No More Hair Drama is a non-fiction book that chronicles the journey that an African American woman has taken in the world of hair through the many different styles, processes, times, and attitudes toward African American women and their hair. It is designed to be a learning tool showing the many challenges and pressures that have been put on African American women regarding hair. This book is a true testament of the African American womans journey into the pursuit of the perfect and ideal style and how that, at times, ties into a womans self-esteem. The chapters in the book take the readers on a walk through the past, present, and future of hair. More specifically, the book provides details on historical figures such as Madame C.J. Walker and the Bronner Brothers, hair care through the decades, spiritual, health, and cultural aspects of hair, the perspectives of men and women, and the relationship with corporate structures. After I locked my hair on December 26, 2001, my mission was to tell a story about my plight in finding myself through my hair, being comfortable in my skin, loving my distinct African features, and truly loving who God made me to be. It is my estimation that women of African descent continually connect hair with self-esteem and self-worth to the degree that we look at extremes if our hair is nappy or kinky then it is bad and if our hair is straight or loosely curled then it is good. No More Hair Drama is designed to be uplifting, inspiring, empowering, and a conversation piece for African American women and women in general.
No More Hair Drama is a non-fiction book that chronicles the journey that an African American woman has taken in the world of hair through the many different styles, processes, times, and attitudes toward African American women and their hair. It is designed to be a learning tool showing the many challenges and pressures that have been put on African American women regarding hair. This book is a true testament of the African American womans journey into the pursuit of the perfect and ideal style and how that, at times, ties into a womans self-esteem. The chapters in the book take the readers on a walk through the past, present, and future of hair. More specifically, the book provides details on historical figures such as Madame C.J. Walker and the Bronner Brothers, hair care through the decades, spiritual, health, and cultural aspects of hair, the perspectives of men and women, and the relationship with corporate structures. After I locked my hair on December 26, 2001, my mission was to tell a story about my plight in finding myself through my hair, being comfortable in my skin, loving my distinct African features, and truly loving who God made me to be. It is my estimation that women of African descent continually connect hair with self-esteem and self-worth to the degree that we look at extremes if our hair is nappy or kinky then it is bad and if our hair is straight or loosely curled then it is good. No More Hair Drama is designed to be uplifting, inspiring, empowering, and a conversation piece for African American women and women in general.
The first edition of Black Women in American Bands & Orchestras (a Choice Outstanding Academic Book in 1982) was lauded for providing access to material unavailable in any other source. To update and expand the first edition, Handy has revised the profiles of members featured in the first edition, corrected omissions, and added personal and career facts for new faces on the scene. Profiles are presented under the headings of orchestras and orchestra leaders, string players, wind and percussion players, keyboard players, and non-playing orchestra/band affiliates. Features 100 photographs.
Black Gardenias is a collection of poems, short stories and sayings whispered by women; ancient and present who have loved, conquered, danced, prayed, struggled, overcome, suffered and laughed. It is about how women love and laugh in spite of hardships. Some of the women in this collection reflect on rape, incest, and abortion. Others share their joys and pains of childbirth, sex, God, marriage, and love. Still others discuss resistance and politics, beauty and femininity. Black Gardenias for me is a collage of Black women, which transcends time and place, fluid and powerful. A testimony of our ability to connect and disconnect with our most constant force—God.
Illustrated with plans, maps, and new and historic photographs, the second edition of Worthy of the Nation provides researchers and general readers with an appealing and authoritative view of the planning and evolution of the federal district.
In this study of British middle-class feminism in the late nineteenth and early twentieth centuries, Antoinette Burton explores an important but neglected historical dimension of the relationship between feminism and imperialism. Demonstrating how feminists in the United Kingdom appropriated imperialistic ideology and rhetoric to justify their own right to equality, she reveals a variety of feminisms grounded in notions of moral and racial superiority. According to Burton, Victorian and Edwardian feminists such as Josephine Butler, Millicent Garrett Fawcett, and Mary Carpenter believed that the native women of colonial India constituted a special 'white woman's burden.' Although there were a number of prominent Indian women in Britain as well as in India working toward some of the same goals of equality, British feminists relied on images of an enslaved and primitive 'Oriental womanhood' in need of liberation at the hands of their emancipated British 'sisters.' Burton argues that this unquestioning acceptance of Britain's imperial status and of Anglo-Saxon racial superiority created a set of imperial feminist ideologies, the legacy of which must be recognized and understood by contemporary feminists.
Why do some small, developing countries industrialize and others don’t? What factors account for different economic performance among states that are vulnerable to external shocks, crony capitalism, and political instability? This book argues that the answer lies in the structuring of state power, specifically the way different sets of governing elites – political leaders and economic technocrats – are embedded in political organisations and state institutions, and the way these elites relate to each other in the economic development policy process. Conducting a comparative historical analysis of Thailand and the Philippines, the book argues that the institutional settings of governing elites influence economic outcomes. In Thailand, political power traditionally connects to state institutions in ways that has limited the impact of political turnovers and global downturns - conducive to long-term industrial activities. In contrast, Philippine state power derives from family networks that merge social and political power, suited to fast-moving, short-term commercial interests. In focusing on this political and institutional story, the author analyses the current development dilemmas of countries, weighed down by historical legacies of unstable regimes, dependency, and social conflict, and how they are likely to develop in the future.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.