Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
Until quite recently, it has been the accepted view that the Archaic period of Greek history was by definition merely a prelude to the Classical period, an era regarded as unsurpassed in its literary, intellectual, artistic, and political achievements. Lately, however, historians and archaeologists have undertaken a major reappraisal of their subject. Professor Snodgrass shows how the supremacy of Classical Greece would have been impossible without the preceding centuries of the Archaic period. It established the economic basis of Greek society; it drew the political map of the Greek world in a form that was to endure for four centuries; it set up the forms of state that were to determine Greek political history; it provided the interests and goals, not merely for Greek but for Western art as a whole, which were to be pursued over the next two and a half millennia; it gave Greece in the Homeric epics an ideal of behavior and a memento of past glory to sustain it; and it provided much of the basis of Greek religion. "Archaic Greece" gives a broad cultural history of the period. -- From publisher's description.
This book brings together twenty-five papers by A. M. Snodgrass, some of them previously published only in rather inaccessible places, which have contributed to this change. They cover four decades of work on pre-Classical and Classical Greece and some adjacent fields of scholarship, beginning in the 1960s when Classical archaeology was not widely seen as a free-standing subject. They chart the progress of a movement for the intellectual independence of Greek archaeology and art, from history and textual studies and for recognition among other branches of archaeology."--BOOK JACKET.
Until quite recently, it has been the accepted view that the Archaic period of Greek history was by definition merely a prelude to the Classical period, an era regarded as unsurpassed in its literary, intellectual, artistic, and political achievements. Lately, however, historians and archaeologists have undertaken a major reappraisal of their subject. Professor Snodgrass shows how the supremacy of Classical Greece would have been impossible without the preceding centuries of the Archaic period. It established the economic basis of Greek society; it drew the political map of the Greek world in a form that was to endure for four centuries; it set up the forms of state that were to determine Greek political history; it provided the interests and goals, not merely for Greek but for Western art as a whole, which were to be pursued over the next two and a half millennia; it gave Greece in the Homeric epics an ideal of behavior and a memento of past glory to sustain it; and it provided much of the basis of Greek religion. "Archaic Greece" gives a broad cultural history of the period. -- From publisher's description.
This book brings together twenty-five papers by A. M. Snodgrass, some of them previously published only in rather inaccessible places, which have contributed to this change. They cover four decades of work on pre-Classical and Classical Greece and some adjacent fields of scholarship, beginning in the 1960s when Classical archaeology was not widely seen as a free-standing subject. They chart the progress of a movement for the intellectual independence of Greek archaeology and art, from history and textual studies and for recognition among other branches of archaeology."--BOOK JACKET.
Classical archaeology probably enjoys a wider appeal than any other branch of classical or archaeological studies. As an intellectual and academic discipline, however, its esteem has not matched its popularity. Here, Anthony Snodgrass argues that classical archaeology has a rare potential in the whole field of the study of the past to make innovative discoveries and apply modern approaches by widening the aims of the discipline.
Few major Classical cities have disappeared so completely from view, over the centuries, as Thespiai in Central Greece. Only the technique of intensive field survey, carefully adapted to a large urban site and reinforced by historical investigation, has made it possible to recover from oblivion much of its life of seven millennia.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An authoritative and refreshingly original consideration of the government and culture of ancient Sparta and her place in Greek history For centuries, ancient Sparta has been glorified in song, fiction, and popular art. Yet the true nature of a civilization described as a combination of democracy and oligarchy by Aristotle, considered an ideal of liberty in the ages of Machiavelli and Rousseau, and viewed as a forerunner of the modern totalitarian state by many twentieth-century scholars has long remained a mystery. In a bold new approach to historical study, noted historian Paul Rahe attempts to unravel the Spartan riddle by deploying the regime-oriented political science of the ancient Greeks, pioneered by Herodotus, Thucydides, Plato, Xenophon, and Polybius, in order to provide a more coherent picture of government, art, culture, and daily life in Lacedaemon than has previously appeared in print, and to explore the grand strategy the Spartans devised before the arrival of the Persians in the Aegean.
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
High Stakes (Wild Cards) delves into the world of aces, jokers, and the hard-boiled men and women of the Fort Freak police precinct in a pulpy, page-turning novel of superheroics and Lovecraftian horror.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.