The Prisoner of Zenda - Anthony Hope - The Prisoner of Zenda (1894), by Anthony Hope, is an adventure novel in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania who resembles the monarch is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum. The name of the villain in The Prisoner of Zenda, Rupert of Hentzau, is the title of the sequel novel, Rupert of Hentzau (1898), published four years later and included in some editions of The Prisoner of Zenda. The popularity of the novels inspired the Ruritanian romance genre of literature, film, and theatre that features stories set in a fictional country, usually in Central Europe and Eastern Europe, such as Ruritania, the Central European realm that named the genre, Graustark from the novels by George Barr McCutcheon, and the neighbouring countries Syldavia and Borduria in the Tintin comics.
Five times made into film versions since its original publication in 1894, The Prisoner of Zenda is a perennially popular adventure and romance story. Hope's swashbuckling romance transports his English gentleman hero, Rudolf Rassendyll, from a comfortable life in London to fast-paced adventures in Ruritania, a mythical land steeped in political intrigue. Rassendyll must impersonate the rightful king in order to rescue him from the castle Zenda, all the while facing tests of honor with the beautiful Princess Flavia, and enduring tests of strength in his encounters with the villainous Black Michael and his handsome, debonair bodyguard, Rupert of Hentzau.
Sir Anthony Hope Hawkins, better known as Anthony Hope (9 February 1863 - 8 July 1933), was an English novelist and playwright.He was a prolific writer, especially of adventure novels but he is remembered best for only two books: The Prisoner of Zenda (1894) and its sequel Rupert of Hentzau (1898). These works, "minor classics" of English literature, are set in the contemporaneous fictional country of Ruritania and spawned the genre known as Ruritanian romance. Zenda has inspired many adaptations, most notably the 1937 Hollywood movie of the same name. CONTENTS "Anthony Hope" A Mission to the Heathen The New Man at Littlehill Denborough Determines to Call A Quiet Sunday Afternoon The Necessary Scapegoat Littlehill Goes into Society "To a Pretty Saint" An Indiscreet Disciple Dale's Own Opinion A Prejudiced Verdict A Fable About Birds A Dedication-and a Desecration The Responsibilities of Genius Mr. Delane Likes the Idea How it Seemed to the Doctor "No More Kings" Dale Tries His Hand at an Ode Delilah Johnstone A Well-Paid Poem An Evening's End "The Other Girl Did" The Fitness of Things A Morbid Scruple The Heroine of the Incident The Scene of the Outrage Against Her Better Judgment A Villain Unmasked A Vision
British novelist Anthony Hope -- actually a pseudunym for Sir Anthony Hope Hawkins -- was best-known for "The Prisoner of Zenda," the collection of short stories that serce as its prequel, "The Heart of Princess Osra," and a sequel entitled "Rupert of Hentzau." These works were all set in the fictional kingdom of Ruritania. His first novel was "A Man of Mark," and one of his most well-known works during his lifetime was "The Dolly Dialogues," published in the Westminster Gazette. Trained as a lawyer, he practiced as a barrister, turning to fill-time writeg after the success of Zenda. He was knighted in recognition of his contribution to British propaganda efforts during World War I. "Tristram of Blent" is a departure from Hope's normal adventure story. Subtitled "An Episode in the Story of an Ancient House," the protagonist is a man who throughout boyhood thinks of nothing but owning the House of Blent. This desire is beset on every side by family entanglements and complications, and provides Hope with the opportinity for a lively character study.
Tarzan of the Apes Edgar Rice Burroughs With an Introduction by Gore Vidal Set amid the vibrant colors and sounds of the African jungle, this classic work has beckoned generations of readers toward a glorious journey of pure adventure. This is the story of the ape-man Tarzan, raised in the wild, and how he learns the secrets of the jungle to survive. When his paradise is invaded by white men, Tarzan’s life changes. Speaking directly to our childhood fantasies, Tarzan of the Apes takes us to that faraway place in our minds where dreams prevail—and where we too can be masters of our environment. The Prisoner of Zenda Anthony Hope With an Introduction by Justin Kaplan A perilous impersonation, a forbidden romance, a bold rescue, and a battle to the death against a malevolent foe in his ancient lair—these form the key elements in one of the greatest and most irresistible novels of adventure ever written. In the mythical kingdom of Ruritania, Rudolf Rassendyll is called upon to impersonate the abducted heir to the throne—and he soon finds himself engaged to a beautiful princess whom he can love only while living a lie. Between its vivid emotion and unflagging action, The Prisoner of Zenda is the ultimate reading experience for those who seek to escape into a world of danger, daring, and noble deeds.
Possession" or "Phroso" is a 1922 British-French silent drama film based on the 1897 novel. It was directed by Louis Mercanton and starring Malvina Longfellow, Reginald Owen and Max Maxudian.
In accordance with many most excellent precedents, I might begin by claiming the sympathy due to an orphan alone in the world. I might even summon my unguided childhood and the absence of parental training to excuse my faults and extenuate my indiscretion
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Sandro Quisante has stirred comment among the gentile and proper -- for while he seems a bit ill-mannered and erratic, and certainly not wealthy of appearance, he has gained his toehold in the hallways of the mighty through the aid of Sir Richard Benyon -- for reasons inexplicable even to Lady Richard. And now he has gone wooing a woman decidedly above his standing, to her disgust. As it happens, it is her friend May who receives the tentative, even clumsy attentions from the slender young man. The widowed Lady Attlebridge's slenderly dowered daughter, May does have a much more qualified suitor, Weston Marchmont -- who everyone thinks would be a superb match, being well above the ordinary run, well-educated and possessed with ample wealth and every prospect of a high career. Yet a feeling stirs within May -- something almost like a sense of adventure unfulfilled by her everyday life -- that makes her not quite turn away when Quisante comes to call. Sir Anthony Hope Hawkins (1863-1933), writing under the name of Anthony Hope, gained fame with "The Prisoner of Zenda" and other novels of an England well behind us but not forgotten.
Frivolous Cupid" by Anthony Hope is a delightful romantic comedy that epitomizes English literature's wit and satire. Set in the Victorian era, Hope's humorous fiction intertwines love stories with mischief and matchmaking, creating a charming narrative that captivates readers with its British humor. Through the lens of aristocratic society, Hope satirizes the conventions and pretensions of the time, offering a social commentary laced with wit and intrigue. "Frivolous Cupid" explores the absurdities of love and courtship in the upper echelons of society, where matchmaking schemes and romantic entanglements abound. At its heart, the novel is a love story that navigates the complexities of relationships amidst the backdrop of Victorian societal norms. With its clever dialogue and sharp observations, "Frivolous Cupid" showcases Anthony Hope's mastery of satire and his ability to entertain readers with his astute portrayal of human folly. Overall, "Frivolous Cupid" stands as a testament to Hope's talent for blending romance and humor, making it a timeless classic of English literature that continues to charm audiences with its wit and whimsy.
This adventure novel tells the story of Rudolf Rassendyll, younger brother of the Earl of Burlesdon and a distant cousin of Rudolf V, the new King of Ruritania. King Rudolf is a hard-drinking, feckless playboy, unpopular with the common people, but supported by the aristocracy. When Rudolf is abducted and imprisoned on the order of the Duke of Streslau, Rassendyll has to impersonate the King at his coronation. There are various plots and counter-plots, with the schemings of the Duke's mistress Antoinette de Mauban, and of the villainous henchman Rupert of Hentzau, complicated by Rassendyll's romance with Princess Flavia, the King's betrothed.
he Prisoner of Zenda (1894), by Anthony Hope, is an adventure novel in which the King of Ruritania is drugged on the eve of his coronation and thus is unable to attend the ceremony. Political forces within the realm are such that, in order for the king to retain the crown, his coronation must proceed. Fortuitously, an English gentleman on holiday in Ruritania who resembles the monarch is persuaded to act as his political decoy in an effort to save the unstable political situation of the interregnum.The name of the villain in The Prisoner of Zenda, Rupert of Hentzau, is the title of the sequel novel, Rupert of Hentzau (1898), published four years later and included in some editions of The Prisoner of Zenda. The popularity of the novels inspired the Ruritanian romance genre of literature, film, and theatre that features stories set in a fictional country, usually in Central Europe and Eastern Europe, such as Ruritania, the Central European realm that named the genre, Graustark from the novels by George Barr McCutcheon, and the neighbouring countries Syldavia and Borduria in the Tintin comics.
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