The book demonstrates how new houses can be designed to be more sustainable and ergonomic. Specifically, it describes a prototype building that could be constructed in the near future. Responding to some of the poor standards of mass estate housing in the UK and its out-of-date space standards, it contributes towards improving the current status quo by describing a house design, including drawings, that can compete with today’s mass housing. The author examines the traditional geometrical reliance on the square in the design of houses and the planning of housing estates and promotes instead the adoption of polygonal forms. This is explained using geometric analysis, diagrams and references to existing housing. These concepts have been developed with reference to technical literature from various companies with one company interested in taking it further. Providing a novel and up-to-date design concept, this book is of value to practitioners and researchers looking to improve the standard of mass housing in the UK. It is also of interest to anyone wishing to build their own house and to manufacturers wanting to move into modern housing technology.
This book examines why there is a lack of humanity in current architecture that produces such ghastly environmental errors. It brings together a selective study of past historical styles and works of art since primitive times in order to understand how the evolution of design was broken in the 20th century. Current ideologies and philosophies of the day are examined to ascertain those elements which fuelled a modern architecture that is lacking in humanity and agreeable contextual co-existence with our inherited communities. It shows that the complex effervescence of evolutionary life with its joy, communal celebratory nature, and constructive creative urges, is vulnerable from attack by these stronger alien forces of elimination and reductionism because their actions are by nature aggressive and dictatorially dominant. This book will appeal to all those academics and professional stakeholders who care for the environment and wish to see more positive changes.
TV's most popular pitchman reveals the secrets of pitching to get what you want in virtually any situation. Anthony "Sully" Sullivan went from selling car washers in rainy Welsh street markets to selling to audiences of millions around the world as the face of OxiClean. How did he do it? Convincing people to give you what you want is an art form that takes charisma and confidence. But no great pitchman achieves success based on those qualities alone. The good ones make themselves great with practice and discipline, mastering a series of skills that Sullivan dubs the ten "Pitch Powers." These are essential techniques he's learned in more than twenty-five years "on the joint" (that's pitchman-speak for the area where you're selling). For the first time ever, Sullivan reveals the secrets behind his seemingly superhuman ability to persuade others--even if they start out regarding you with suspicion or even hostility. Do it right and you'll change minds, open doors, get opportunities, turn adversaries into allies, make more money, and gain the kind of confidence that makes other people want to know you. From the first Pitch Power ("Know Your Acceptable Outcomes") to the last ("Finish with Confidence")--with invaluable strategies along the way on using your flubs to get a laugh, how to deal with push-back, and more--Sullivan reveals that pitching is all about engaging a person face-to-face and eye-to-eye so they feel like you're speaking directly to them, even if there are fifty other people in the room. It's turning a crowd of strangers with their arms folded into a legion of fans ready to say "yes" enthusiastically to whatever you propose, what Anthony Sullivan calls fierce agreement. It's the power to get the job, get the girl (or guy), get the part, make money, get better service, advance your career--do just about anything you want to do.
Maximizing reader insights into interior design as a conceptual way of thinking, which is about ideas and how they are formulated. The major themes of this book are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which covers the entire spectrum of a designer’s activity. Analysing design concepts from the view of the range of possibilities that the designer can examine and eventually decide by choice and conclusive belief the appropriate course of action to take in forming that particular concept, the formation and implementation of these concepts is taken in this book to aid the designer in his/her professional task of completing a design proposal to the client. The purpose of this book is to prepare designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. It is assumed that the site, location, building and orientation, as well as the client’s brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book will help the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book will be stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It could also be a useful reference for students of design management and design leadership.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Architect Kate O’Connor appears to have it all. A lighthouse home, a successful politician husband and an eight-year-old daughter. Yet everything is not as it seems. A snowstorm approaches, and with it arrives a menacing stranger whose presence will change everything. A haunted man, driven by destiny, set to wreak havoc on Kate’s carefully constructed life. Over the course of twenty four hours, as intersecting paths tragically entwine, Kate discovers that everything she holds dear is in peril. Isolated by the unrelenting storm, in a desperate race against time, Kate and her family face a battle of wits with the highest stakes. Their lives.
The Hundred Years’ War between England and France is a story of an epic conflict between two nations whose destinies became inextricably entwined throughout the later Middle Ages. During that time the balance of architectural power moved from religious to secular domination, the Gothic form continued to grow and the palace-fortress was in the ascendancy. Seats of Power in Europe is a major new study of the residences of the crowned heads and the royal ducal families of the countries involved in the Hundred Years’ War. Though they were the leading protagonists and therefore responsible for the course of the war, do their residences reflect an entirely defensive purpose, a social function, or the personality of their builders? As well as the castles of England and France it also looks at rulers residences in other European countries who supported one of the protagonists. They include Scotland, Castile, Aragon, Navarre, Portugal, the Low Countries, the imperial territories of Bohemia, and the papacy in Avignon and then Rome. The study concentrates on sixty properties extending from the castles at Windsor and Denilworth to those at Saumur and Rambures, and from the palaces at Avignon and Seville to the manor-houses at Germolles and Launay. A number of subsidiary or associated properties are also considered in more broad-based sections. Each region and its residences are prefaced by supporting historical and architectural surveys to help position the properties against the contemporary military, financial, and aesthetic backgrounds. Extensively illustrated in full color with over 120 photographs and over 70 plans this is an attractive and accessible overview of how architecture both shaped and was influenced by events during this tumultuous period in the history of Europe. Essential reading for students of architecture, architectural historians, historians and those interested in Medieval Europe. The Hundred Years’ War between England and France is a story of an epic conflict between two nations whose destinies became inextricably entwined throughout the later Middle Ages. During that time the balance of architectural power moved from religious to secular domination, the Gothic form continued to grow and the palace-fortress was in the ascendancy. Seats of Power in Europe is a major new study of the residences of the crowned heads and the royal ducal families of the countries involved in the Hundred Years’ War. Though they were the leading protagonists and therefore responsible for the course of the war, do their residences reflect an entirely defensive purpose, a social function, or the personality of their builders? As well as the castles of England and France it also looks at rulers residences in other European countries who supported one of the protagonists. They include Scotland, Castile, Aragon, Navarre, Portugal, the Low Countries, the imperial territories of Bohemia, and the papacy in Avignon and then Rome. The study concentrates on sixty properties extending from the castles at Windsor and Denilworth to those at Saumur and Rambures, and from the palaces at Avignon and Seville to the manor-houses at Germolles and Launay. A number of subsidiary or associated properties are also considered in more broad-based sections. Each region and its residences are prefaced by supporting historical and architectural surveys to help position the properties against the contemporary military, financial, and aesthetic backgrounds. Extensively illustrated in full color with over 120 photographs and over 70 plans this is an attractive and accessible overview of how architecture both shaped and was influenced by events during this tumultuous period in the history of Europe. Essential reading for students of architecture, architectural historians, historians and those interested in Medieval Europe.
In writing this account of the rise and decline of the coal industry and its effects on the health of the miners, of those who worked with coal products and of almost all of us who have breathed in the pollution from its combustion, Professor Seaton points to the often hidden adverse consequences of transformative technologies.
This is the story of canals used for transport and the men who built them from the earliest times, up to the end of the ninteenth century. This is a very long history: stones for the pyramids of Egypt were brought to the site by canal and one of the most imposing canal systems ever built, the Grand Canal of China, was begun in the sixth century BC. Development after the end of the Roman Empire was slow, but saw the steady improvement of river navigations through locks Ð the mitre gates were actually first designed by Leonardo da Vinci. The modern age of canals that cross summits began in France, and the most famous of these early waterways was the magnificent Canal du Midi, the brainchild of Pierre-Paul Riquet, completed in 1681. It was a visit to this canal, when he was a teenager on the Grand Tour, that inspired the Duke of Bridgewater to build his famous canal that inspired a rush of canal construction in Britain. BritainÕs canals became the essential transport route that made the countryÕs industrial revolution possible, thanks to engineers such as James Brindley, William Jessop and Thomas Telford. It was a period of intensive construction that lasted for fifty years from 1760. It saw many innovations from the use of cast iron for bridges and aqueducts, to inclined planes and vertical lifts to move boats from one canal level to another. The nineteenth century also saw extensive canal systems developing in North America, such as the famous Erie Canal, and culminated in two great ship canals at Suez and Panama. The book tells an exciting story of canal development and the many men who made it possible.
This book examines the notion of honor with an eye to dissecting its intellectual demise and with the aim of making a case for honor’s rehabilitation. Western intellectuals acknowledge honor’s influence, but they lament its authority. For Western democratic societies to embrace honor, it must be compatible with social ideals like liberty, equality, and fraternity. Cunningham details a conception of honor that can do justice to these ideals. This vision revolves around three elements—character (being), relationships (relating), and activities and accomplishment (doing). Taken together, these elements articulate a shared aspiration for excellence. We can turn the tables on traditional ills of honor—serious problems of gender, race, and class—by forging a vision of honor that rejects lives predicated on power and oppression.
The Ultimate Fighting Champion Hall of Famer tells his story in this no-holds-barred memoir—featuring a bonus chapter in this updated American edition. In Quitters Never Win, Michael Bisping—Britain’s own Rocky Balboa—tells his life story from childhood as a British Army brat to a legendary mixed martial arts career and induction into the UFC Hall of Fame. The ultimate UFC underdog, Bisping fought his way to Number One contender three times, only to be knocked back each time. But he refused to give in, clawing his way to his first World Title shot at the age of thirty-seven—and becoming the first ever British UFC world champion. Bisping offers fresh insights about his fighting career, never-before-told stories about his film and TV career, and a harrowing account of his fighting off attempted kidnappers while filming in South Africa. Loaded with the humor and brutal honesty that first won him a following on the television show Ultimate Fighter 3, Bisping recounts his record setting thirteen-year fight career battling the likes of Anderson Silva, Georges St-Pierre, and Dan Henderson.
This text considers how multinationals transfer structures, policies and practices across national borders. It is contributed to by experts in the field of employment relations, and combines empirical material with a theoretical approach. The essays advance comparative institutionalist theory at both the macro-level and the micro-level.
`An exuberant performance' THE TIMES Highly praised on its first appearance, this new edition of the Companion Guide to Paris, fully revised by Anthony Glyn's widow, preserves his vivid evocation of Paris - its foundation and history, ancient churches, wide boulevards and narrow streets, architecture, and philosophy - while bringing the book up to date. Special attention is paid to the completed Grand Louvre with its Pyramid, the d'Orsay and Picasso Museums and the refurbished Centre Pompidou; the changes to the Eiffel Tower and the Panthéon; and the restoration of the footpaths along the Seine. Informed and amusing, the book captures the changing moods of this fascinating city.
Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.
ANTHONY L. HALL takes aim at every important issue of our time with a unique and refreshing perspective. He comments on: Obama accepting the Nobel Prize Many people are still wondering what that mysterious light hovering over Norway was on the night before he arrived. But, despite claims that it was generated by a UFO or the failed test launch of a Russian missile, die-hard believers (like me) will tell you that it was just a celestial sign heralding the Nobel coming of Barack Obama. The swine flu pandemic that wasnt An Obama advisor has been quoted saying, You never want a serious crisis to go to waste It is instructive to note that the pharmaceutical companies that produce vaccines, as well as the peddlers of surgical masks and other flu paraphernalia, appear to be heeding this advice. Movie about Nehrus affair with the wife of a British diplomat One can only imagine the physical passion they shared, especially in light of Edwinas reputed nymphomania, which, notwithstanding Nehrus efforts, she reportedly satiated by making scandalous booty calls on a black man for over 30 years. Christmas Day underwear bomber [W]e had the secretary of Homeland Security, Janet Napolitano, assuring us on Sunday that the system worked in this case. If this good-job-Brownie faux pas doesnt suggest that our whole airline security system is devoid of logic, nothing does. Cartoon of Obama kneeling and kissing shoe of Chinese leader To be sure, the cartoon takes some creative license. But the essential point it conveys is undeniable: America cannot stand like a superpower with China squeezing its balls in a financial vise grip! Expenses scandal that rocked UK Parliament Who knew that the only swine flu Britons had to worry about was an epidemic of MPs feeding at the public trough like pigs? Tiger Woodss Thanksgiving-Day spat with his wife Cheating Tiger, fuming dragon.
TV's most popular pitchman reveals the secrets of pitching to get what you want in virtually any situation. Anthony "Sully" Sullivan went from selling car washers in rainy Welsh street markets to selling to audiences of millions around the world as the face of OxiClean. How did he do it? Convincing people to give you what you want is an art form that takes charisma and confidence. But no great pitchman achieves success based on those qualities alone. The good ones make themselves great with practice and discipline, mastering a series of skills that Sullivan dubs the ten "Pitch Powers." These are essential techniques he's learned in more than twenty-five years "on the joint" (that's pitchman-speak for the area where you're selling). For the first time ever, Sullivan reveals the secrets behind his seemingly superhuman ability to persuade others--even if they start out regarding you with suspicion or even hostility. Do it right and you'll change minds, open doors, get opportunities, turn adversaries into allies, make more money, and gain the kind of confidence that makes other people want to know you. From the first Pitch Power ("Know Your Acceptable Outcomes") to the last ("Finish with Confidence")--with invaluable strategies along the way on using your flubs to get a laugh, how to deal with push-back, and more--Sullivan reveals that pitching is all about engaging a person face-to-face and eye-to-eye so they feel like you're speaking directly to them, even if there are fifty other people in the room. It's turning a crowd of strangers with their arms folded into a legion of fans ready to say "yes" enthusiastically to whatever you propose, what Anthony Sullivan calls fierce agreement. It's the power to get the job, get the girl (or guy), get the part, make money, get better service, advance your career--do just about anything you want to do.
Common wisdom has long held that the ascent of the modern nation coincided with the flowering of Enlightenment democracy and the decline of religion, ringing in an age of tolerant, inclusive, liberal states. Not so, demonstrates Anthony W. Marx in this landmark work of revisionist political history and analysis. In a startling departure from a historical consensus that has dominated views of nationalism for the past quarter century, Marx argues that European nationalism emerged two centuries earlier, in the early modern era, as a form of mass political engagement based on religious conflict, intolerance, and exclusion. Challenging the self-congratulatory geneaology of civic Western nationalism, Marx shows how state-builders attempted to create a sense of national solidarity to support their burgeoning authority. Key to this process was the transfer of power from local to central rulers; the most suitable vehicle for effecting this transfer was religion and fanatical passions. Religious intolerance--specifically the exclusion of religious minorities from the nascent state--provided the glue that bonded the remaining populations together. Out of this often violent religious intolerance grew popular nationalist sentiment. Only after a core and exclusive nationality was formed in England and France, and less successfully in Spain, did these countries move into the "enlightened" 19th century, all the while continuing to export intolerance and exclusion to overseas colonies. Providing an explicitly political theory of early nation-building, rather than an account emphasizing economic imperatives or literary imaginings, Marx reveals that liberal, secular Western political traditions were founded on the basis of illiberal, intolerant origins. His provocative account also suggests that present-day exclusive and violent nation-building, or efforts to form solidarity through cultural or religious antagonisms, are not fundamentally different from the West's own earlier experiences.
A young aristocratic psychic begins a journey that takes him across the galaxy over many years chronicling the mysterious legends of space demons. Over the series of eight books, he encounters a series of rogues; pirates and smugglers, the military and police, and at length the mysterious aliens thought to be long extinct who may have answers to the mystery of the increasing incursions of the trans-dimensional demons.
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