Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
This book brings together twenty-five papers by A. M. Snodgrass, some of them previously published only in rather inaccessible places, which have contributed to this change. They cover four decades of work on pre-Classical and Classical Greece and some adjacent fields of scholarship, beginning in the 1960s when Classical archaeology was not widely seen as a free-standing subject. They chart the progress of a movement for the intellectual independence of Greek archaeology and art, from history and textual studies and for recognition among other branches of archaeology."--BOOK JACKET.
In Works and Days, one of the two long poems that have come down to us from Hesiod, the poet writes of farming, morality, and what seems to be a very nasty quarrel with his brother Perses over their inheritance. In this book, Anthony T. Edwards extracts from the poem a picture of the social structure of Ascra, the hamlet in northern Greece where Hesiod lived, most likely during the seventh century b.c.e. Drawing on the evidence of trade, food storage, reciprocity, and the agricultural regime as Hesiod describes them in Works and Days, Edwards reveals Ascra as an autonomous village, outside the control of a polis, less stratified and integrated internally than what we observe even in Homer. In light of this reading, theconflict between Hesiod and Perses emerges as a dispute about the inviolability of the community's external boundary and the degree of interobligation among those within the village. Hesiod's Ascra directly counters the accepted view of Works and Days, which has Hesiod describing a peasant society subordinated to the economic and political control of an outside elite. Through his deft analysis, Edwards suggests a new understanding of both Works and Days and the social and economic organization of Hesiod's time and place.
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Soon to be a show on Hulu! Texas Hold'em: A Wild Cards Novel is an adventure in the bestselling shared-universe science fiction superhero series, edited by #1 New York Times bestselling author George R. R. Martin. San Antonio, home of the Alamo, is also host to the nation's top high school jazz competition, and the musicians at Xavier Desmond High are excited to outplay their rivals. They are also jokers, kids with strange abilities and even stranger looks. On top of that, well, they are teenagers, apt for mischief, mishaps, and romantic misunderstandings. Michelle Pond, aka The Amazing Bubbles, thinks that her superhero (and supermom) know-how has prepared her to chaperone the event. But when her students start going wayward, she’ll soon discover the true meaning of “Don't mess with Texas.” Texas Hold'em features the writing talents of David Anthony Durham (Acacia Trilogy), Max Gladstone (the Craft Sequence), Victor Milan (Dinosaur Lords series), Diana Rowland (Kara Gillian and White Trash Zombie series), Walton Simons, Caroline Spector and William F. Wu. Rights to develop Wild Cards have been acquired by Universal Cable Productions, the team behind The Magicians and Mr. Robot, with the co-editor of Wild Cards, Melinda Snodgrass, as executive producer. The Wild Cards Universe The Original Triad #1 Wild Cards #2 Aces High #3 Jokers Wild The Puppetman Quartet #4: Aces Abroad #5: Down and Dirty #6: Ace in the Hole #7: Dead Man’s Hand The Rox Triad #8: One-Eyed Jacks #9: Jokertown Shuffle #10: Dealer’s Choice #11: Double Solitaire #12: Turn of the Cards The Card Sharks Triad #13: Card Sharks #14: Marked Cards #15: Black Trump #16: Deuces Down #17: Death Draws Five The Committee Triad #18: Inside Straight #19: Busted Flush #20: Suicide Kings The Fort Freak Triad #21: Fort Freak #22: Lowball #23: High Stakes The American Triad #24: Mississippi Roll #25: Low Chicago #26: Texas Hold 'Em
Anthony Piccione's poetry is deep imagery at its best and most richly developed. Readers of Robert Bly and James Wright will find and appreciate in Piccione that recognizable voice of everyperson asking the most essential questions, making the most pertinent observations of the human heart in the here and now. Lovers of Chinese poetry will appreciate a modern descendent who, like Li Po, can share a cup of wine with the moon. Anthony Piccione teaches writing workshops and is proprietor of Upright Hall, a new writers' retreat in Prattsburgh, New York. His poems, interviews, essays, and reviews have appeared in dozens of journals, and his poems have been included in many anthologies. Also available by Anthony Piccione For the Kingdom TP $12.50, 1-880238-23-3 o CUSA Seeing It Was So TC $18.00, 0-918526-50-7 o CUSA TP $10.00, 0-918526-51-5 o CUSA
Contextualizes and annotates the influential, scandalous, and entertaining texts which appeared in the Blackwood's Magazine between 1817 and 1825. This title features a detailed general introduction, volume introductions and endnotes, providing the reader with an understanding of the origins and early history of Blackwood's Magazine.
High Stakes (Wild Cards) delves into the world of aces, jokers, and the hard-boiled men and women of the Fort Freak police precinct in a pulpy, page-turning novel of superheroics and Lovecraftian horror.
Superheroes and villains do battle over the human heart in this delightful anthology featuring all-new stories from a wide range of contributors, all set in the Wild Cards universe, where an alien virus mutates some and grants superpowers to others, created by the #1 New York Times bestselling author of A Game of Thrones. An alien virus ravages the world, its results as random as a hand of cards. Those infected either draw the black queen and die, draw an ace and receive superpowers, or draw the joker and are bizarrely mutated. Nevertheless, human nature reigns supreme. And one of the most enduring human drives is the search for love. Aces and jokers alike both want to find it, or have lost it . . . or perhaps just want to use it for personal gain. Crazy, unconventional, touching, strange, and oh-so-familiar, this is love, Wild Cards-style. Within these stories: • A jewel thief seduces a popular actor just so she can track down a long-lost treasure. • A teenager trapped in the body of a giant snail attempts to win his love à la Cyrano de Bergerac. • A man discovers his purpose in life after meeting a beautiful butterfly woman. • A young hero who has been awarded the hideous name of Hero McHeroface finds some solace in the arms of an astrologer hiding her own unique powers. Pairing Up is the Wild Cards take on love—finding it, seeking it, losing it, or achieving it—as aces and jokers enter into the highest-stake game of all: gambling on their heart's desire. With stories by Kevin Andrew Murphy • Christopher Rowe • Marko Kloos • Melinda M. Snodgrass • Bradley Denton • Walton Simons • Peter Newman • Gwenda Bond • David Anthony Durham • Edited by George R. R. Martin
Piccione is less concerned with public imagery and more with the human psyche, how the unconscious can surface and lead us toward discoveries in language that sustain us. As such, the poems are visionary and vital, finding passage through the woods and fields surrounding the author's cabin in rural Upstate, New York. Complementing the poems are lyrical prose memoirs. Here, readers travel through a mountain pass in Tibet, ride the Jericho Highway from Long Island to Bensonhurst, and accompany Piccione as he teaches poetry to Chinese students in Beijing. Whatever and however the journey, the writings in For The Kingdom ask us to be generous and patient.
Spanning seven decades, these often intimate, brilliantly astute letters by the eminent poet Anthony Hecht reflect a body of work that influenced the history of twentieth-century American poetry. Pulitzer Prize-winning poet Anthony Hecht (1923–2004) was known not only for his masterful control of form and language but also for his wit and humor. With the help of Helen Hecht, the poet’s widow, Jonathan F. S. Post combed through more than 4,000 letters to produce an intimate look into the poet’s mind and art across a lifetime. The letters range from Hecht’s early days at summer camp to college at Bard, to the front lines of World War II, to travels abroad in France and Italy, to marriage, and to fame as a poet and critic. Along the way, Hecht corresponded with well-known poets such as John Hollander, James Merrill, Anne Sexton, and Richard Wilbur. Those interested in the lives of contemporary poets will read these highly personal letters with delight and surprise.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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