In this new interpretation of antebellum slavery, Anthony Kaye offers a vivid portrait of slaves transforming adjoining plantations into slave neighborhoods. He describes men and women opening paths from their owners' plantations to adjacent farms to go courting and take spouses, to work, to run away, and to otherwise contend with owners and their agents. In the course of cultivating family ties, forging alliances, working, socializing, and storytelling, slaves fashioned their neighborhoods into the locus of slave society. Joining Places is the first book about slavery to use the pension files of former soldiers in the Union army, a vast source of rich testimony by ex-slaves. From these detailed accounts, Kaye tells the stories of men and women in love, "sweethearting," "taking up," "living together," and marrying across plantation lines; striving to get right with God; carving out neighborhoods as a terrain of struggle; and working to overthrow the slaveholders' regime. Kaye's depiction of slaves' sense of place in the Natchez District of Mississippi reveals a slave society that comprised not a single, monolithic community but an archipelago of many neighborhoods. Demonstrating that such neighborhoods prevailed across the South, he reformulates ideas about slave marriage, resistance, independent production, paternalism, autonomy, and the slave community that have defined decades of scholarship.
The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association
Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.
In this comprehensive, stylish and accessible introduction to contemporary social theory, Anthony Elliott and Charles Lemert examine the major theoretical traditions from the Frankfurt School to globalization and beyond. When first published, the book’s wide range set new standards for introductory textbooks – social theorists discussed include Theodor Adorno, Herbert Marcuse, Michel Foucault, Jacques Lacan, Jacques Derrida, Anthony Giddens, Pierre Bourdieu, Julia Kristeva, Jurgen Habermas, Judith Butler, Slavoj Zizek, Manuel Castells, Ulrich Beck, Zygmunt Bauman, Giorgio Agamben and Manuel De Landa. Extensively developed to take into account significant recent developments in American social theory, the book offers chapters on American pragmatism, structural functionalism, ethnomethodology, black feminist thought and world-systems theory. American traditions of social theory are brought powerfully to life in treatments of intellectuals ranging from William James to Robert K. Merton, David Riesman to Randall Collins, and Patricia Hill Collins to Saskia Sassen. Introduction to Contemporary Social Theory combines lively exposition and clarity with reflective social critique and original insights, and is a superb textbook with which to navigate the twists and turns of contemporary social theory as taught in the disciplines of sociology, politics, history, cultural studies and many more.
This is a core text/reader for undergraduate and graduate corrections courses. It can serve either as a supplement to a core textbook or as a stand-alone course text. Each chapter begins with 15 pages of text that includes photos, figures and tables and is followed by carefully selected articles authored by leading scholars in the field.
Two years ago, Robert Turner, the patriarch of the Turner family died, leaving behind his wife, Helena, and their four adult sons, Jamie, Daniel, Willie, and Rob Jr. All five remaining members of the family are still in the process of coming to grips with that loss. Memorial Day weekend has always been the time when the Turners plant their garden for the summer. Robert and Helena had come from the South to Cleveland, Ohio, from sharecropping families. Although they did not want the sharecropping life for their children, they understood there were life lessons to be learned from interacting with Mother Earth. Now, as the surviving family members reunite for planting day, the unresolved business of the family begins to reemerge. Can the Turners find peace with each other, even in the face of tragedy? This novel presents the story of a family coming together to heal through work in their garden, sharing a tale of heritage, love, and the search for self.
Anthony Musso was born and raised in Brooklyn, New York, where he was first attracted to the groundbreaking music recorded by many of the artists featured in this book. His interest in history and more important, historic accuracy resulted in his first book, FDR and the Post Office and was followed by Setting the Record Straight, Volume One. Musso lives in upstate New York's Hudson Valley region. Setting the Record Straight, Volume Two continues author Anthony Musso's quest to dispel countless rumors, and maccurate information that surrounds the music and careers of another 50 top recording artists from the 1950s and 1960s. By way of first hand interviews with solo artists and/or founding and original members of leading vocal groups of the era, readers will learn the real stories about each artist's musical influences entry mix the music industry, and experience while touning and performing during the infancy of the rock and roll era Learn how legendary vocalist Jerry Butler was first dubbed "The Iceman," why Ben E. King described his first year as lead singer of the Drifters as a grueling and somewhat harrowing experience, and how Gladys Hortort and four childhood friends from Inkster, Michigan (known as the Maryelettes) scored the very first number one hit recording for Motown Records. Hear how Connie Francis first entered the business with an accordion in tow, why Peggy March decided to relocate to Europe and subsequently became a top international star, and learn about the bittersweet performance that a young Bobby Vee gave as the replacement act for his departed idol Buddy Holly. These are the indispurable and accurate accounts as told by the artist themselves, with the mient of finally "Setting the Record Straight." "Tony Musso bus written one of the most comprehensive biography that Danny and the Junior have ever bud. He's recally cleared up the facts and voe absolutely love the way it was dossel." Joe Terry founding members of Danny and the Junior. "If you are looking for accuracy about the unsing heroes and legends of rock and roll, Tony Musso is your man." Kenny Vance founding member of Jay and the Americans and Kenny Vance and the Planiones. "Tony Musso did a wonderful job in straightening out many of the that have existed in The Diamonds and many other artists biographies for a long time. Setting the Record Straight certainly lived up to its name and intent Thank you." Dave somerville original lead singer of The Diamonds.
Whether you're a die-hard booster from the Lute Olson era or a new supporter of Sean Miller, this is the ultimate resource guide for true fans of the Arizona Wildcats. Authors Steve Rivera and Anthony Gimino have collected every essential piece of Wildcats knowledge and trivia—from how many players the Wildcats have had selected in the NBA draft, the program's longest-tenured coach, and the former players who have had their numbers retired—and pair it with must-do activities, and rank them all, from one to 100. Providing an entertaining and easy-to-follow checklist for diehard fans, these are the 100 things all Wildcat supporters need to know and do in their lifetime.
When you're the small hand on the clock, you wait until....It's Your Move. Jamie goes undercover when she returns to school pretending to be a senior. Her job? Find out who is peddling death to the students. Ronnie, her husband, becomes unglued when the star football player makes advances toward her. Ronnie's suspicion causes marital problems between them, and creates revenge in his heart after Jamie announces she's pregnant. Sue meanwhile rents out her house, only to end up in a shootout. Mayors from local townships disappear while Curtis Lake is handicapped by the state, in his attempt to locate them. A botched attempt by the Governor's task force may have gotten them killed. The Governor's grandson is murdered and Sue is blamed. Old Doc Ryan's lab is filling with drug related deaths, shooting victims, and five unexplained murders. The case heads to California, but the answers are in Alabama.
WINNER OF THE 2008 DRUE HEINZ LITERATURE PRIZE Selected by Scott Turow Feeling distanced from her friends and family, middle-aged divorcee Caitlin Drury is encouraged by her daughter to express her feelings in a diary, but she is hesitant: I feel lonely she wrote, then crossed it out. She didn't like the idea of someone coming along later to read her journal, finding out she felt lonely. "Like That," and other stories from Anthony Varallo's new collection Out Loud give voice to the disconnections of family and relationships, and the silent emotions that often speak louder than words. In "The Walkers," we follow a couple on their daily trek through a bedroom community, where they partially glimpse their neighbors' lives, longing for inclusion. Yet their insular lifestyle ensures that they deal with people only on the surface--without learning the truth of their problems. Out Loud tells of longings for meaningful expression and the complexities and escapism of human interactions that keep us from these truths. Varallo uses the trials of youth and remembrances of the past, the rituals and routines of the everyday, the interactions of family, friends, teachers, and neighbors to peel away the layers of language and actions we use to shield ourselves.
A vicious lie plunges Robert Robinsons life into darkness. As he prepares for his freshman year of college, he tries to put his tragic past behind him and move forward. But suppressed sexual desires ignite when he meets Jelin Church, the best friend of his roommate, Shawn Collins. Shawn Collins, the star shooting guard for the PCU Tigers, has dreams of making it into the NBA, but those dreams are threatened when illegal recruiting gifts surface. Now he must choose between advancing his career or destroying his best friend, Jelin. Jamal Lewis, a brilliant freshman on an academic scholarship, has plans of earning an MBA and opening a community development center in Newark, New Jersey. But when his father unexpectedly dies, Jamal is confronted with an offer from Shawns basketball coach that seems too good to refuse. One by one, their lives are entangled in a web of deceit. A tragic racial-profiling incident exposes their secrets, potentially ending their dreams. In order to survive, Robert, Shawn, and Jamal must confront their inner broken places, work together to fight the forces threatening to destroy them, and prove the bond of friendship is stronger than hatred.
Among the last CIA agents airlifted from Saigon in the waning moments of the Vietnam War, Frank Snepp returned to headquarters determined to secure help for the Vietnamese left behind by an Agency eager to cut its losses. What he received instead was a cold shoulder from a CIA that in 1975 was already in turmoil over congressional investigations of its operations throughout the world. In protest, Snepp resigned to write a damning account of the agency's cynical neglect of its onetime allies and inept handling of the war. His expose, Decent Interval, was published in total secrecy, eerily evocative of a classic spy operation, and only after Snepp had spent eighteen months dodging CIA efforts to silence him. The book ignited a firestorm of controversy, was featured in a 60 Minutes exclusive, received front-page coverage in the New York Times, and launched a campaign of retaliation by the CIA, capped by a Supreme Court decision that steamrolled over Snepp's right to free speech. In the wake of Snepp's harrowing experiences, his legal case has been used by Presidents Reagan, Bush, and Clinton to narrow the First Amendment freedoms of all federal employees, especially "whistleblowers." Such encroachments make it clear that Snepp's very personal story has a great deal of relevance for all of us and certainly for anyone who has grown increasingly distrustful of the federal government's "national security argument.
This learned book by eminent scholar Anthony Thiselton is a detailed biblical, historical, and contemporary study of the Holy Spirit. Thiselton presents an up-to-date account of biblical teaching on the topic, including exposition of passages and hermeneutics; offers a comprehensive historical survey from the Apostolic Fathers to Jonathan Edwards; and engages a host of modern theologians. In the last part of his book Thiselton discusses a remarkably wide range of writings on the Holy Spirit from the nineteenth century to the present day. He interacts explicitly with Pentecostals and the Renewal Movement in a sympathetic, positive, yet critical manner. The book as a whole is at once scholarly and readable, comprehensive and practical. The Holy Spirit — in Biblical Teaching, through the Centuries, and Today offers scholarly work on specific themes such as prophecy, tongues, the miraculous, the range and nature of the Spirit's gifts, and the Holy Spirit in relation to the Trinity, along with practical consequences for worship and life.
From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era’s shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood’s most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.
Throughout the book Thiselton shows how perspectives that arise from hermeneutics shed fresh light on theological method, reshape horizons of understanding, and reveal the relevance of doctrine for formation and for life. --
Transporting the reader to a place few have heard of, to examine the lives of people few will ever meet, Friends for Life, Friends for Death is an accessible account of day-to-day life and social construction in contemporary rural Africa."--BOOK JACKET.
Over a million copies sold worldwide The indispensable guide to understanding the world we make and the lives we lead. This thoroughly revised and updated ninth edition remains unrivalled in its vibrant, engaging and authoritative introduction to sociology. The authors provide a commanding overview of the latest global developments and new ideas in this fascinating subject. Classic debates are also given careful coverage, with even the most complex ideas explained in a straightforward way. Written in a fluent, easy-to-follow style, the book manages to be intellectually rigorous but still very accessible. With a strong focus on interactive pedagogy, it aims to engage and excite readers, helping them to see the enduring value of thinking sociologically. The ninth edition includes: a solid foundation in the basics of sociology: its purpose, methodology and theories; up-to-the-minute overviews of key topics in social life, from gender, personal life and poverty, to globalization, the media and politics; stimulating examples of what sociology has to say about key issues in our contemporary world, such as climate change, growing inequality and rising polarization in societies across the world; a strong focus on global connections and the ways that digital technologies are radically transforming our lives; quality pedagogical features, such as ‘Classic Studies’ and ‘Global Society’ boxes, and ‘Thinking Critically’ reflection points, as well as end-of-chapter activities inviting readers to engage with popular culture and original research articles to gather sociological insights. The ninth edition sets the standard for introductory sociology in a complex world. It is the ideal teaching text for first-year university and college courses, and will help to inspire a new generation of sociologists.
This is a book about mirrors, philosophy, art and organization. It arises from the recognition that we are caught in the mirror. We are under its spell and enchanted by its reflections. Mirrors direct us without our awareness, largely because we do not perceive them as mirrors. This is problematic because mirrors are everywhere. This book explores a philosophy of mirrors, one that investigates the art of painting, cartoons, architecture, music, photography and film, as well as belching and boozing robots, ‘geil’ photographers, monkish cells, cesspools, hairy auditions and clauding. Throughout, the book uses, mutilates and expands the thoughts of philosophers like Heidegger, Sloterdijk, Deleuze, Serres, Baudrillard and Rancière. The philosophic journey offered here results in new insights and unique viewpoints, which open up the hidden, secretive world of mirrors and help us to engage in unexplored and exciting relations with them, offering a critical challenge to contemporary organization theory.
The authors provide us with the first in depth look at the origins and subsequent evolution of this fascinating field of study. Beginning with a discussion of the Library Anxiety Scale, the most widely used measure of library anxiety among college and university students, it investigates a number of theoretical models, provides an extensive framework for conducting research at the institutional level, and offers both proven and proposed strategies for prevention and intervention. If there are more nonusers than users in your community--or if you suspect your users could benefit more from the experience--let Library Anxiety ease your troubled hearts and smooth the way ahead.
Ten years ago, Mark Anthony Neal’s New Black Man put forth a revolutionary model of Black masculinity for the twenty-first century—one that moved beyond patriarchy to embrace feminism and combat homophobia. Now, Neal’s book is more vital than ever, urging us to imagine a New Black Man whose strength resides in family, community, and diversity. Part memoir, part manifesto, this book celebrates the Black man of our times in all his vibrancy and virility. The tenth anniversary edition of this classic text includes a new foreword by Joan Morgan and a new introduction and postscript from Neal, which bring the issues in the book up to the present day.
This new, updated edition provides a lively, lucid and compelling introduction to contemporary controversies over the self and self-identity in the social sciences and humanities. In an accessible and concise format, the book ranges from classical intellectual traditions of symbolic interactionism, psychoanalysis and Foucauldian theory, through feminism and postfeminism, to postmodernism and the mobilities paradigm. With characteristic verve and clarity, Anthony Elliott explores the relationship between power, identity and personhood, connecting varied theoretical debates directly to matters of contemporary relevance and urgency, such as identity politics, the sociology of personal relationships and intimacy, and the politics of sexuality. This edition also includes a new chapter on the digital revolution, which situates the self and work/life transformations within the context of AI, Industry 4.0, advanced robotics and accelerating automation. Offering thoughtful entry points to a rich and complex literature, along with robust critical responses to each theory, Concepts of the Self will continue to be an invaluable text for students of social and political theory, sociology, social psychology, cultural studies, and gender studies.
This volume, co-authored by a black minister and a black theologian, provides an overview of the shape and history of major black religious bodies: Methodist, Baptist, and Pentecostal. It introduces the denominations and their demographics before relating their historical development into the groups that are known today.
The professional judgment of gatekeepers defined the American news agenda for decades. Making the News Popular examines how subsequent events brought on a post-professional period that opened the door for imagining that consumer preferences should drive news production--and unleashed both crisis and opportunity on journalistic institutions. Anthony Nadler charts a paradigm shift, from market research's reach into the editorial suite in the 1970s through contemporary experiments in collaborative filtering and social news sites like Reddit and Digg. As Nadler shows, the transition was and is a rocky one. It also goes back much further than many experts suppose. Idealized visions of demand-driven news face obstacles with each iteration. Furthermore, the post-professional philosophy fails to recognize how organizations mobilize interest in news and public life. Nadler argues that this civic function of news organizations has been neglected in debates on the future of journalism. Only with a critical grasp of news outlets' role in stirring broad interest in democratic life, he says, might journalism's digital crisis push us toward building a more robust and democratic news media. Wide-ranging and original, Making the News Popular offers a critical examination of an important, and still evolving, media phenomenon.
Pritchett (anthropology, African studies, Boston U.) presents an account of the Lunda- Ndembu people of northwestern Zambia. The text is based upon archaeological data, travel accounts, colonial field reports, and the scholarly studies of others, as well as his own field research conducted intermittently over the course of 14 years. He contends that despite much cultural borrowing in recent decades, the Lunda people have an image of themselves that is essentially unchanged. He also reflects on continuity and change in Africa. c. Book News Inc.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.
The classic bestseller from a two-time Pulitzer Prize-winning journalist that tells the compelling true story of one man's fight for the right to legal counsel for every defendent. A history of the landmark case of Clarence Earl Gideon's fight for the right to legal counsel. Notes, table of cases, index. The classic backlist bestseller. More than 800,000 sold since its first pub date of 1964.
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
The true story of the Royal Navy’s sixty-year campaign to stop slavery across the British Empire, decades before the American Civil War. Long before recorded history, men, women and children had been seized by conquering tribes and nations to be employed or traded as slaves. Greeks, Romans, Vikings, and Arabs were among the earliest of many peoples involved in the slave trade, and across Africa the buying and selling of slaves was widespread. There was, at the time, nothing unusual in Britain’s somewhat belated entry into the slave trade, transporting natives from Africa’s west coast to the plantations of the New World. What was unusual was Britain’s decision, in 1807, to ban the slave trade throughout the British Empire. Britain later persuaded other countries to follow suit, but this did not stop this lucrative business. So the Royal Navy went to war against the slavers, in due course establishing the West Africa Squadron, which was based at Freetown in Sierra Leone. This force grew throughout the nineteenth century until a sixth of the Royal Navy’s ships and marines was employed in the battle against the slave trade. Between 1808 and 1860, the West Africa Squadron captured 1,600 slave ships and freed 150,000 Africans. In Britain’s War Against the Slave Trade, naval historian Anthony Sullivan reveals the story behind this little-known campaign. Whereas Britain is usually, and justifiably, condemned for its earlier involvement in the slave trade, the truth is that in time the Royal Navy undertook a major and expensive operation to end what was, and is, an evil business.
The Plaintiff, Jeffrey B. Lang, seeks to recover damages based upon a claim that the defendant, Jennifer L. Anderson, owner of Mr. Gatsby's Restaurant, by serving and selling alcoholic beverages to Butch Turner, caused the intoxication of Butch Turner, and that Butch Turner injured the plaintiff while in this intoxicated condition. The defendant denies that, as a result of beer consumed at Mr. Gatsby's Restaurant, Butch Turner became intoxicated. The defendant claims that the plaintiff provoked the fight with Turner. The defendant asserts that she, therefore, is not liable for the plaintiff's injuries. This file is intended to be used for a bench trial or a short jury trial. The trial may be limited to the issue of liability; however, adequate materials are included to allow the issue of damages to also be tried. Each side should be permitted to call only two witnesses.
The development of a sociology of medical knowledge is both assessed and contributed to in Medical Talk and Medical Work. Underlying the analysis is research on the work of haematologists, which offers a rich resource for understanding the complexities and contradictions between physical bodies and social embodiment, medical talk and technical apparatus. Using but moving beyond this specific material, Paul Atkinson demonstrates the strengths and weaknesses of the existing understanding of medical knowledge. Among the issues explored are: the place of interaction among doctors, rather than between doctors and patients, in defining the construction of medical knowledge; the ways in which clinical opinion is socially produced and the nature of the local settings through which this process occurs; and the relations among medical knowledge, medical language and the increasingly technological contexts of contemporary medical practice.
Now in its third edition, Anthony Elliott’s comprehensive, stylish and accessible introduction continues to be the indispensable guide to social theory. Fully revised and updated, the book examines the major theoretical traditions from the Frankfurt School to posthumanism, and from feminism and post-structuralism to globalization theory and beyond. Classical debates in social theory are given careful appraisal, as are the major contemporary theorists – including Jurgen Habermas, Judith Butler, Anthony Giddens, Pierre Bourdieu, Julia Kristeva, Slavoj Žižek, Manuel Castells, Ulrich Beck, Zygmunt Bauman, Shoshana Zuboff and Bernard Stiegler. This edition includes a new chapter on the digital revolution, with consideration of how digital technologies in general and artificial intelligence in particular are reshaping societies. Like its predecessors, the third edition of Contemporary Social Theory combines stylish exposition with reflective social critique and original insights. This volume will prove a superb textbook with which to navigate the twists and turns of contemporary social theory as taught in the disciplines of sociology, politics, cultural and media studies and many more.
Nobody can predict what the future holds for the world economy, but there is growing consensus that the turmoil of 2008 will lead to at least some period of prolonged pain. Most managers, who have never dealt with such a global downturn, seem paralyzed.
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