‘Anyuta’ is a short story that portrays the key aspects of Chekhov’s writings: dry humour, disillusionment, and a realistic depiction of social issues. The story revolves around Anyuta, a poor woman living with a medical student, Stepan, who has little time for her. Stepan dreams of a better life and is torn between following his aspirations alone or resigning himself to destitution with Anyuta. Chekhov criticises the social standing of men and women as many male students have gone on to achieve greatness, while Anyuta’s life remains static. These feminist messages made the story controversial at the time and they are still significant today. ‘Anyuta’ is a poignant and compassionate tale about the difference between dreams and reality that depicts Chekov’s ability to find small moments of humour in melancholy moments and features striking portrayals of poverty. This short is recommended for avid Russian literature readers and its feminist aspects make it suitable for fans of novels such as ‘The Handmaid’s Tale’. A prolific writer of seven plays, a novel and hundreds of short stories, Anton Chekhov (1860-1904) is considered one of the best practitioners of the short story genre in literature. True to life and painfully morbid with his miserable and realistic depictions of Russian everyday life, Chekhov’s characters drift between humour, melancholy, artistic ambition, and death. Some of his best-known works include the plays 'Uncle Vanya', 'The Seagull', and 'The Cherry Orchard', where Chekhov dramatizes and portrays social and existential problems. His short stories unearth the mysterious beneath the ordinary situations, the failure and horror present in everyday life.
A secret terrorist group infiltrates the household of a government official's son, with a view to spying on the father and, ultimately, assassinating him. But the young man entrusted with the task - an ailing, world-weary "e;nobody"e; - seized with the purposelessness of life and a sense of his own impending death, gradually becomes disillusioned with his mission, and decides to embark on a new path which will lead him to tragedy.Combining psychological detail with a strong sense of place and time, The Story of a Nobody bears all the hallmarks of Chekhov's genius, and perfectly captures the political and social tensions of its day.
The orchard's white, all white. You haven't forgotten, have you, Lyuba? The avenue lined with trees, unfurling like a slender ribbon. And on moonlit nights, it shimmers. You remember, don't you? You haven't forgotten? Can anyone persuade Ranevskaya and her aristocratic household that the world is changing, and they must too? Following internationally acclaimed productions of The Seagull (Belvoir St Theatre, Sydney) and Three Sisters (Young Vic, London), director Benedict Andrews has a reputation as one of the world's leading interpreters of Chekhov. For the Donmar Warehouse he stages the great writer's final play. It's a work that predicted and captured the end of an era, but is timeless in its humanity, prescience, humour and pathos. The Cherry Orchard is Chekhov's masterpiece. This edition was published to coincide with its world premiere at London's Donmar Warehouse in April 2024.
Olga, Masha and Irina are left stranded in a provincial backwater after the death of their father, an army general. While tension mounts between the sisters and Natalya, their sister-in-law, the women focus their dreams on returning to Moscow, a city remembered through the eyes of childhood as a place where happiness is possible. | Adaptation of: Tri sestry.
Set on an estate in 19th-century Russia, this structurally and psychologically compact drama explores the complex interrelationships between a retired professor, his second wife, and the daughter and brother-in-law from his first marriage.
Uncle Vanya (1898) is a four-act play by Russian short story writer and playwright Anton Chekhov. It was first performed at the Moscow Art Theatre in 1899, directed by acclaimed actor Konstantin Stanislavski—who also played the role of Astrov. Reviews were lukewarm at first, but as the play continued to run, Uncle Vanya gained both popularity and critical prowess, and has since become one of the most influential dramas ever produced. When retired Professor Aleksandr Serebryakov and his young second wife Yelena arrive at their country estate, they disrupt the mundanity and relative boredom of provincial life for its inhabitants. While the elderly Serebryakov enjoys life in the city, Sonya, his daughter, and Vanya, his first wife’s brother, remain at the estate to manage its daily upkeep. Vanya, whose only companion is Mikhail Astrov, a doctor dissatisfied with his life and role in the rural community, regrets his failure to become a man of letters, and blames Serebryakov for saddling him with responsibility for the estate. He also loves the beautiful Yelena and wishes he had realized it before she married his brother-in-law. Meanwhile, Sonya secretly loves Astrov, but fears he thinks of her as only a friend. As Serebryakov’s decision to sell the estate in order to increase his income is revealed, Vanya—incensed by years of disappointment and disrespect, as well as his by own mother’s idolization of the Professor—reaches his breaking point, bringing the play to its startling, powerful conclusion. Uncle Vanya is a masterful drama that illuminates the intersecting obligations of family while dissecting the bitterness and ambition which so often define the relationships of men. With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov’s Uncle Vanya is a classic of Russian literature reimagined for modern readers.
Chekhov's great tragicomic eulogy for a passing way of life represents, according to Robert Brustein, "some kind of powerful culmination of all his dramas up to that time." This superb adaptation illuminates Chekhov's fine mind, discriminating heart, and beautiful soul, and is wonderfully playable.
One of the most important dramatic works from the acclaimed Russian playwright and “father of the modern dysfunctional family comedy” (Hyde Park Herald). A classic four-act romantic tragedy, Uncle Vanya is essentially a reworking of an earlier Chekhov play, The Wood Demon. It tells the story of a retired university professor and his extended middle-class family. When the professor unexpectedly announces he is about to sell his country estate, scheming between the play’s nine principle characters ensues. Tensions crest when their security is threatened and disappointments from the past—unrequited feelings, miseries, and failures—shockingly resurface. One could think of Uncle Vanya, which had its Moscow premiere in 1899 and remains a favorite of theatergoers to this day, “as the forerunner of existential tragicomedies like Waiting for Godot and No Exit. Underlying the characters’ boredom, frustration, and desperation is the monumental realization that their lives are meaningless and have no purpose, even if some of them are in denial” (Hyde Park Herald). “Uncle Vanya is a study of ennui, unfulfilled desires, and the misery of rural isolation. Yet it’s also funny—full of Chekhov’s social satire and disdain for hypocrisy.” —Go London
Discussing the Bible and the Qur'an in one breath will surprise some Jews, Christians, and Muslims. But Anton Wessels argues that all three traditions must read the Scriptures together and not against each other. As his book title suggests, the three books, in the end, are actually one tale. Wessels accepts Muhammad as a prophet and takes the Qur'an seriously as Holy Scripture along with the Old and New Testaments -- without giving up his own Christian convictions. Respectfully reading the Torah, the Gospel, and the Qur'an together, he argues, is of crucial importance: our world often sees these religious books as the cause of conflicts rather than the solution to them.
Intimate biography by Beethoven's pupil and secretary recalls composer's personality, contemporaries, deafness, irascible behavior, etc. Extensively annotated by Beethoven scholar Donald MacArdle. Revised 3rd edition. Editor's Notes. Introduction. Includes 7 illustrations.
“Senelick’s accomplishment is astounding.”—Library Journal Anton Chekhov is a unique force in modern drama, his works cherished for their brilliant wit and insight into the human condition. In this stunning new translation of one of Chekhov’s most popular and beloved plays, Laurence Senelick presents a fresh perspective on the master playwright and his groundbreaking dramas. He brings this timeless trial of art and love to life as memorable characters have clashing desires and lose balance in the shifting eruptions of society and a modernizing Russia. Supplementing the play is an account of Chekhov’s life; a note on the translation; an introduction to the work; and variant lines, often removed due to government censorship, which illuminate the context in which they were written. This edition is the perfect guide to enriching our understanding of this great dramatist or to staging a production.
This classic treatment of linear algebra presents the fundamentals in the clearest possible way, examining basic ideas by means of computational examples and geometrical interpretation. It proceeds from familiar concepts to the unfamiliar, from the concrete to the abstract. Readers consistently praise this outstanding text for its expository style and clarity of presentation. Clear, accessible, step-by-step explanations make the material crystal clear. The authors spotlight the relationships between concepts to give a unified and complete picture. Established the intricate thread of relationships between systems of equations, matrices, determinants, vectors, linear transformations and eigenvalues.
Love and Other Stories (1922) is a collection of twenty-three stories by Russian writer Anton Chekhov. Recognized today as foundational for the development of the modern short story, Anton Chekhov has transcended Russian literature to become one of the most popular and acclaimed authors in history, in any language. This collection showcases the author’s unique talent for illuminating the intricacies of love and critiquing the values of social and political circles. In “Love,” an aging bachelor meets a beautiful young woman named Sasha, sending passionate letters and soon proposing to her. Despite signs of irreconcilable differences—namely, Sasha’s youthful innocence and childish disposition—he marries her and soon longs for the freedom of single life. “A Country Cottage” follows a young couple on a moonlit stroll in the vicinity of their humble home. Passing the local train station, they playfully discuss their plans for dinner while remarking on the beauty of the landscape. When a train passes through bearing a group of unexpected visitors, however, they find themselves torn between a longing for solitude and their tedious social obligations. In “The Death of a Government Clerk,” a low-level official accidentally sneezes on the person sitting in front of him during a theater performance, only to realize the man is a prominent General. Horrified, the clerk spends the next day attempting to atone for his mistake, only to enrage the man further. With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov’s Love and Other Stories is a classic of Russian literature reimagined for modern readers.
Anton Chekhov was a master whose daring work revolutionized theater, and this was as true of Ivanov, his first full-length play, as of The Cherry Orchard, his last. Building on the success of his acclaimed adaptation of The Seagull, Tom Stoppard returns to Chekhov and the themes of bitter social satire, personal introspection, and the electrifying atmosphere of Russia on the brink of change. In these two new versions, Stoppard brings his crisp and nimble style to two masterpieces of the modern theater. Ivanov is a portrait of a man plagued with self-doubt and despair. Considered one of Chekhov’s most elusive characters, he seeks more in life than the selfabsorption and ennui he sees in his contemporaries. Tormented by falling out of love with his dying Jewish wife, Ivanov, on her death, proposes to the young daughter of his neighbor, but, as the wedding party assembles, a final burst of his habitual indecisivness has fatal results.
Three Sisters (1900) is a drama in four acts by Russian playwright and short story writer Anton Chekhov. It was first performed at the Moscow Art Theatre in 1901, directed by acclaimed actor Konstantin Stanislavski—who also played the role of Aleksandr Ignatyevich Vershinin, a philosophizing artillery officer in love with middle Prozorov sister Masha. Reviews were mixed at first, but as the play continued to run, Three Sisters became a popular success, acclaimed by audiences and critics alike. The play follows the Provorov family, focusing on sisters Olga, Masha, and Irina, as well as their brother Andrei. Each character struggles to balance their secret ambitions while facing the daily circumstances of reality. Olga, the oldest sister, is an unmarried schoolteacher who often finds herself responsible for the lives and happiness of others. Masha, the middle sister, is unhappily married to the kind Latin teacher Fyodor Kulygin, who knows about her affair with Lieutenant-Colonel Vershinin but continues to love and care for her. Irina, the youngest, is a vain and childish woman engaged to a man she respect but does not love. Andrei is initially an ambitious and energetic young man whose ill-fated marriage ruins not only his prospects of becoming a professor in Moscow, but his will to live as a man with any sense of self-respect. Natasha, who begins as an orphaned young woman unfit for high society, eventually emerges as a manipulative, envious woman whose love for her two children is matched only by her will to control the lives of the entire Prozorov family. Three Sisters by Anton Chekhov is a brilliant drama whose complex characters make us believe, for a time, in an art more real than life. With a beautifully designed cover and professionally typeset manuscript, this edition of Anton Chekhov’s Three Sisters is a classic of Russian literature reimagined for modern readers.
Somewhere in the backwoods of Russia, the three Prozorov sisters—Olga, Masha and Irina—live in the large, beautiful house their father has left them. Raised to be bastions of refinement and taste, but stranded amongst smalltown folk with no ambition, they cling desperately to memories of the bright, thriving Moscow they left as children. Unable to bear the ordinariness of their lives, tempers flare and all manner of appetites go unchecked, eliciting wild and dangerous responses from those around them and turning the proper Prozorov home into a place where anything can happen. Curt Columbus' THREE SISTERS is Anton Chekhov's rich tapestry of heartbreak and bad behavior.
Frayn's translation, which strikes me as splendidly lucid and alive . . . will be acted again and again' New Statesman In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt: urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they struggle to act decisively. Originally published to coincide with Peter Hall's National Theatre production in 1978, this edition features the revised translation staged by Sam Mendes at the Aldwych Theatre, London, in 1989, starring Judi Dench and Ronald Pickup. Commentary and notes by Nick Worrall
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