In this study of British middle-class feminism in the late nineteenth and early twentieth centuries, Antoinette Burton explores an important but neglected historical dimension of the relationship between feminism and imperialism. Demonstrating how feminists in the United Kingdom appropriated imperialistic ideology and rhetoric to justify their own right to equality, she reveals a variety of feminisms grounded in notions of moral and racial superiority. According to Burton, Victorian and Edwardian feminists such as Josephine Butler, Millicent Garrett Fawcett, and Mary Carpenter believed that the native women of colonial India constituted a special 'white woman's burden.' Although there were a number of prominent Indian women in Britain as well as in India working toward some of the same goals of equality, British feminists relied on images of an enslaved and primitive 'Oriental womanhood' in need of liberation at the hands of their emancipated British 'sisters.' Burton argues that this unquestioning acceptance of Britain's imperial status and of Anglo-Saxon racial superiority created a set of imperial feminist ideologies, the legacy of which must be recognized and understood by contemporary feminists.
These stories offer eight slices of life in England today, covering inner-city problems, immigration, football hooliganism, food, student life, leisure activities, the media and the countryside.
Essays written by Antoinette Burton since the mid-1990s trace her thinking about modern British history and engage debates about how to think about British imperialism in light of contemporary events.
Antoinette Burton focuses on the experiences of three Victorian travelers in Britain to illustrate how "Englishness" was made and remade in relation to imperialism. The accounts left by these three sojourners—all prominent, educated Indians—represent complex, critical ethnographies of "native" metropolitan society and offer revealing glimpses of what it was like to be a colonial subject in fin-de-siècle Britain. Burton's innovative interpretation of the travelers' testimonies shatters the myth of Britain's insularity from its own construction of empire and shows that it was instead a terrain open to continual contest and refiguration. Burton's three subjects felt the influence of imperial power keenly during even the most everyday encounters in Britain. Pandita Ramabai arrived in London in 1883 seeking a medical education and left in 1886, having resisted the Anglican Church's attempts to make her an evangelical missionary. Cornelia Sorabji went to Oxford to study law and became the first Indian woman to be called to the Bar. Behramji Malabari sought help for his Indian reform projects in England, and subjected London to colonial scrutiny in the process. Their experiences form the basis of this wide-ranging, clearly written, and imaginative investigation of diasporic movement in the colonial metropolis.
This is the inspiring story of Mother Benedict Duss and the famous Benedictine monastery she founded in Bethlehem, Connecticut, the Abbey of Regina Laudis, a large flourishing community of contemplative Benedictine nuns.
During the Progressive Era, a time when the field of design was dominated almost entirely by men, a largely forgotten activist and teacher named Louise Brigham became a pioneer of sustainable furniture design. With her ingenious system for building inexpensive but sturdy “box furniture” out of recycled materials, she aimed to bring good design to the urban working class. As Antoinette LaFarge shows, Brigham forged a singular career for herself that embraced working in the American and European settlement movements, publishing a book of box furniture designs, running carpentry workshops in New York, and founding a company that offered some of the earliest ready-to-assemble furniture in the United States. Her work was a resounding critique of capitalism’s waste and an assertion of new values in design—values that stand at the heart of today’s open and green design movements.
WINNING A LOTTERY ... who hasn't dreamed of it? Wendy Hodene, for one. She has always been one of those people for whom just enough is plenty. She's married to a charmer, has a young son she loves, and lives close to family in a small New England house that her great-grandfather built. True, she'd love to have room for a three-cushion couch (and of course more closet space), but all in all, she's happy with her life. Happy, until her husband Jim goes and wins a lottery, upending every reassuring aspect of Wendy's existence. The man she thought she was married to for a decade turns out to be someone else entirely; the house she thought she wanted renovated turns into a stress-inducing pile of dust and demolition; the son who once desired nothing more than a new video game now wants a big new house on the beach; and the mysterious contractor who shows up among the crew on a fine June morning turns out to be a man who's both able and willing to destroy all that Wendy holds dear. Zack Tompkins has better things to do than to knock down walls and put in floor joists, but his fragile and heartbroken sister Zina is convinced that the lottery winner whose photo she's seen in a newspaper is the man who once married and then abandoned her. It doesn't take long after he's signed on as crew in the Hodene renovation for Zack to see that Zina was right. His choice then becomes all too clear: wound his sister, or tear apart a family. As dreams and schemes are washed away like sand castles from an incoming tide, one truth remains: some hearts, not fully broken, can mend and still be whole again. Editorial Reviews "Well-drawn, sympathetic characters, exceptional writing, and an intriguing premise that puts a new spin on a classic plot combine to produce a riveting story of selfishness, betrayal, and love that readers will find hard to put down. Stockenberg is a RITA Award-winning author and is noted for her compelling, emotionally involving stories." --Library Journal "A powerful suspense thriller ... the characters are a superb group, especially the key foursome. The plot is filled with twists and turns ... fans of taut thrillers with a romance will want to read this strong intrigue." --Harriet Klausner, Bookbrowser "Moral dilemmas abound in this intriguing and compelling tale." --Booklist "A beautiful story filled with imagination, complexity, and sweet love, SAND CASTLES had plot twists that had me tearing through the pages to find out what happened next. A keeper and a must-have for all lovers of romance." --The Word on Romance "Antoinette Stockenberg is a consummate storyteller, and SAND CASTLES is another example of how well she has mastered her craft. The author is in top-notch form. The characterizations are wonderfully drawn and believable in their actions and reactions. There are enough plot twists and turns to keep a reader highly interested. A sure-fire winner and highly recommended reading!" --NewAndUsedBooks.com "Antoinette Stockenberg continues to display an immense talent for creating powerful and gripping dramas that give readers the full range of human emotions." --Romantic Times "This book was wonderful! In fact, I was so caught up in the story, I forgot to analyze anything. Twists, good dialogue and a question to answer at the end .... Kudos ... an excellent read. --Old Book Barn Gazette
USA TODAY bestselling author Antoinette Stockenberg spins love, family, and a touch of magic into a lighthearted, richly drawn tale that tugs at the heart and leaves the reader laughing and wanting more. TIME AFTER TIME will appeal to fans of authors as diverse as Nora Roberts, Barbara Michaels, Jennifer Crusie and Barbara Freethy. WHEN A PARTY PLANNER MEETS A PARTY POOPER ... things will probably not turn out the way either would like. Liz Coppersmith hopes to move beyond kids' parties at Chuck E. Cheese to planning premier events among the upper crust in Newport, Rhode Island. Her first upscale client is confirmed bachelor Jack Eastman, who's struggling to keep the family empire afloat and would be just fine with Chuck E. Cheese. More problematic for Jack are an untrained puppy, two illegitimate toddlers, a runaway mother and an aging Casanova father. Liz's problems are simpler: an historic mystery, an amnesiac friend, a thief on the loose and a recurring apparition that may or may not be her imagination. REVIEWS "Master storyteller Antoinette Stockenberg surpasses herself with her newest tale, TIME AFTER TIME ... a richly rewarding novel filled with wrenching loss, timeless passion and eerie suspense. A novel to be savored." --Romantic Times "All of the elements of a rollicking great read have been expertly blended into this story, from precocious children to an old skirt-chasing lech. TIME AFTER TIME, as hilarious as it is poignant and heart-tugging, will command center stage on your keeper shelf. Once again, Antoinette Stockenberg has done a magnificent job." --I'll Take Romance "Antoinette Stockenberg is a superb contemporary writer, an author who creates an ambience that is as important as the character development. She also adds an invaluable sense of humor which appears at unexpected times, leaving readers loudly laughing. TIME AFTER TIME is that rarest of works -- a satisfying treasure for a vast variety of palates." --Affaire de Coeur "This book [is] a rewarding and gratifying reading experience. This exceptionally talented author has penned a unique story that spins a touching and sensitive story of love and trust. Throw in a cast of magnificent characters, and you'll be ready to hold on to this one for another read." --Rendezvous "A light and engaging tale of righting past wrongs in class-conscious Newport society." --Gothic Journal
An old secret, a new mystery, and dangerous passion buried in the ashes of an historic fire -- ashes that become embers, easily fanned into flames .... To Meg Hazard, it seemed like a good idea at the time: squeezing her extended family into the back rooms of their rambling Victorian home and converting the rest of the house into a Bed and Breakfast in the coastal town of Bar Harbor, Maine. But that was before the leaky roof, the balky furnace, and the fuel oil spill in the basement. That was before the inheritance of an exquisite, museum-quality dollhouse with a haunting story of its own to tell. And that was before her much-loved, much-younger and very beautiful sister Allie fell in love with Chicago cop Tom Wyler, who was there simply to put himself back together physically and emotionally after a shattering episode of violence back home. Meg, the Responsible One, has complete sympathy for everyone. What she doesn't have is complete control over her emotions .... Reviews: "A deft blend of mystery and romance ... Stockenberg, who won a RITA [for Emily's Ghost], is sure to win more kudos for her latest." --Publishers Weekly "A well-written, engaging story of two caring people who have all but given up on finding love." --Library Journal "All the ingredients that whisper 'best seller' ... reading Embers is a night of pure pleasure." --Gothic Journal "Embers is a delight -- a beautifully crafted, wholly involving story that explores the complexities of family, sisters and love, creating relationships that sparkle with warmth, wit, and authenticity. I thoroughly enjoyed it." --Katherine Stone "Antoinette Stockenberg has become a major force in women's contemporary mainstream romantic fiction. Embers is a moving work involving obsession, betrayal, and thwarted passions ... The chilling use of supernatural elements to emphasize the events of the past only enhances a book that has 'classic' written all over it." --Affaire de Coeur
Compelling romance and swashbuckling thrills. Shadows aren’t always what they seem. The dramatic and gripping story of one man with two lives and the woman he craves, but cannot have… It started with one exceptional man, Francis Granville. He was a British aristocrat with an illustrious title and lineage that could be traced back for centuries. However, this was no bored, frivolous, idle peer or courtier. Behind the veneer of remote, ducal aloofness that most of late 18th century aristocratic society saw, Francis was both an extremely able as well as a down-to-earth and charming man. To those aware of his extensive business interests, he was astute, rich and powerful, with diverse enterprises and holdings around the expanding British Empire and further, to countries eager and open to trade. However, absolutely no one knew about his ‘little sideline’ - because he was also a ruthless, faceless and elusive criminal, known only as The Shadow, or L’Ombre. He had a price on his head and was wanted on both sides of the English Channel for smuggling and pirating. Francis Granville was one man with two lives. And then, one fateful day changed the course of his life. While he was in Normandy, in northern France, on one of his illegal trading expeditions, L’Ombre was approached for help by a Frenchwoman, desperate to save her family. The lengths she’d gone to in order to find him and plead her case made him wonder what it would be like to have someone care for him so much they’d risk losing everything they owned, including their freedom, even their life, just to save him from a dire fate. Francis had always managed to wrap most people around his little finger, especially women; he’d also laughed at danger, thought himself untouchable and invincible, and relished the excitement his secret double life brought him. That was until his long-time enemy finally caught up with him, a malicious and clever adversary who’d been using the growing social unrest and inefficient government in France during the late 1780’s and the start of the Revolution to further his own nefarious ends. Francis’s arrogance and distraction were nearly his downfall, causing him to risk losing not only his life in terrible circumstances, but also the unconventional woman who meant everything to him.
This is a story of love, loss, and incredible coincidences told through the life of Mirielle Thibodeaux, who perseveres against all odds. Having survived a horrible adolescence, she loses her three-month-old baby Etienthe youngest of her four childrenwhile fleeing from the German air attack on France in 1940. Her children had become her life but one by one, for different reasons, they all leave her. Life continues despite the loss and her only strength is the hope that one day they will return to her. Will she live long enough to see them again? Suffering for the children doesnt make her life heroic. It is merely life.
Know What You Want,Know What You’re Buying, Learn the Secrets to Get the Most for Your Money /Finally! Everything you need to buy beautiful pearls with confidence. Easy to Read Easy to Understand Practical Complete Instant Answers ... to All Your Questions For people who want a reliable source of information to guide them in the fascinating and complex world of pearls—natural, cultured and imitation. Filled with “insider” tips and advice to help you get what you want.
Epistemology, Fieldwork, and Anthropology provides a systematic examination of the empirical foundations of interpretations and grounded theories in anthropology. Olivier de Sardan explores the nature of the links between observed reality and the data produced during fieldwork, and between the data gathered and final interpretative statements. Olivier de Sardan's research asks how anthropologists develop a 'policy of fieldwork', what the advantages and limits of observation are, and if the dangers of over-interpretation and scientific ideologies be minimized. Exploring the space between epistemology and methodology, the book critically juxtaposes Anglo and Francophone writings about fieldwork, plausible interpretations, emicity, reflexivity, comparison, and scientific rigor.
In an era of depressed civic engagement, where access to the media by common citizens is limited, blogs have the power to change the political landscape. This bookcatalogs the individuals engaged in political blogging, explains why they started blogging, and examines what they hope to gain from it.
In the tradition of Upstairs, Downstairs and Downton Abbey, BY THE SEA is a four-book series that sweeps from the Gilded Age through the Gatsby Era's Roaring Twenties and then on to the Great Depression, culminating nearly a century later in Newport, Rhode Island, wealthy and alluring "City by the Sea." Set against a backdrop of mansions, the glorious America's Cup Yacht Races, and new money, the series traces the passions and adventures of three families from three different classes. Book Two: AMANDA. Marrying American money to an English title is a tradition of its own; but Amanda Fain, a brash heiress with money to burn, has a fondness for Bolsheviks and bootleg liquor that makes her an unlikely match for the reluctant, ironic, and impoverished English aristocrat Geoffrey Seton, who has been ordered to America to find someone who can pay the bills for the family estate back home. Also available: Book One: TESS Book Three: LAURA Book Four: THE HEIRS Editorial Reviews "A quality, original [work]. Antoinette Stockenberg has done her homework. The saga ... contains many of those little epiphanies, those moments of recognition. It is what makes, for example, Book One: TESS stand out from the rash of novels on class conflicts between Irish servants and their Yankee masters." --Providence Journal "A riveting saga/mystery. Ms. Stockenberg is a master of intrigue and romance ... she expertly leads readers through nearly a century of drama in the elegant, fascinating, and thrilling world of yacht racing [culminating in] a compelling mystery. This novel will provide smooth sailing for summer reading." --Rave Reviews "The action moves along at a speed that makes it virtually impossible to put the book down. If I had had the time I could have read it non-stop, and I nearly did .... Here is a book to satisfy every sort of reader--those who crave fast action, Newport aficionados, and the romantics among us who love happy endings." --Newport This Week Magazine "Sizzling [and] entertaining reading. The well-researched novel uses real people and places--such as the Vanderbilts and Dennis Conner--as a backdrop to the unfolding drama. --Soundings Magazine
The literary presence of Harriet Martineau pervades 19th-century English and American culture. This edition makes her work available, and focuses on her writings on imperialism. It should be of interest to scholars of colonialism, women's writing, Victorian studies, sociology and journalism.
The wife of an officer gives a vivid late-nineteenth-century account of frontier life with the army in the West as well as describing the beauty of the countryside
Tangipahoa and St. Helena are two of the eight Florida Parishes in southeast Louisiana. In 1810, St. Helena Parish was founded, and Tangipahoa Parish followed in 1869. The historic St. Helena Parish, Louisiana, public school desegregation case predated the US Supreme Court decision in Brown v. Board of Education of Topeka, Kansas. Many families in the two parishes are the descendants of former slaves. They endured the harsh treatment of Jim Crow and segregation while remaining connected to the Florida Parishes. Notable Grammy-winning singer Irma Thomas and Collis Temple Jr., the first African American to play varsity basketball at Louisiana State University, call these parishes home. Many African Americans in the parishes are successful and are still working to improve race relations.
Tidjani Alou's writing sketches the commonplace and the metaphysical, with heft, honesty, and audacity. The range is compelling, as she takes us through lives in places as diverse as Accra and Niamey. The prose is deft, her metaphors sting with accuracy. This is a writer to think and feel with."--Emmanuel Iduma, Editor, Saraba Magazine. A grandmother with a food-induced encounter, an ecclesial romance with a tomcat set in the throes of uncertain times, eating and drinking for freedom, wife battery under the watchful eyes of communal love, desperately seeking lovers burdened by violent pasts, and a woman taking liberty after nine children with nine husbands are some of the characters and stories in Antoinette Tidjani Alou's debut fiction collection. In fifteen formidable lyrical prose, Tina Shot Me Between the Eyes explores how the self is shaped and transformed by the knots we yearn to tie around ourselves: familial, spousal, parental, professional, and societal. It tackles how we struggle in relationships for nourishment and fulfilment, and how relationships could kill us and how we could kill to survive-a potent force for understanding humanity and the nuances of acts of violence, tolerance, faith and love.
This unique book traces the evolution and accomplishments of the office that from 1852 until 1939 held a virtual monopoly over federal building design. Among its more memorable buildings are the Italianate U.S. Mint in Carson City, the huge granite pile of the State, War, and Navy Building in Washington, D.C., the towering U.S. Post Office in Nashville, New York City's neo-Renaissance customhouse, and such "restorations" as the ancient adobe Palace of the Governors in Santa Fe. In tracing the evolution of the Office and its creative output, Antoinette J. Lee evokes the nation's considerable efforts to achieve an appropriate civic architecture.
The literary presence of Harriet Martineau pervades 19th-century English and American culture. This edition makes her work available, and focuses on her writings on imperialism. It should be of interest to scholars of colonialism, women's writing, Victorian studies, sociology and journalism.
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