First published in 1985. A handbook and text for the performance of Bach's music and Baroque music in general, also serving as an assessment of current trends in historical performance practice by an important American practitioner. Newman clearly presents problems and their solutions, with examples and regular assignments throughout. Paper edition (unseen), $32. Annotation copyright by Book News, Inc., Portland, OR
Vincenzo Mazzanti had seized an opportunity early in his life; which in time had taken him and his family out of the doldrums of post-war Italy by spearheading a highly successful, but illicit Mafia business. Now advancing years and with thought of retirement, his decided chosen successor was to be an underdog; his eagerness to please and desperate to prove of grand-daughter, Noemi. With Mazzanti's request, this unwittingly heralded the start of fierce rivalry and a growing and resentful division within the family, but also an increasingly bloody internecine with another powerful entity, and with it an unpredictable rogue and psychotic element, desperate to take over their territory and avenge past wrongs. Does this inexperienced dark horse have what it takes to confront their newly founded destiny, or will this passed-on legacy be a dangerous, forlorn, and destructive experience for all? Author of ‘The Underworld’, Anthony A Newman is back with a new gripping complex novel focusing on two warring Mafia entities with their increasing struggle for power and territory, as well as the corruption and trust that leads from it, but also, the loyalty and families from within them.
Wow... really!!! Have I actually already got to the age of 50? Where has the time flown by? This book charters my, so far amazing life. I talk about my good times and bad and which contains a few real truths and with that comes to include some honesty, but thankfully it's also about the happier moments and the funnier times.
Ethics, Literature, and Theory: An Introductory Reader brings together the work of contemporary scholars, teachers, and writers into lively discussion on the moral role of literature and the relationship between aesthetics, art, and ethics. Do the rich descriptions and narrative shapings of literature provide a valuable resource for readers, writers, philosophers, and everyday people to imagine and confront the ultimate questions of life? Do the human activities of storytelling and complex moral decision-making have a deep connection? What are the moral responsibilities of the artist, critic, and reader? What can religious perspectives—from Catholic to Protestant to Mormon—contribute to literary criticism? What do we mean when we talk about ethical criticism and how does this differ from the common notion of censorship? Thirty well known contributors reflect on these questions including: literary theorists Marshall Gregory, James Phelan, and Wayne Booth; philosophers Martha Nussbaum, Richard Hart, and Nina Rosenstand; and authors John Updike, Charles Johnson, Flannery O'Connor, and Bernard Malamud. Divided into four sections, with introductory matter and questions for discussion, this accessible anthology represents the most crucial work today exploring the interdisciplinary connections among literature, religion and philosophy.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Superheroes and villains do battle over the human heart in this delightful anthology featuring all-new stories from a wide range of contributors, all set in the Wild Cards universe, where an alien virus mutates some and grants superpowers to others, created by the #1 New York Times bestselling author of A Game of Thrones. An alien virus ravages the world, its results as random as a hand of cards. Those infected either draw the black queen and die, draw an ace and receive superpowers, or draw the joker and are bizarrely mutated. Nevertheless, human nature reigns supreme. And one of the most enduring human drives is the search for love. Aces and jokers alike both want to find it, or have lost it . . . or perhaps just want to use it for personal gain. Crazy, unconventional, touching, strange, and oh-so-familiar, this is love, Wild Cards-style. Within these stories: • A jewel thief seduces a popular actor just so she can track down a long-lost treasure. • A teenager trapped in the body of a giant snail attempts to win his love à la Cyrano de Bergerac. • A man discovers his purpose in life after meeting a beautiful butterfly woman. • A young hero who has been awarded the hideous name of Hero McHeroface finds some solace in the arms of an astrologer hiding her own unique powers. Pairing Up is the Wild Cards take on love—finding it, seeking it, losing it, or achieving it—as aces and jokers enter into the highest-stake game of all: gambling on their heart's desire. With stories by Kevin Andrew Murphy • Christopher Rowe • Marko Kloos • Melinda M. Snodgrass • Bradley Denton • Walton Simons • Peter Newman • Gwenda Bond • David Anthony Durham • Edited by George R. R. Martin
This book explores the role of television in the 1950s and early 1960s, with a focus on the relationship between Tories and TV. The early 1950s were characterized by recovery from war and high politics. Television was a new medium that eventually came to dominate mass media and political culture. But what impact did this transition have on political organization and elite power structures? Winston Churchill avoided it; Anthony Eden wanted to control it; Harold Macmillan tried to master it; and Alec Douglas-Home was not Prime Minister long enough to fully utilize it. The Conservative Party’s relationship with the new medium of television is a topic rich with scholarly questions and interesting quirks that were characteristic of the period. This exploration examines the changing dynamics between politics and the media, at grassroots and elite levels. Through analysing rich and diverse source materials from the Conservative Party Archive, Anthony Ridge-Newman takes a case study approach to comparing the impact of television at different points in the party’s history. In mapping changes across a thirteen year period of continual Conservative governance, this book argues that the advent of television contributed to the party’s transition from a membership-focused party to a television-centric professionalized elite.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.