Historical Jesus asks two primary questions: What does historical mean? and How should we apply this to Jesus? Anthony Le Donne begins with the unusual step of considering human perception how sensory data from sight, sound, touch, taste, and smell are interpreted from the very beginning by what we expect, what we ve learned, and how we categorize the world. In this way Le Donne shows how historical memories are initially formed. He continues with the nature of human memory and how it interacts with group memories. Finally, he offers a philosophy of history and uses it to outline three dimensions from the life of Jesus: his dysfunctional family, his politics, and his final confrontation in Jerusalem. This little book is ideal for those with no background in religious studies even those with no faith who wish to better understand who Jesus was and how we can know what we do know about him.
The idea that Jesus was married continues to incite fierce debate. But most who address the topic either dismiss the possibility or propound conspiracy theories. Amid the storm of controversy, Le Donne provides a haven of clarity and sense. Approaching the subject from a fresh, historical perspective, Le Donne places Jesus firmly within a socio-cultural context and, by investigating gender and marriage norms, provocatively argues that Jesus could well have been married – although not to Mary Magdalene.
This unique book is an exploration of Christianity alongside Jewish guides who are well-studied in and sympathetic to Christianity, but who remain “near Christianity.”Reflecting on his journeys within biblical studies and contemporary Jewish-Christian dialogue, Anthony Le Donne illustrates not only the value but also the necessity of continued Jewish friendship for the Christian life. With the help of Jewish friends and mentors, he presents a deeper and more complex Christian faith, offering readers a better vision of the beauty and genius of Christianity, but also an honest look at its warts and failings. Weaving his own story and personal conversations with Jewish friends, Le Donne, a respected scholar and published author, models how his fellow Christians can avoid blurring the differences between Christianity and Judaism on the one hand and exaggerating them on the other.
Jesus: A Beginner’s Guide introduces Jesus, the man and his enduring legacy. Separating fact from fiction, Professor Le Donne places Jesus within the context of first-century Judaism, and explores the debate about his status as 'Son of God' among the early Christians. He then follows his legacy through medieval Europe, and compares the various cultural Jesuses in enlightenment and post-enlightenment thought.
Historical Jesus asks two primary questions: What does historical mean? and How should we apply this to Jesus? Anthony Le Donne begins with the unusual step of considering human perception how sensory data from sight, sound, touch, taste, and smell are interpreted from the very beginning by what we expect, what we ve learned, and how we categorize the world. In this way Le Donne shows how historical memories are initially formed. He continues with the nature of human memory and how it interacts with group memories. Finally, he offers a philosophy of history and uses it to outline three dimensions from the life of Jesus: his dysfunctional family, his politics, and his final confrontation in Jerusalem. This little book is ideal for those with no background in religious studies even those with no faith who wish to better understand who Jesus was and how we can know what we do know about him.
Sacred Dissonance is a thought-provoking study exploring the distinctions between religious identities and cultural boundaries of Jews and Christians. Opposing the notion that all faiths are the same, Anthony Le Donne (a New Testament scholar) and Larry Behrendt (a Jewish lawyer) offer introspective essays on topics such as neighborhood relations, hospitality, and the Holocaust—and provide a model for addressing a difficult past and challenging present.
Jesus: A Beginner’s Guide introduces Jesus, the man and his enduring legacy. Separating fact from fiction, Professor Le Donne places Jesus within the context of first-century Judaism, and explores the debate about his status as 'Son of God' among the early Christians. He then follows his legacy through medieval Europe, and compares the various cultural Jesuses in enlightenment and post-enlightenment thought.
The idea that Jesus was married continues to incite fierce debate. But most who address the topic either dismiss the possibility or propound conspiracy theories. Amid the storm of controversy, Le Donne provides a haven of clarity and sense. Approaching the subject from a fresh, historical perspective, Le Donne places Jesus firmly within a socio-cultural context and, by investigating gender and marriage norms, provocatively argues that Jesus could well have been married – although not to Mary Magdalene.
From its very first pages, Jerry L. Sumney’s The Bible: An Introduction offers clear answers to the most basic questions that first-time students and curious inquirers bring to the Bible. Without presuming either prior knowledge of the Bible or a particular attitude toward it, Jerry L. Sumney uses straightforward language to lead the reader on an exploration of the Bible’s contents and the history of its writings, showing how critical methods help readers understand what they find in the Bible. This Study Companion is a handy complement to the textbook, providing primary readings and a running glossary of terms keyed to the textbook along with exercises for further reflection.
This unique book is an exploration of Christianity alongside Jewish guides who are well-studied in and sympathetic to Christianity, but who remain “near Christianity.”Reflecting on his journeys within biblical studies and contemporary Jewish-Christian dialogue, Anthony Le Donne illustrates not only the value but also the necessity of continued Jewish friendship for the Christian life. With the help of Jewish friends and mentors, he presents a deeper and more complex Christian faith, offering readers a better vision of the beauty and genius of Christianity, but also an honest look at its warts and failings. Weaving his own story and personal conversations with Jewish friends, Le Donne, a respected scholar and published author, models how his fellow Christians can avoid blurring the differences between Christianity and Judaism on the one hand and exaggerating them on the other.
Italian poet, novelist, literary critic and translator Cesare Pavese (1908-1950) is generally recognized as one of the most important writers of his period. Between the years 1929 and 1933, Pavese enjoyed a rich correspondence with his Italian American friend, the musician and educator Antonio Chiuminatto (1904-1973). The nature of this correspondence is primarily related to Pavese's thirst to learn about American culture, its latest books, its most significant contemporary writers, as well as its slang. This volume presents an annotated edition of Pavese and Chiminatto's complete epistolary exchange. Mark Pietralunga's brilliant introduction provides historical and cultural context for the letters and traces Pavese's early development as a leading Americanist and translator. The volume also includes an appendix of Chiuminatto's detailed annotations and thorough explanations of colloquial American terms and slang, drawn from the works of Sinclair Lewis, Sherwood Anderson, and William Faulkner. A lively and illuminating exchange, this collection ultimately corroborates critical opinion that America was the igniting spark of Pavese's literary beginnings as a writer and translator.
Jerry L. Sumneys The Bible: An Introduction offers clear answers to the most basic questions that first-time students and curious inquirers bring to the Bible. The Study Companion is a handy complement to the textbook, providing primary readings and a running glossary of terms keyed to the textbook along with exercises for further reflection.
This study examines the necessity of reading retrospectively. In this manner, the reader who comes along after the composition of an author's opus may better understand the author's earlier works after reading a later one. In contrast to a reader contemporary to the text, who does not have the opportunity of 'hind-sight, ' this special reader (recto-lector) draws on information gathered from a later text in order to understand a previously composed text. For example, the relationship between Aldo Palazzeschi's: riflessi (1908) and his later manifestoes (1914-1915) amply demonstrates the value and necessity of such a reading process: this is especially true with regard to non-canonial writers as is Palazzeschi. The retro-lector of: riflessi, therefore, comes away with an interpretation both different and more complete than that which the contemporary reader would acquire after a strict canonical reading. Along with works by Palazzeschi, 'Semiotics of Re-reading' also examines poetry by Guido Gozzano and short fiction by Italo Calvino
A Catholic Quest for the Historical Christ brings together a collection of interrelated essays on the historical Jesus and primitive Christology. Sensitive to the diverse, but traditionally Protestant assumptions and perspectives of the "Quest" as well as to the widely lamented disconnect between New Testament exegesis and classical dogmatic theology, an alternative approach is proposed in these pages. Ecumenical and conciliar reference points, along with non-confessional historical methods (e.g. archeology) shape the basic project, which nevertheless assumes some distinctive and important Catholic contours. This particular synthesis injects the voice of a missing interlocutor into an established conversation that has not infrequently been both historically confused and dogmatically (and philosophically) numb. The book is divided into three sections: Historical Foundations, Theological Perspectives, and Jesus and the Scriptures. While the individual chapters represent independent probes, the cumulative argument and arc of the study drives in clear and concerted directions. After a first approach to the Gospel data, attentive at once to historiographical and historical questions, a series of interventions reorienting the present scholarly discussion are suggested. These various, foundational essays lead, finally, to a sustained mediation on the mind of Christ, considered as a unique reader of the Scriptures: a meditation having its proper reflex and reflection in the way Christians themselves, as readers of the Gospels, participate in the Lord's own encounter with the living Word.
This first book-length study to trace the evolution of the comic old man in Italian and English Renaissance comedy shows how English dramatists adopted and reimagined an Italian model to reflect native concerns about and attitudes toward growing old. Anthony Ellis provides an in-depth study of the comic old man in the erudite comedy of sixteenth-century Florence; the character's parallel development in early modern Venice, including the commedia dell'arte; and, along with a consideration of Anglo-Italian intertextuality, the character's subsequent flourishing on the Elizabethan and Jacobean stage. In outlining the character's development, Ellis identifies and describes the physical and behavioral characteristics of the comic old man and situates these traits within early modern society by considering prevailing medical theories, sexual myths, and intergenerational conflict over political and economic circumstances. The plays examined include Italian dramas by Bernardo Dovizi da Bibbiena, Niccolò Machiavelli, Donato Giannotti, Lorenzino de' Medici, Andrea Calmo, and Flaminio Scala, and English works by William Shakespeare, Ben Jonson, and Thomas Dekker, along with Middleton, Rowley, and Heywood's The Old Law. Besides providing insight into stage representations of aging, this book illuminates how early modern people conceived of and responded to the experience of growing old and its social, economic, and physical challenges.
This is a study of the early writings of Virginio Gayda (1885-1944), a talented but amoral Italian journalist whose career spanned two world wars. A keen observer, prolific writer and propagandist during his stint as the newspaper La Stampa’s special correspondent in Habsburg Vienna, Gayda lent his considerable skills to promote an aggressive foreign policy. No one did more than he to poison relations between the Italian and Yugoslav peoples. His is the story of a respected journalist who chose an ultranationalist path to fascism and international fame. Not uninfluenced by rank careerism and material reward he forsook his roots to embrace the antisemitic “race” laws of 1938 and Italy’s disastrous partnership with Nazi Germany.
Was Mary Magdalene really mistaken when she took the Risen Lord to be a 'gardener' working near the tomb where Christ was laid after the crucifixion? In this compelling volume, Anthony M. Moore persuasively argues that Jesus must be recognised, at atheological level, as the Gardener: the Creator-God Himself. The author skilfully examines the strong evidence available to the reader that the narrative material of the Book of Signs (John 2-12), together with the 'High Priestly Prayer' of John 17, is deliberately infused with the fundamental theme of creation. The first sentence of the Gospel, 'in the beginning', meaningfully echoes the start of Genesis, and sets the tone for what is to come. 'Creation indicators', or leitmotifs, which link the signs narratives in the Fourth Gospel to the sequence of the days of creation, are unpicked in this volume in a careful survey of the placement of particular nouns and verbs within the narratives and how often they occur. Upon these foundations, the author builds his strikingly original thesis: that each miraculous 'sign' of John 2-12 corresponds to a day of creation, and that, subtly but unmistakably, John intends to reveal Jesus as the Creator in all His glory. A book that offers a novel and enlightening way of reading John's Gospel, 'Signs of Salvation' will interest any reader seeking a deeper understanding of a fundamental truth about Christ's nature: He is the God of creation, at one with and participating in the creative work of the Father.
Many endorse the idea of personal forgiveness without fully understanding its complexity and subtlety. This book is a careful and detailed theological exploration of personal forgiveness. It sets forgiveness in its ancient and biblical context, as well as drawing on contemporary debates among philosophers, psychological therapists, and international relations theorists. Forgiveness is written in a clear, accessible style for both the specialist and the non-specialist, and even the most difficult issues are clearly explained and their significance explored. Anthony Bash seeks to restore forgiveness to the center of Christian doctrine and practice, and to defend its place in personal and public life.
Often treated as background figures throughout their history, Italian women of the lower and working classes have always struggled and toiled alongside men, and this did not change following emigration to America. Through numerous oral history narratives, Farms, Factories, and Families documents the rich history of Italian American working women in Connecticut. As farming women, they could keep up with any man. As entrepreneurs, they started successful businesses. They joined men on production lines in Connecticut's factories and sweatshops, and through the strength of the neighborhood networks they created, they played a crucial role in union organizing. Empowered as foreladies, union officials, and shop stewards, they saved money for future generations of Italian American women to attend college and achieve dreams they themselves could never realize. The book opens with the voices of elderly Italian American women, who reconstruct daily life in Italy's southern regions at the turn of the twentieth century. Raised to be caretakers and nurturers of families, these women lived by the culturally claustrophobic dictates of a patriarchal society that offered them few choices. The storytellers of Farms, Factories, and Families reveal the trajectories of immigrant women who arrived in Connecticut with more than dowries in their steam trunks: the ability to face adversity with quiet inner strength, the stamina to work tirelessly from dawn to dusk, the skill to manage the family economy, and adherence to moral principles rooted in the southern Italian code of behavior. Second- and third-generation Italian American women who attended college and achieved professional careers on the wings of their Italian-born mothers and grandmothers have not forgotten their legacy, and though Italian American immigrant women lived by a script they did not write, Farms, Factories, and Families gives them the opportunity to tell their own stories, in their own words.
What’s more marvelous than watching Miriam Maisel take the New York comedy scene by storm? Eating just like her while doing it! In this fun, unofficial cookbook inspired by The Marvelous Mrs. Maisel, fans of the hit show will love dropping into the Maisels’ kitchen and eating, drinking, and entertaining just like them. Anthony LeDonne explores the culinary world of Manhattan in the 1950s, honoring beloved classics while offering a fresh take with modern ingredients and techniques, which the ever-improving Midge would surely approve of. Fans will love the more than 100 recipes—from classic cocktails and fancy finger foods to mouthwatering mains and decadent desserts—and the creative connections back to the show. Recipes include: Brisket and Latkes for Baz (and the Methodist version, Pot Roast, for the Penny Pann loyalists) Baked Beans (for that young man, Susie) Daiquiris for Imogene (“. . . there aren't enough daiquiris in the world”) Mac & Cheese (for hangover days) Mashed Potatoes for Mordecai Glickman (with no lumps, because every lump is a choking hazard) Eggrolls with (or without?) shrimp With stunning photography, clever integration with the world of comedy, and a nod to eating and drinking in New York City, Eat Like a Maisel is a must-have for your next Maisel viewing party or any day you’re feeling particularly marvelous. Paired with detailed photos, these easy-to-follow recipes are sure to get you a standing ovation.
In this extensively illustrated work, one of Paris' leading historians links the beauty of the city to its harmonious architecture, the product of a powerful tradition of classical design running from the Renaissance through the 20th century.
From New York Times bestselling author Lauren Layne—and her real life husband and high school sweetheart, Anthony LeDonne—comes a new holiday romcom that is sure to warm even the coldest heart. Katherine, an ambitious New York City attorney, gets diagnosed with a concussion and must be monitored for forty-eight hours to make sure it doesn’t get worse. Unfortunately, she forgot to updated her emergency contact so the person they call is her ex-husband, Tom. Unable to be left alone, Katherine reluctantly agrees to travel to Chicago with him for the holidays. But thanks to a blizzard, what should have been a quick plane ride turns into an antagonistic overnight misadventure that stirs up old feelings even as Tom prepares to propose to his girlfriend on Christmas Eve. A delightful meet-cute between The Proposal and Planes, Trains, and Automobiles, Emergency Contact is perfect for fans of Christina Lauren and Sophie Kinsella.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.