Featuring numerous illustrations, this book explores the many lessons to be learned from Pleistocene megafauna, including the role of humans in their extinction, their disappearance at the start of the Sixth Extinction, and what they might teach us about contemporary conservation crises. Long after the extinction of dinosaurs, when humans were still in the Stone Age, woolly rhinos, mammoths, mastodons, sabertooth cats, giant ground sloths, and many other spectacular large animals that are no longer with us roamed the Earth. These animals are regarded as “Pleistocene megafauna,” named for the geological era in which they lived—also known as the Ice Age. In Vanished Giants: The Lost World of the Ice Age, paleontologist Anthony J. Stuart explores the lives and environments of these animals, moving between six continents and several key islands. Stuart examines the animals themselves via what we’ve learned from fossil remains, and he describes the landscapes, climates, vegetation, ecological interactions, and other aspects of the animals’ existence. Illustrated throughout, Vanished Giants also offers a picture of the world as it was tens of thousands of years ago when these giants still existed. Unlike the case of the dinosaurs, there was no asteroid strike to blame for the end of their world. Instead, it appears that the giants of the Ice Age were driven to extinction by climate change, human activities—especially hunting—or both. Drawing on the latest evidence provided by radiocarbon dating, Stuart discusses these possibilities. The extinction of Ice Age megafauna can be seen as the beginning of the so-called Sixth Extinction, which is happening right now. This has important implications for understanding the likely fate of present-day animals in the face of contemporary climate change and vastly increasing human populations.
Featuring numerous illustrations, this book explores the many lessons to be learned from Pleistocene megafauna, including the role of humans in their extinction, their disappearance at the start of the Sixth Extinction, and what they might teach us about contemporary conservation crises. Long after the extinction of dinosaurs, when humans were still in the Stone Age, woolly rhinos, mammoths, mastodons, sabertooth cats, giant ground sloths, and many other spectacular large animals that are no longer with us roamed the Earth. These animals are regarded as “Pleistocene megafauna,” named for the geological era in which they lived—also known as the Ice Age. In Vanished Giants: The Lost World of the Ice Age, paleontologist Anthony J. Stuart explores the lives and environments of these animals, moving between six continents and several key islands. Stuart examines the animals themselves via what we’ve learned from fossil remains, and he describes the landscapes, climates, vegetation, ecological interactions, and other aspects of the animals’ existence. Illustrated throughout, Vanished Giants also offers a picture of the world as it was tens of thousands of years ago when these giants still existed. Unlike the case of the dinosaurs, there was no asteroid strike to blame for the end of their world. Instead, it appears that the giants of the Ice Age were driven to extinction by climate change, human activities—especially hunting—or both. Drawing on the latest evidence provided by radiocarbon dating, Stuart discusses these possibilities. The extinction of Ice Age megafauna can be seen as the beginning of the so-called Sixth Extinction, which is happening right now. This has important implications for understanding the likely fate of present-day animals in the face of contemporary climate change and vastly increasing human populations.
This is the first biography about Anna May Wong, an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. This multi-faceted tale takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures--films that led to her international fame. It is also an examination into the scope of race, gender, and power and their impact on her personal growth as a Chinese American.
The New Historical Dictionary of the American Film Industry is a completely revised and updated edition of Anthony Slide's The American Film Industry, originally published in 1986 and recipient of the American Library Association's Outstanding Reference Book award for that year. More than 200 new entries have been added, and all original entries have been updated; each entry is followed by a short bibliography. As its predecessor, the new dictionary is unique in that it is not a who's who of the industry, but rather a what's what: a dictionary of producing and releasing companies, technical innovations, industry terms, studios, genres, color systems, institutions and organizations, etc. More than 800 entries include everything from Academy of Motion Pictures Arts and Sciences to Zoom Lens, from Astoria Studios to Zoetrope. Outstanding Reference Source - American Library Association
First published in 1974, Concepts in Social Administration draws on a wide range of theoretical disciplines to examine a number of concepts which are basic to the study of the social services individually and as a whole. The topics discussed are of vital importance to students of social administration and include the relationship between welfare capitalism and the social services, the definition of need, the distribution of resources, professionalism and the structure of the social services, and the question of consumer influence and the balance of power in the provision social services. Designed especially for teachers and students of social administration, this is a lucid exploration of the philosophy and concepts which are relevant to the discipline of social administration. It offers a framework for the subject which transcends the study of individual services on which most of the literature is based.
Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.
The anti-Communist hysteria that began in the 1930s was further empowered in 1938 when the House of Representatives established the House Committee on UnAmerican Activities. Soon thereafter, the creation of the blacklist in the late 1940s brought the Hollywood film and television community into the fold. Provocatively capturing the controversy and sentiments surrounding this period of political imbalance, Actors on Red Alert explores the repercussions of the blacklist through career interviews with five prominent actors and actresses.
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture. Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style. This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.
Musaicum Books presents to you this carefully created volume of "The History of the Women's Suffrage: The Origin of the Movement (Illustrated Edition)". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. This edition covers the history of the suffragist movement from its beginnings to 1885. It was written and edited by Elizabeth Cady Stanton, Susan B. Anthony and Matilda Joslyn Gage. Anthony had for years saved letters, newspapers clippings, and similar materials of historical value to the women's suffrage movement. Therefore, in addition to chronicling the movement's activities, this 3 volumes include reminiscences of movement leaders and analyses of the historical causes of the condition of women. They also contain a variety of primary materials, including letters, newspaper clippings, speeches, court transcripts and decisions, and conference reports. Volume 3 includes essays by local women's rights activists who provided details about the history of the movement at the state level. Elizabeth Cady Stanton (1815–1902) was an American suffragist, social activist, abolitionist and leading figure of the early women's rights movement. Susan B. Anthony (1820–1906) was an American suffragist, social reformer and women's rights activist. Born into a Quaker family she became the New York state agent for the American Anti-Slavery Society. Anthony was also a close friend and confidant of Elizabeth Stanton. Harriot Stanton Blatch (1856-1940) was a suffragist and daughter of Stanton who contributed a chapter on the brief history of AWSA (American Woman Suffrage Association) Matilda Gage (1826–1898) was a suffragist, a Native American rights activist, an abolitionist and a freethinker.
To reflect the development and history of education in Hong Kong, the author has collected a wide range of fascinating and illuminating material from different sources, and, wherever appropriate, has included his own commentaries. The book will be a valuable source of reference for educationalists and others who are interested in the development of education in Hong Kong.
This book investigates these assumptions by systematically exploring the relationship between participation in international exhibitions, the state of the economy, and the issue of technical education from a British perspective between 1850 and 1910.
Experience the American feminism in its core. Learn about the decades long fight, about the endurance and the strength needed to continue the battle against persistent indifference and injustice. Go back in time and get to know the founders and the followers, the characters of all the strong women involved in the movement. Find out what was the spark which started it all and kept the flame going. Learn about the organization, witness the backdoor conversations and discussions, read their personal correspondence, speeches and planned tactics. Learn about the relationship between great activists and what caused the fraction. See the movement in its full light and learn what it took to obtain most basic civil rights. Know your history and learn how to continue the fight. Elizabeth Cady Stanton (1815–1902) was an American suffragist, social activist, abolitionist, and leading figure of the early women's rights movement. Susan B. Anthony (1820–1906) was an American suffragist, social reformer and women's rights activist. Harriot Stanton Blatch (1856-1940) was a suffragist and daughter of Elizabeth Stanton. Matilda Gage (1826–1898) was a suffragist, a Native American rights activist and an abolitionist. Ida H. Harper (1851–1931) was a prominent figure in the United States women's suffrage movement. She was an American author, journalist and biographer of Susan B. Anthony.
American women who contributed their talents to the silent film industry are still largely unrecognized, in spite of their great influence. This book, with a new foreword by the author, details the lives and careers of America’s first women directors, unveiling the history of those who helped pave the way for females in the film industry today.
A Special Relationship provides not only a historical overview of the British in Hollywood, but also a detailed study of the contributions made by American individuals and companies to British cinema from the beginning of the twentieth century onwards. The story begins with Ohio-born Charles Urban who came to London in 1898 and deserves credit for major involvement in the creation of a British film industry. While Ireland was still a part of Britain, the New York-based Kalem Company made films there from 1910 to 1913. British producers realized the importance of American stars, and many actors, beginning with Florence Turner (who was arguably also the first American star), made numerous British films. In the 1920s, such Hollywood stars as Mae Marsh, Betty Blythe, and Dorothy Gish remained active in Britain. In the 1930s, as their careers came to a halt, more than one hundred former American stars made the trip to England, partly as a vacation and partly in the hope of reenergizing their careers. Chapters discuss American cinematographers at work in Britain in the 1920s and 1930s and the introduction of Technicolor to British films. Diversity is represented by African American performers (most notably Paul Robeson), the Chinese American star Anna May Wong, along with female filmmakers from Hollywood. With Britain's declaration of war on Germany, there were Americans who stayed, such as Bebe Daniels and Ben Lyon, contributing to the war effort. America became actively involved in British cinema after World War II, with many Hollywood studios producing films there. As the years progressed, the British film industry became an international film industry. The book concludes with the Harry Potter and James Bond series, indicative of a new international cinema, with financing and behind-the-camera talent coming from the United States, but with British locales and British stars.
From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era's shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood's most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.
As the most prestigious name in American boatbuilders, the Chris-Craft is a lovingly crafted vessel with wood hulls, swank chrome and brawny motors. Color photos take a look at the history and details of this beloved boat. 100 photos.
A Commentary on the Book of Revelation - Volume 2 The author presents a detailed study of the Book of Revelation emphasizing prophetic themes from the rest of the Bible which find their fulfillment in Revelation. To understand this controversial book, the author explores the many connections between the visions seen by the Apostle John and previous prophetic revelation given to Old Testament prophets such as Daniel, Ezekiel, and others. It is the author's conviction that an understanding of related passages elsewhere in the Bible is the most important key to unlocking the bewildering variety of interpretations which often accompany the study of the last book of the Bible. The commentary is linked to a free companion internet course providing an additional 70 hours of audio instruction linked to almost 1,000 slides.
200 striking photographs, in-depth commentaries, plot synposes, contemporary reviews, and more — about 50 British classics from yesterday and today. Preface. Text. Alphabetical list of films. Bibliography.
A Commentary on the Book of Revelation - Volume 2 The author presents a detailed study of the Book of Revelation emphasizing prophetic themes from the rest of the Bible which find their fulfillment in Revelation. To understand this controversial book, the author explores the many connections between the visions seen by the Apostle John and previous prophetic revelation given to Old Testament prophets such as Daniel, Ezekiel, and others. It is the author's conviction that an understanding of related passages elsewhere in the Bible is the most important key to unlocking the bewildering variety of interpretations which often accompany the study of the last book of the Bible. The commentary can be used in conjunction with a free companion internet course providing an additional 70 hours of audio instruction linked to almost 1,000 slides.
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