The battle of White Horse lasted ten days, with many lives lost. This story concentrates on the first two days of the battle, as recounted by Joe Adams, Jack Callaway, and the rest from the 213th Field Artillery Battalion who were there. These two days coincide with the letters and personal remembrances of these men and this story is based on their real life experiences. The events and people are real, coming from those personal interviews, declassified documents and historical reference. What they went through is real, documented history. This is a story in that their actual minute-by-minute interactions and words have been interpreted, all with the spirit and intent of their every word. Not one of them has ever bragged about what they did or thought of themselves as some great warrior soldier. Everyone simply did what they had to do, and that there was no glory in it. Not just another war story, this is an attempt to put the reader there in the thick it, to be a participant in battle and to feel what it was like to be in the Forgotten War. Exploding artillery shells, bullets striking targets, the eeriness of flares drifting down over a battlefield, breathing the dust of trenches on a hill in the middle of a far off place. Taking the reader out of their seat and putting a rifle in their hands, this story transports you a thousand miles away from your surroundings to an artillery battery receiving incoming mail, trench lines where death is around every corner, and a bunker on a hill where some of the most violent combat takes place. This book lets you feel, taste and smell it like it was, brutal, unforgiving, and above all, a cold hard reality for those that were there.
In Ironies of Faith, celebrated Dante scholar and translator Anthony Esolen provides a profound meditation upon the use and place of irony in Christian art and in the Christian life. Beginning with an extended analysis of irony as an essentially dramatic device, Esolen explores those manifestations of irony that appear prominently in Christian thinking and art: ironies of time (for Christians believe in divine Providence, but live in a world whose moments pass away); ironies of power (for Christians believe in an almighty God who took on human flesh, and whose "weakness" is stronger than our greatest enemy, death); ironies of love (for man seldom knows whom to love, or how, or even whom it is that in the depths of his heart he loves best); and the figure of the Child (for Christians ever hear the warning voice of their Savior, who says that unless we become like unto one of these little ones, we shall not enter the Kingdom of God). Esolen's finely wrought study draws from Augustine, Dante, Shakespeare, Tolkien, Mauriac, Milton Herbert, Hopkins, and Dostoyevsky, among others, including the anonymous author of the medieval poem Pearl. Such authors, Anthony Esolen believes, teach us that the last laugh is on the world, because that grim old world, taking itself so seriously that even its laughter is a sneer, will finally - despite its proud resistance - be redeemed. That is the ultimate irony of faith. Readers who treasure the Christian literary tradition should not miss this illuminating book.
Modern scholarship has effectively demonstrated that, far from being a knee-jerk reaction to the challenges of Protestantism, the Catholic Reformation of the sixteenth and seventeenth centuries was fuelled primarily by a desire within the Church to reform its medieval legacy and to re-enthuse its institutions with a sense of religious zeal. In many ways, both the Protestant and Catholic Reformations were inspired by the same humanist ideals and though ultimately expressed in different ways, the origins of both movements can be traced back to the patristic revival of the fifteenth and sixteenth centuries. Nevertheless, it is undeniable that many contemporaries, and subsequent historians, came to view the Catholic Reformation as an attempt to challenge the Protestants and to cut the ground from beneath their feet. In this new revised edition of Dr Wright's groundbreaking study of the Counter-Reformation, the wide panoply of the Catholic Reformation is spread out and analysed within the political, religious, philosophical, scientific and cultural context of late medieval and early modern Europe. In so doing, this book provides a fascinating guide to the many doctrinal and interrelated social issues involved in the wholesale restructuring of religion that took place both within Western Europe and overseas.
This groundbreaking book looks at the major approved Marian apparitions of the last five centuries and relates them to important historical moments: the Reformation, the French and Russian Revolutions, the rise of Nazism. These Marian apparitions, and particularly Fatima, are not historically unimportant events, but rather follow a preordained plan: they have a crucial role in helping us to see how the modern world, with all its problems, has developed. Donal Foley makes clear the fascinating and intriguing connections between Marian apparitions and the Scriptural types of Mary found in the Bible, a crucial element in the theology and exegesis of the early Church Fathers. By understanding these biblical types and their symbolism we see that each of the apparitions has a much greater significance for both the Church and the modern world than has generally been recognised. Here is a convincing demonstration that the future of the Church, and the papacy, is intimately bound up with a proper understanding of the role of Mary: there will only be true peace in the world when her message is accepted and lived. If you thought you really understood how the modern world developed, and the role and meaning of Marian apparitions, then this book will make you think again. 'Donal Foley has written a book with an extraordinary message.' Aidan Nichols, O.P.
Self-Control (1811) was a literary sensation, going into four editions in its first year. The first novelist to set her story against a strong Scottish background, Brunton set the scene for other writers such as Walter Scott. Jane Austen was also a fan, she read it at least twice, worrying that the work might foreshadow her own creations.
The differences that divide West from East go deeper than politics, deeper than religion, argues Anthony Pagden. To understand this volatile relationship, and how it has played out over the centuries, we need to go back before the Crusades, before the birth of Islam, before the birth of Christianity, to the fifth century BCE. Europe was born out of Asia and for centuries the two shared a single history. But when the Persian emperor Xerxes tried to conquer Greece, a struggle began which has never ceased. This book tells the story of that long conflict. First Alexander the Great and then the Romans tried to unite Europe and Asia into a single civilization. With the conversion of the West to Christianity and much of the East to Islam, a bitter war broke out between two universal religions, each claiming world dominance. By the seventeenth century, with the decline of the Church, the contest had shifted from religion to philosophy: the West's scientific rationality in contrast to those sought ultimate guidance it in the words of God. The eighteenth and nineteenth centuries witnessed the disintegration of the great Muslim empires - the Ottoman, the Mughal, and the Safavid in Iran - and the increasing Western domination of the whole of Asia. The resultant attempt to mix Islam and Western modernism sparked off a struggle in the Islamic world between reformers and traditionalists which persists to this day. The wars between East and West have not only been the longest and most costly in human history, they have also formed the West's vision of itself as independent, free, secular, and now democratic. They have shaped, and continue to shape, the nature of the modern world.
Cultural Consultant Anthony Everitt reflects on a series of seminars that explored the place of culture in the development of European identity and citizenship.
Warfare has migrated into cities. From Mosul to Mumbai, Aleppo to Marawi, the major military battles of the twenty-first century have taken place in densely populated urban areas. Why has this happened? What are the defining characteristics of urban warfare today? What are its military and political implications? Leading sociologist Anthony King answers these critical questions through close analysis of recent urban battles and their historical antecedents. Exploring the changing typography and evolving tactics of the urban battlescape, he shows that although not all methods used in urban warfare are new, operations in cities today have become highly distinctive. Urban warfare has coalesced into gruelling micro-sieges, which extend from street level – and below – to the airspace high above the city, as combatants fight for individual buildings, streets and districts. At the same time, digitalized social media and information networks communicate these battles to global audiences across an urban archipelago, with these spectators often becoming active participants in the fight. A timely reminder of the costs and the horror of war and violence in cities, this book offers an invaluable interdisciplinary introduction to urban warfare in the new millennium for students of international security, urban studies and military science, as well as military professionals.
After eight centuries of growth, the Polish nation was annihilated by its neighbors from east, south and west. Two centuries of repression, enslavement and barbaric abuse followed. Yet the aspiration for freedom and democracy endured in the hearts of its people. Today the crowned white eagle again soars. Kowalski interweaves personal stories of his family and friends in a unique testimony to courage, bravery, and renewed hope.
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