class time is devoted to interactive work. The text features a communicative language approach, streamlined, "synthetic" grammar presentations, and a strong cultural focus. Student participation is encouraged through short dramatized dialogues and interactive activities. Authentic materials appear in every chapter, bringing present-day Italian culture directly into the classroom. A lively introduction to language and culture, combined with strong emphasis on the four basic skills of listening, speaking, reading, and writing, make Italiano In Diretta a solid beginning text with a contemporary flair.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
0070492670
ISBN 13
9780070492677
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