Why do so many think the Bible teaches that the universe is six thousand years old? There are many good biblical and historical reasons to read Genesis 1 nonliterally, and there are many good scientific reasons to think the universe is much older. Out of this misconception, some will lose faith, while others won't find it. This book was written for a large audience, gathering in a little more than one hundred pages the main biblical, historical, and astrophysical reasons to recognize that the universe is far more than six thousand years old. Contrary to some common views, scientists do not simply assume physical laws have been the same in the past. They observe it.
This book puts the debates about the energy-climate continuum on a scientific ground! It is a must-read for everyone, who wants to understand how intimately the energy and climate debates are linked to each other, and who wants to participate in these omnipresent discussions. Antoine Bret explains in his book how fossil fuels became indispensable for our society. He carefully explains how and why this impacts the earth's climate. And he points out that all available fossil fuels will sooner or later be used up. Therefore, he introduces and discusses the alternatives, which are currently considered. The book is divided into three parts. The first part explains the problem and where we stand today, the second part critically discusses possible elements of solution. The third part illustrates historic case studies, containing both warning as well as encouraging examples of societies at turning points. This book is a careful introduction to these topics. The basic science behind the problem and the debates are introduced in an understandable and nicely readable fashion. Facts are illustrated with simple back-on-the-envelope calculations, providing a good feeling for orders of magnitudes. A rich appendix provides additional background information for the interested readers. In this way, the book can even be a valuable resource for introductory university courses in physics, climate science, natural science and many more subjects. This book is a real conversation starter and can be recommended to everyone, specialist or non-specialist, who wants to understand the actual energy-climate debates and maybe even involve.
Have you ever wondered by how much CO2 emissions can be reduced by running cars electrically or with hydrogen as fuel? This Brief provides a quantitative answer to this question using the example of the combined road traffic in Spain. The authors calculate the resulting greenhouse gas (GHG) emissions for the production of hydrogen gas or the required electricity and installing and maintaining the necessary infrastructure. In this way, they can compare with the GHG emissions in the present situation of oil fueled cars. Using different scenarios, they obtain an assessment how much ‘greener’ the electric or hydrogen cars can get.The method described in this Brief is scalable and readily adaptable to other countries. It can thus be used for investigating sensible approaches and developing recommendations for a conversion. As expected, the results depend strongly on the production scenarios for hydrogen or electricity production. The wrong choice can even result in increased GHG emissions. A proper choice of the roadmap toward a more sustainable and greener future is of greatest importance – the results described in this Brief can serve as a valuable and useful guide on our way.
Have you ever wondered by how much CO2 emissions can be reduced by running cars electrically or with hydrogen as fuel? This Brief provides a quantitative answer to this question using the example of the combined road traffic in Spain. The authors calculate the resulting greenhouse gas (GHG) emissions for the production of hydrogen gas or the required electricity and installing and maintaining the necessary infrastructure. In this way, they can compare with the GHG emissions in the present situation of oil fueled cars. Using different scenarios, they obtain an assessment how much ‘greener’ the electric or hydrogen cars can get.The method described in this Brief is scalable and readily adaptable to other countries. It can thus be used for investigating sensible approaches and developing recommendations for a conversion. As expected, the results depend strongly on the production scenarios for hydrogen or electricity production. The wrong choice can even result in increased GHG emissions. A proper choice of the roadmap toward a more sustainable and greener future is of greatest importance – the results described in this Brief can serve as a valuable and useful guide on our way.
Why do so many think the Bible teaches that the universe is six thousand years old? There are many good biblical and historical reasons to read Genesis 1 nonliterally, and there are many good scientific reasons to think the universe is much older. Out of this misconception, some will lose faith, while others won't find it. This book was written for a large audience, gathering in a little more than one hundred pages the main biblical, historical, and astrophysical reasons to recognize that the universe is far more than six thousand years old. Contrary to some common views, scientists do not simply assume physical laws have been the same in the past. They observe it.
This book puts the debates about the energy-climate continuum on a scientific ground! It is a must-read for everyone, who wants to understand how intimately the energy and climate debates are linked to each other, and who wants to participate in these omnipresent discussions. Antoine Bret explains in his book how fossil fuels became indispensable for our society. He carefully explains how and why this impacts the earth's climate. And he points out that all available fossil fuels will sooner or later be used up. Therefore, he introduces and discusses the alternatives, which are currently considered. The book is divided into three parts. The first part explains the problem and where we stand today, the second part critically discusses possible elements of solution. The third part illustrates historic case studies, containing both warning as well as encouraging examples of societies at turning points. This book is a careful introduction to these topics. The basic science behind the problem and the debates are introduced in an understandable and nicely readable fashion. Facts are illustrated with simple back-on-the-envelope calculations, providing a good feeling for orders of magnitudes. A rich appendix provides additional background information for the interested readers. In this way, the book can even be a valuable resource for introductory university courses in physics, climate science, natural science and many more subjects. This book is a real conversation starter and can be recommended to everyone, specialist or non-specialist, who wants to understand the actual energy-climate debates and maybe even involve.
One of the most celebrated filmmakers of all time, Francois Truffaut was an intensely private individual who cultivated the public image of a man completely consumed by his craft. But his personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama. Now, with captivating immediacy, Antoine de Baecque and Serge Toubiana give us the definitive story of this beloved artist. They begin with the unwanted, mischievous child who learned to love movies and books as an escape from sadness and confusion: as a boy, Francois came to identify with screen characters and to worship actresses. Following his early adult years as a journalist, during which he gained fame as France's most iconoclastic film critic, the obsessive prodigy began to make films of his own, and before he was thirty, notched the two masterpieces The 400 Blows and Jules and Jim. As Truffaut's dazzling body of work evolves, in the shadow of the politics of his day, including the student uprisings of 1968, we watch him learning the lessons of his masters Fellini and Hitchcock. And we witness the progress of his often tempestuous personal relationships, including his violent falling-out with Jean-Luc Godard (who owed Truffaut the idea for Breathless) and his rapturous love affairs with the many glamorous actresses he directed, among them Jacqueline Bisset and Jeanne Moreau. With Fanny Ardant, Truffaut had a child only thirteen months before dying of a brain tumor at the age of fifty-two. Here is a life of astonishing emotional range, from the anguish of severe depression to the exaltation of Oscar victory. Based on unprecedented access to Truffaut's papers, including notes toward an unwritten autobiography, de Baecque and Toubiana's richly detailed work is an incomparably authoritative revelation of a singular genius.
Frequently perceived as a characteristic of modern culture, the phenomenon of celebrity has much older roots. In this book Antoine Lilti shows that the mechanisms of celebrity were developed in Europe during the Enlightenment, well before films, yellow journalism, and television, and then flourished during the Romantic period on both sides of the Atlantic. Figures from across the arts like Voltaire, Garrick, and Liszt were all veritable celebrities in their time, arousing curiosity and passionate loyalty from their “fans.” The rise of the press, new advertising techniques, and the marketing of leisure brought a profound transformation in the visibility of celebrities: private lives were now very much on public show. Nor was politics spared this cultural upheaval: Marie-Antoinette, George Washington, and Napoleon all experienced a political world transformed by the new demands of celebrity. And when the people suddenly appeared on the revolutionary scene, it was no longer enough to be legitimate; it was crucial to be popular too. Lilti retraces the profound social upheaval precipitated by the rise of celebrity and explores the ambivalence felt toward this new phenomenon. Both sought after and denounced, celebrity evolved as the modern form of personal prestige, assuming the role that glory played in the aristocratic world in a new age of democracy and evolving forms of media. While uncovering the birth of celebrity in the eighteenth century, Lilti's perceptive history at the same time shines light on the continuing importance of this phenomenon in today’s world.
From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, Vintage 1954 is a nostalgic tale of time travel. 'A glorious time-slip caper... Just wonderful’ Daily Mail When Hubert Larnaudie invites some fellow residents of his Parisian apartment building to drink an exceptional bottle of 1954 Beaujolais, he has no idea of its special properties. The following morning, Hubert finds himself waking up in 1950s Paris, as do antique restorer Magalie, mixologist Julien, and Airbnb tenant Bob from Milwaukee, who's on his first trip to Europe. After their initial shock, the city of Edith Piaf and An American in Paris begins to work its charm on them. The four delight in getting to know the French capital during this iconic period, whilst also playing with the possibilities that time travel allows. But, ultimately, they need to work out how to get back to 2017, and time is of the essence...
The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.
The World of the Salons is a revisionist study of the French salon of the eighteenth century, arguing that it was a place governed by social hierarchy, not equality, connected to the world of the Court, and not the fount of the Enlightenment as has traditionally been believed.
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