Miscellaneous Verdicts represents the best of Anthony Powell's critical writing over a period of four decades. Drawn from his regular reviews for the Daily Telegraph, from his occasional humorous pieces for Punch, and from his more sustained pieces of critical and anecdotal writing on writers, this collection is as witty, fresh, surprising, and entertaining as one would expect from the author of Dance to the Music of Time. Powell begins with a section on the British, exploring his fascination both with genealogy and with figures like John Aubrey, and writing in depth about writers like Kipling, Conrad, and Hardy. The second section, on America, also opens with discussions of family trees (in this case presidential ones) and includes pieces on Henry James, James Thurber, American booksellers in Paris, Hemingway, and Dashiell Hammett. Personal encounters, and absorbing incidents from the lives of his subjects, frequently fill these pages—as they do even more in the section on Powell's contemporaries—Connolly, Orwell, Graham Greene, and others. Finally, and aptly, the book closes with a section on Proust and matters Proustian, including a marvellous essay on what is eaten and drunk, and by whom, in A la Recherche du Temps Perdu. "An urbane book, quietly erudite, very sensible, highly civilized, remarkably useful."—Anthony Burgess, Observer "An acute intelligence and fastidious sense of humor make [Powell] the funniest and most profound living writer of the English language."—Hugh Montgomery-Massingberd, Sunday Telegraph Anthony Powell was born in London in 1905. He is the author of seven novels, a biography of John Aubrey, two plays, a collection of memoirs, and the twelve-volume novel sequence Dance to the Music of Time.
Arthurian legend and cruise ship gossip entwine in this “profoundly touching, comic novel” by the celebrated author of A Dance to the Music of Time (Chicago Tribune). Aboard the Alecto, prolific romance author Valentine Beals ruminates on the ship’s most seemingly incongruous couple: a graceful, ethereal, virginal dancer named Barberina Rookwood and her lover, Saul Henchman, a crippled, emasculated war hero and photographer. Fancifully, Beals imagines Henchman to be the reembodiment of one of the most mysterious Arthurian legends, the Fisher King—the maimed and impotent ruler of a barren country of whom Perceval failed to ask the right questions. A myth with many permutations—and a blurred borderland between them—the Fisher King legend dovetails the various explanations Powell offers from his competing narrators as to why a talented young dancer would forsake her art to care for a feeble older man. Ostensibly a novel about gossip on a cruise ship, The Fisher King is much more: a highly stylized narrative infused with Greek mythology, legend, and satire.
The first novel Anthony Powell published following the completion of his epic A Dance to the Music of Time, O, How the Wheel Becomes It! fulfills perhaps every author’s fantasy as it skewers a conceited, lazy, and dishonest critic. A writer who avoids serving in World War II and veers in and out of marriage, G. F. H. Shadbold ultimately falls victim to the title’s spinning—and righteous—emblem of chance. Sophisticated and a bit cruel, Wheel’s tale of posthumous vengeance is, nonetheless, irresistible. Written at the peak of the late British master’s extraordinary literary career, this novel offers profound insight into the mind of a great artist whose unequaled style, ear for dialogue, and eye for irony will delight devotees and new readers alike.
Unsavory artists, titled boobs, and charlatans with an affinity for Freud—such are the oddballs whose antics animate the early novels of the late British master Anthony Powell. A genius of social satire delivered with a very dry wit, Powell builds his comedies on the foibles of British high society between the wars, delving into subjects as various as psychoanalysis, the film industry, publishing, and (of course) sex. More explorations of relationships and vanity than plot-driven narratives, these slim novels reveal the early stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in Powell’s epic A Dance to the Music of Time. In What’s Become of Waring, Powell lampoons a world with which he was intimately acquainted: the inner workings of a small London publisher. But even as Powell eviscerates the publishers’ less than scrupulous plotting in his tale of wild coincidences, mistaken identity, and romance, he never strays to the far side of farce. Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.
This is a true life experience of the author, who spent over five years policing on the front line. The police force has remained an organisation that keeps itself locked behind closed doors and away from the public eye. The author has blown these doors wide open. It begins with the author's life prior to the police and how he came so close to becoming a criminal himself. In 2000 he begins his struggle through the assessments and learning how the police force works. The author's eyes were opened by true events whilst patrolling the front line covering a typical busy English city. He soon learnt that not only did he have to deal with people outside the station but it was just as bad inside. There were lots of things that the police did that even made the author cringe. The author has detailed everything with no holds barred. This is truly a book that the police force would not want you to see.
The first two volumes of Anthony Powell's journals have already been publilshed, to great critical acclaim. These journals started in 1982 when Powell had become 'stuck' on a novel, became the place where he could most happily exercise his powers of observation, and record his memories of times and writers past. This, the third volume of his journals, sees the writer in his house in Somerset, the Chantry, encountering old friends, journalists, publishers, relations. He rereads the plays of Shakespeare, and revisits the work of a huge range of writers, from Ivy Compton-Burnett to L. Rider Haggard. He remembers Evelyn Waugh, Philip Larkin, Malcolm Muggeridge, John Betjeman, Kingsley Amis and Marlene Dietrich. He is visted by, among other, V.S. Naipaul, Alison Lurie, Harold Pinter, Antonia Fraser and Evangeline Bruce. The author is given an honorary doctorate from the University of Wales, in the dining-room of Chantry. In these frank and entertaining pages, the daily life of a great literary figure unfolds in an volume that will delight his many fans as much as its predecessors did.
Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books. The tenth volume, Books Do Furnish a Room (1971), finds Nick Jenkins and his circle beginning to re-establish their lives and careers in the wake of the war. Nick dives into work on a study of Robert Burton; Widmerpool grapples with the increasingly difficult and cruel Pamela Flitton—now his wife; and we are introduced to the series’ next great character, the dissolute Bohemian novelist X. Trapnel, a man who exudes in equal measure mystery, talent, and an air of self-destruction. "Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--ChicagoTribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New YorkTimes "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker “The most brilliant and penetrating novelist we have.”--Kingsley Amis
______________________________ 'He is, as Proust was before him, the great literary chronicler of his culture in his time.' GUARDIAN A Dance to the Music of Time is universally acknowledged as one of the great works of English literature. Reissued now in this definitive edition, it stands ready to delight and entrance a new generation of readers. In this sixth volume, with Britain on the brink of war yet again, Nick Jenkins reflects back on his childhood growing up in the shadow of World War I. Wanting to follow in his father's footsteps, Nick sets his sights on becoming an officer in the Army, and asks his old school friend Widmerpool, who is gaining prominence in the business world, if he will help him. But reserves lists are quickly filling up with names, and it's not long until the threat of war is the one thing on everyone's mind. ______________________________ These titles are currently being reissued. There is a chance that you may receive the edition with the classic cover instead of the cover displayed here.
An English journalist encounters dangerous hijinks on the Baltic Sea in this satirical novel by the author of A Dance to the Music of Time. Written from a vantage point both high and deliberately narrow, the early novels of Anthony Powell nevertheless deal in the universal themes that would define his oeuvre: pride, greed, and the strange drivers of human behavior. Scathingly funny and insightful character studies, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. Powell’s sophomore novel, Venusberg, follows an English journalist named Lushington as he travels by boat to an unnamed Baltic state. Navigating an elegant and politically precarious social scene, Lushington becomes infatuated with his very own, very foreign Venus. An action-packed literary precursor to Wes Anderson’s The Grand Budapest Hotel, Venusberg is replete with assassins and Nazis, loose countesses and misunderstandings, fatal accidents and social comedy.
Every young person needs a role model, coach, mentor or friend who believes in them and insists that they believe in themselves. Authors Anthony James and Ken Chapman share the stories of twenty-eight outstanding African-Americans who faced head on the challenges of realizing their potential and chose to make a difference in the lives of their families, their communities, and their world. Their stories, struggles, and strengths will inspire and empower a younger generation to discipline themselves and act with decisiveness to better our world. These African-American leaders often acted in unexpected ways and their examples challenge adults to provide a "shoulder" for a young to stand on.
Corrections: A Text/Reader, Second Edition is designed for undergraduate and/or graduate corrections courses. Organized like a traditional corrections text, it offers brief authored introductions in a mini-chapter format for each key Section, followed by carefully selected and edited original articles by leading scholars. This hybrid format – ensuring coverage of important material while emphasizing the significance of contemporary research - offers an excellent alternative which recognizes the impact and importance of new directions and policy in this field, and how these advances are determined by research.
In this remarkable collaboration, one of the nation's leading civil rights lawyers joins forces with one of the world's foremost cultural psychologists to put American constitutional law into an American cultural context. By close readings of key Supreme Court opinions, they show how storytelling tactics and deeply rooted mythic structures shape the Court's decisions about race, family law, and the death penalty. Minding the Law explores crucial psychological processes involved in the work of lawyers and judges: deciding whether particular cases fit within a legal rule ("categorizing"), telling stories to justify one's claims or undercut those of an adversary ("narrative"), and tailoring one's language to be persuasive without appearing partisan ("rhetorics"). Because these processes are not unique to the law, courts' decisions cannot rest solely upon legal logic but must also depend vitally upon the underlying culture's storehouse of familiar tales of heroes and villains. But a culture's stock of stories is not changeless. Amsterdam and Bruner argue that culture itself is a dialectic constantly in progress, a conflict between the established canon and newly imagined "possible worlds." They illustrate the swings of this dialectic by a masterly analysis of the Supreme Court's race-discrimination decisions during the past century. A passionate plea for heightened consciousness about the way law is practiced and made, Minding the Law/tilte will be welcomed by a new generation concerned with renewing law's commitment to a humane justice. Table of Contents: 1. Invitation to a Journey 2. On Categories 3. Categorizing at the Supreme Court Missouri v. Jenkins and Michael H. v. Gerald D. 4. On Narrative 5. Narratives at Court Prigg v. Pennsylvania and Freeman v. Pitts 6. On Rhetorics 7. The Rhetorics of Death McCleskey v. Kemp 8. On the Dialectic of Culture 9. Race, the Court, and America's Dialectic From Plessy through Brown to Pitts and Jenkins 10. Reflections on a Voyage Appendix: Analysis of Nouns and Verbs in the Prigg, Pitts, and Brown Opinions Notes Table of Cases Index Reviews of this book: Amsterdam, a distinguished Supreme Court litigator, wanted to do more than share the fruits of his practical experience. He also wanted to...get students to think about thinking like a lawyer...To decode what he calls "law-think," he enlisted the aid of the venerable cognitive psychologist Jerome Bruner...[and] the collaboration has resulted in [this] unusual book. --James Ryerson, Lingua Franca Reviews of this book: It is hard to imagine a better time for the publication of Minding the Law, a brilliant dissection of the court's work by two eminent scholars, law professor Anthony G. Amsterdam and cultural anthropologist Jerome Bruner...Issue by issue, case by case, Amsterdam and Bruner make mincemeat of the court's handling of the most important constitutional issue of the modern era: how to eradicate the American legacy of race discrimination, especially against blacks. --Edward Lazarus, Los Angeles Times Book Review Reviews of this book: This book is a gem...[Its thesis] is easily stated but remarkably unrecognized among a shockingly large number of lawyers and law professors: law is a storytelling enterprise thoroughly entrenched in culture....Whereas critical legal theorists have talked among themselves for the past two decades, Amsterdam and Bruner seek to engage all of us in a dialogue. For that, they should be applauded. --Daniel R. Williams, New York Law Journal Reviews of this book: In Minding the Law, Anthony Amsterdam and Jerome Bruner show us how the Supreme Court creates the magic of inevitability. They are angry at what they see. Their book is premised on the conviction that many of the choices made in Supreme Court opinions 'lack any justification in the text'...Their method is to analyze the text of opinions and to show how the conclusions reached do not always follow from the logic of the argument. They also show how the Court casts its rhetoric like a spell, mesmerizing its audience, and making the highly contingent shine with the light of inevitability. --Mitchell Goodman, News and Observer (Raleigh, North Carolina) Reviews of this book: What do controversial Supreme Court decisions and classic age-old tales of adultery, villainy, and combat have in common? Everything--at least in the eyes of [Amsterdam and Bruner]. In this substantial study, which is equal parts dense and entertaining, the authors use theoretical discussions of literary technique and myths to expose what they see as the secret intentions of Supreme Court opinions...Studying how lawyers and judges employ the various literary devices at their disposal and noting the similarities between legal thinking and classic tactics of storytelling and persuasion, they believe, can have 'astonishing consciousness-retrieving effects'...The agile minds of Amsterdam and Bruner, clearly storehouses of knowledge on a range of subjects, allow an approach that might sound far-fetched occasionally but pays dividends in the form of gained perspective--and amusement. --Elisabeth Lasch-Quinn, Washington Times Reviews of this book: Stories and the way judges-intentionally or not-categorize and spin them, are as responsible for legal rulings as logic and precedent, Mr. Amsterdam and Mr. Bruner said. Their novel attempt to reach into the psyche of...members of the Supreme Court is part of a growing interest in a long-neglected and cryptic subject: the psychology of judicial decision-making. --Patricia Cohen, New York Times Most law professors teach by the 'case method,' or say they do. In this fascinating book, Anthony Amsterdam--a lawyer--and Jerome Bruner--a psychologist--expose how limited most case 'analysis' really is, as they show how much can be learned through the close reading of the phrases, sentences, and paragraphs that constitute an opinion (or other pieces of legal writing). Reading this book will undoubtedly make one a better lawyer, and teacher of lawyers. But the book's value and interest goes far beyond the legal profession, as it analyzes the way that rhetoric--in law, politics, and beyond--creates pictures and convictions in the minds of readers and listeners. --Sanford Levinson, author of Constitutional Faith Tony Amsterdam, the leader in the legal campaign against the death penalty, and Jerome Bruner, who has struggled for equal justice in education for forty years, have written a guide to demystifying legal reasoning. With clarity, wit, and immense learning, they reveal the semantic tricks lawyers and judges sometimes use--consciously and unconsciously--to justify the results they want to reach. --Jack Greenberg, Professor of Law, Columbia Law School
Mass Media, Mass Propaganda analyzes a wide range of issues, domestic and international, concerning American and global news coverage of the U.S. 'War on Terror.' Topics reviewed include: media coverage of the invasion and occupation of Iraq, the proliferation of weapons of mass destruction, Iraqi civil war and resistance to occupation, September 11th and 'Operation Enduring Freedom' in Afghanistan, human rights violations in Iraqm domestic anti-way dissent and censorship, and potential future targets in the 'War on Terror.' This work approaches the study of media through a political economy analysis, examining the ways in which the American corporate media works to reinforce official views and propaganda, and the ways in which it challenges official pro-war platforms. A comparative approach is taken in contrasting the American mass media with other media institutions from the Progressive-Left American press, the British and Australian press, and Arab electronic media. Major models analyzed and evaluated throughout this work include the 'Propaganda Model,' developed by Noam Chomsky and Edward Herman, and the 'Indexing Model,' elaborated upon by scholars such as W. Lance Bennett, Steven Livingston, and Jonathan Mermin.
he Conservative Party is Britain's most successful political party. For large parts of modern British history it has been the dominant party, though it has always suffered from internal division and periods of defeat. This colourful account of the Party's history since the late 18th century takes the reader on a voyage of discovery.
For the greater part of fifty years, it was the ride of a lifetime. 15 Minutes with Fame is a collection of personal anecdotes and stories that give the reader a taste of the excitement, exhilaration and joy Tony Salerno experienced in his five decades in the entertainment business. Whether it was with Fred Astaire, who inspired him; Paul Newman, who assured him; John Lennon, who awed him; Bette Midler, who moved him; or any of the more than four dozen other celebrities and luminaries profiled in these pages, the time Tony spent working with each of them gave him a unique and personal glimpse into who these people really were. A glimpse that a regular fan just couldn't get from the outside, but one they can share now. Accentuated by "production notes" that take the reader behind the scenes of some of the biggest entertainment show and productions of the past half century, 15 Minutes with Fame will transport the reader backstage, as only an insider's perspective can.
Spin Control, originally published in 1992, chronicles the development of the powerful White House Office of Communications and its pivotal role in molding our perception of the modern presidency. In this new edition, John Maltese brings his analysis up to date with a chapter detailing the media techniques of the Bush administration, the 1992 presidential campaign (including the use of talk shows like 'Larry King Live'), and the early Clinton administration.
Ten years ago, Mark Anthony Neal’s New Black Man put forth a revolutionary model of Black masculinity for the twenty-first century—one that moved beyond patriarchy to embrace feminism and combat homophobia. Now, Neal’s book is more vital than ever, urging us to imagine a New Black Man whose strength resides in family, community, and diversity. Part memoir, part manifesto, this book celebrates the Black man of our times in all his vibrancy and virility. The tenth anniversary edition of this classic text includes a new foreword by Joan Morgan and a new introduction and postscript from Neal, which bring the issues in the book up to the present day.
Among the last CIA agents airlifted from Saigon in the waning moments of the Vietnam War, Frank Snepp returned to headquarters determined to secure help for the Vietnamese left behind by an Agency eager to cut its losses. What he received instead was a cold shoulder from a CIA that in 1975 was already in turmoil over congressional investigations of its operations throughout the world. In protest, Snepp resigned to write a damning account of the agency's cynical neglect of its onetime allies and inept handling of the war. His expose, Decent Interval, was published in total secrecy, eerily evocative of a classic spy operation, and only after Snepp had spent eighteen months dodging CIA efforts to silence him. The book ignited a firestorm of controversy, was featured in a 60 Minutes exclusive, received front-page coverage in the New York Times, and launched a campaign of retaliation by the CIA, capped by a Supreme Court decision that steamrolled over Snepp's right to free speech. In the wake of Snepp's harrowing experiences, his legal case has been used by Presidents Reagan, Bush, and Clinton to narrow the First Amendment freedoms of all federal employees, especially "whistleblowers." Such encroachments make it clear that Snepp's very personal story has a great deal of relevance for all of us and certainly for anyone who has grown increasingly distrustful of the federal government's "national security argument.
!--StartFragment-- Examines a small part of slavery’s North American domain, the lower Chattahoochee river Valley between Alabama and Georgia In the New World, the buying and selling of slaves and of the commodities that they produced generated immense wealth, which reshaped existing societies and helped build new ones. From small beginnings, slavery in North America expanded until it furnished the foundation for two extraordinarily rich and powerful slave societies, the United States of America and then the Confederate States of America. The expansion and concentration of slavery into what became the Confederacy in 1861 was arguably the most momentous development after nationhood itself in the early history of the American republic. This book examines a relatively small part of slavery’s North American domain, the lower Chattahoochee river Valley between Alabama and Georgia. Although geographically at the heart of Dixie, the valley was among the youngest parts of the Old South; only thirty-seven years separate the founding of Columbus, Georgia, and the collapse of the Confederacy. In those years, the area was overrun by a slave society characterized by astonishing demographic, territorial, and economic expansion. Valley counties of Georgia and Alabama became places where everything had its price, and where property rights in enslaved persons formed the basis of economic activity. Sold Down the River examines a microcosm of slavery as it was experienced in an archetypical southern locale through its effect on individual people, as much as can be determined from primary sources. Published in cooperation with the Historic Chattahoochee Commission and the Troup County Historical Society. !--EndFragment--
“I want to call it a cry of the heart, but it’s more like a cry of the brain, a calm and erudite one.” —Peggy Noonan, The Wall Street Journal The former dean of Yale Law School argues that the feverish egalitarianism gripping college campuses today is a threat to our democracy. College education is under attack from all sides these days. Most of the handwringing—over free speech, safe zones, trigger warnings, and the babying of students—has focused on the excesses of political correctness. That may be true, but as Anthony Kronman shows, it’s not the real problem. “Necessary, humane, and brave” (Bret Stephens, The New York Times), The Assault on American Excellence makes the case that the boundless impulse for democratic equality gripping college campuses today is a threat to institutions whose job is to prepare citizens to live in a vibrant democracy. Three centuries ago, the founders of our nation saw that for this country to have a robust government, it must have citizens trained to have tough skins, to make up their own minds, and to win arguments not on the basis of emotion but because their side is closer to the truth. Without that, Americans would risk electing demagogues. Kronman is the first to tie today’s campus clashes to the history of American values, drawing on luminaries like Alexis de Tocqueville and John Adams to argue that our modern controversies threaten the best of our intellectual traditions. His tone is warm and wise, that of an educator who has devoted his life to helping students be capable of living up to the demands of a free society—and to do so, they must first be tested in a system that isn’t focused on sympathy at the expense of rigor and that values excellence above all.
Examines how the Supreme Court has banished free expression from shopping malls and other public spaces. In spite of their public attractions and millions of visitors, most shopping malls are now off-limits to free speech and expressive activity. The same may be said about many other public spaces and marketplaces in American cities and suburbs, leaving scholars and other observers to wonder where civic engagement is lawfully permitted in the United States. In Public Spaces, Marketplaces, and the Constitution, Anthony Maniscalco draws on key legal decisions, social theory, and urban history to demonstrate that public spaces have been split apart from First Amendment protections, while the expression of political ideas has been excluded from privately owned, publicly accessible malls. Today, the traditional indoor suburban shopping mall, that icon of modern American capitalism and culture, is being replaced by outdoor retail centers. Yet the law and courts have been slow to catch up. Maniscalco argues that scholars, students, and the public must confront these innovations in commercial design and consumer practices, as well as what they portend for contemporary metropolitan America and its civic spaces.
Anthony R. Palumbi dives into the history of dam-building in the United States as natural waterscapes have been replaced with engineered environments and the bone-dry West became America's produce aisle.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.