Ecosystem-based fishery management (EBFM) is rapidly becoming the default approach in global fisheries management. The clarity of what EBFM means is sharpening each year and there is now a real need to evaluate progress and assess the effectiveness and impacts. By examining a suite of over 90 indicators (including socioeconomic, governance, environmental forcing, major pressures, systems ecology, and fisheries criteria) for 9 major US fishery ecosystem jurisdictions, the authors systematically track the progress the country has made towards advancing EBFM and making it an operational reality. The assessment covers a wide range of data in both time (multiple decades) and space (from the tropics to the poles, representing over 10% of the world's ocean surface area). The authors view progress towards the implementation of EBFM as synonymous with improved management of living marine resources in general, and highlight the findings from a national perspective. Although US-centric, the lessons learned are directly applicable for all parts of the global ocean. Much work remains, but significant progress has already been made to better address many of the challenges facing the sustainable management of our living marine resources. This is an essential and accessible reference for all fisheries professionals who are currently practicing, or progressing towards, ecosystem-based fisheries management. It will also be of relevance and use to researchers, teachers, managers, and graduate students in marine ecology, fisheries biology, biological oceanography, global change biology, conservation biology, and marine resource management.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.
The chance to begin anew seldom occurs. Yet the nearly complete breakdown of the world economy between 1939 and 1945, together with the dominant position of the United States at the end of the war, provided just this opportunity. A new international economic order was built on the ruins of the old. How this happened - and the role of government in economic performance - is the subject of this important and timely book. Written by political scientists, contemporary historians and economists, it includes ten country studies covering all the major industrialized nations in the West: the USA, USSR, Japan, Germany, the United Kingdom, France, Italy, Spain, Eastern Europe, and Scandinavia. In each chapter readers will find information on the main objectives and instruments of economic policy, the institutional framework, where the country started from at the end of the war, and a summary of what happened thereafter both in terms of policies and outcomes. Each chapter also contains data on the country's economic performance, a list of selected dates of important events, and a guide to further reading. The book begins with an overview of the sytem of international trade and payments since the war, and ends with five commentaries drawing attention to contrasts and similarities between the nations. The commentaries feature David Henderson, Head of the Economics Division of the OECD, on the overall economic performance, Charles Feinstein on the influence of different starting points, David Marquand on the effect of different political and institutional structures, and Sidney Pollard on economic policies and traditions. Learning from other countries' experience as well as understanding how they see their own problems is increasingly important with 1992, glasnost', and the problem of international policy coordination between the USA, Japan, and Germany so high on the agenda. No other book provides such a wide-ranging account of how the industrialized world came to be where it is today.
Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable “Scenes of the Street”—into one volume.Scenes of the Street and Other Essaysshowcases Vidler’s engaging and accessible expertise on both contemporary and historic subjects that are relevant to today's concerns. “Scenes of the Street,” a multi-faceted analysis of city planning is one such example; other essays in this volume include “Unknown Lands: Guy Debord and the Cartographies of a Landscape to be Invented,” “Transparency and Utopia: Constructing the Void from Pascal to Foucault,” and “The Modern Acropolis: Tony Garnier from La Cité Antique to the Cité Industrielle.” Vidler writes in his introduction: In the following essays, I have interrogated the struggle for an urban architecture in the modern period, its critiques and aspirations, in the belief that understanding the historical dimensions of the debate will lead to a renewal of interest in an architecture calculated to redeem, if only partially, our “planet of slums” and its deteriorating environment; an interest that will not simply reject “utopia” out of hand or fall back into the complacencies of nostalgia. Written during a period in which the debates themselves were actively engaged by critics and supporters of modernism, they reflect contemporary issues as they search for their prehistory. As historical inquiries, they inevitably also engage the transformations in history writing itself since 1970, intellectual responses to the social and political conditions of postwar modernity. This fascinating series of essays on issues and figures is an invaluable resource for architects and art historians and enthusiasts of structure and substance alike.
This ambitious survey draws together the two major wars of decolonization fought by France in Indochina and Algeria (as well as the lesser but far from insignificant military operations in Madagascar, Tunisia and Morocco) into a single integrated account. It examines traditional French attitudes to empire, and how these changed under the pressure of events; the military operations themselves; the collapse of the Fourth Republic and the return of de Gaulle; and the final drama of French withdrawal from Algeria and the 'ethnic cleansing' of its European settler population.
The Ch teau Letoric is the ancestral home of the highly respected Larche family obsessed with the past, with bitterness, rancour and revenge.Solange is one of France's most poignant Resistance heroines but, badly tortured, now senile, the repository of many dark secrets, she has been confined to a wheel chair since the end of the war.Her husband Henri was accused of collaborating with the Nazis. Their son, Marius, at forty-eight a senior officer in Interpol, has been fighting to clear his father's name. But Marius himself is also vulnerable in St Esprit where his past - a homosexual affair with a farm-worker - rises to plague him.Suddenly the years of tongue-wagging culminate in the first of three fatal tragedies: Henri Larche is murdered.The paralysis of a town trapped in the past is powerfully evoked in this superbly skilful story of a family whose dread secrets hound them to a death which has been forty-five years coming.
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