NO STONE UNTURNED… Alexandra Belarus was an artist stuck working in her New York family’s business…until she discovered her true legacy—a deep and ancient magic. Lexi became the last practicing Spellmason, with the power to breathe life into stone. And as her powers awoke, so did her family’s most faithful protector: a gargoyle named Stanis. But when a centuries-old evil threatened her family and her city, Stanis sacrificed himself to save everything Lexi held dear. With Stanis gone, Lexi’s efforts to master Spellmasonry—even with the help of her dedicated friends—are faltering. Hidden forces both watch her and threaten her, and she finds herself suddenly under the mysterious wing of a secret religious society determined to keep magic hidden from the world. But the question of Stanis’s fate haunts her—and as the storm around her grows, so does the fear that she won’t be able to save him in her turn.
A beautiful collection of 13 classic Russian short stories by “the greatest short story writer who has ever lived” (Raymond Chandler) Without doubt one of the greatest observers of human nature in all its messy complexity, Chekhov’s short stories are exquisite masterpieces in miniature. His work ranged from the light-hearted comic tales of his early years to some of the most achingly profound stories ever composed, and this variety of tone and temper is collected in this essential new collection. Chekhov wrote stories throughout his writing career, and this selection has been chosen from amongst his life’s work, including many of his greatest works, alongside unfamiliar discoveries, all newly translated. From the masterpiece of minimalism “The Beauties”, to the beloved classic “The Lady with the Little Dog”, and from “Rothschild's Fiddle” to bitterly funny “A Living Chronicle”, the stories collected here are the essential collection of Chekhov’s greatest tales. CONTENTS: The Beauties (1888) The Man in a Box (1898) A Day in the Country (1886) A Blunder (1886) About Love (1898) Grief (1886) The Bet (1889) A Misfortune (1886) Sergeant Prishibeyev (1885) The Lady with the Little Dog (1899) The Huntsman (1885) The Privy Councillor (1886) The Kiss (1887)
First published in 1973, this collection of Chekhov's correspondence is widely regarded as the best introduction to this great Russian writer. Weighted heavily toward the correspondence dealing with literary and intellectual matters, this extremely informative collection provides fascinating insight into Chekhov's development as a writer. Michael Henry Heim's excellent translation and Simon Karlinsky's masterly headnotes make this volume an essential text for anyone interested in Chekhov.
Due to the increasing demand for new fuels that are economically attractive, and as part of the quest for energy alternatives to replace carbon-based fuels, the purification of ethanol plays a key role. Bioethanol is an environmentally-friendly fuel with less greenhouse gases emissions than gasoline, but with similar energy power. Nevertheless the large-scale production of bioethanol fuel requires energy demanding distillation steps to concentrate the diluted streams from the fermentation step and to overcome the azeotropic behavior of the ethanol-water mixture. This work presents the design and optimization of a dehydration process for ethanol, using two separation sequences: a conventional arrangement using distillation and extractive distillation and an alternative arrangement based on liquid-liquid extraction and extractive distillation. Moreover, different solvents were optimized simultaneously in the liquid-liquid extraction column, while ethylene glycol was used as extractive agent in the extractive distillation (ED). Both sequences were optimized using a stochastic global optimization algorithm of differential evolution (DE) coupled to rigorous Aspen Plus simulations. The economic feasibility of utilities for the two configurations was studied by changing the ethanol/water composition in the analyzed feed stream. The results demonstrate significant savings around 20% in total annual cost when the alternative arrangement is used.
While at a party organized by the lieutenant of his regiment, the shy and awkward Ryabovitch is suddenly kissed by an unknown woman in a dark room. This unexpected and electrifying encounter marks a turning point in his life and a shift in his personality, arousing his passions and setting him on a desperate quest to discover the identity of the mysterious lady.One of Chekhov's most admired stories, 'The Kiss' is joined in this volume by five equally celebrated tales in a brand-new translation by Hugh Aplin: 'The Lady with the Little Dog', 'Ward Number Six', 'The Black Monk', 'The House with the Mezzanine' and 'The Peasants' - making this an indispensable collection for those wanting to discover Chekhov at his creative best.
This short selection of poems and stories includes some poems from 'Rhymes for no Reason' which I published earlier this year. My main aim when writing poetry or short prose works is either to amuse my readers or to tell a story or point a moral. I have never been able to see the sense in writing beautiful English just for the use of language alone. Hence this selection includes humour, love, sadness, spiritual works bordering on prayers and tales which concentrate on how human emotions affect or are manipulated by different people. I must admit, however, that if some of the works appear forced or unusual I have experimented with different types of rhyming in places. For example, the format in the 'Arranging a Rendez-Vous' was in answer to a challenge that I could not do it. And some of the wistful memories evoked in the stories and verse are based on true events in my life. However, 'What turns him on' is entirely fictional and was written for a flash fiction contest about erotic experiences without using any specifically erotic words. And I am not protesting too much! If anyone were to ask me, however, the secret to writing a particular type of poem or story I cannot help them. With the exception of acrostics, where I write the first letters of each line vertically first and then compose the poem, I have no set way of approaching any writing. My novel James and Jacqueline, which is coming out later this year, is a classic example of someone writing a romance very close to the truth, especially in its theme and setting, but also very obviously a fictitious story. This perhaps best sums up all my work. But as long as you have fun thumbing through this book and reading extracts at random - please don't try and read it straight through - and wanting to re-read at least a quarter of them, then I will be happy.
AN OLD FRIEND OF THE FAMILY… Alexandra Belarus is a struggling artist living in New York City, even though her family is rich in real estate, including a towering Gothic Gramercy Park building built by her great-great-grandfather. But the truth of her bloodline is revealed when she is attacked on the street and saved by an inhumanly powerful winged figure. A figure who knows the Belarus name… Lexi’s great-great-grandfather was a Spellmason—an artisan who could work magic on stone. But in his day, dark forces conspired against him and his, so he left a spell of protection on his family. Now that Lexi is in danger, the spell has awoken her ancestor’s most trusted and fearsome creation: a gargoyle named Stanis. Lexi and Stanis are equally surprised to find themselves bound to each other. But as they learn to work together, they realize that only united can they save the city they both love…
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