This rivetting mystery comedy will keep audiences guessing as they go on location to an isolated island off the Gulf coast to watch power hungry producer director Hamilton Orr lure his timid screenwriter Clark into a scheme to get rid of the insufferable star of their multi million dollar film. The plot hinges on the rehearsal of a suicide scene and the only witness to the murder is Hamilton's wife Barbara, the film's quirky publicist and Clark's former lover. The wily, eccentric sheriff unearths one surprise after another until the final stunning revelation.
Una secuela brillante y deliciosa de una de las obras maestras de la literatura. El extraño caso del Dr. Jekyl y Mr. Hyde continúa... Siete años después de la muerte de Edward Hyde, un elegante caballero aparece por las calles de Londres reclamando que es el Dr. Henry Jekyll. Tan solo el Sr. Utterson, abogado y confidente del Dr. Jekyll sabe que es un impostor, porque Jekyll era Hyde. Pero mientras este misterioso hombre se va relacionando con la alta sociedad londinense, y va reclamando sus bienes, los cuerpos de sus posibles enemigos van desapareciendo, Utterson comienza a temer por su vida y a cuestionarse su propia cordura. Una secuela brillante y deliciosa de una de las obras maestras de la literatura que cumple a la perfección como complemento a la historia original que lidiaba con aspectos sobre la dualidad del ser humano, mientras que es esta secuela el autor ahonda en el audaz robo de la identidad. ¿Puede ser que este hombre que parece y actúa tan parecido al Dr. Henry Jekyll sea un realidad un impostor? La crítica ha dicho... «Anthony O'Neill realiza su más sincero homenaje a Stevenson. Todo emana esa esencia del original. Aunque en esta ocasión, la propuesta de O'Neill se aleja del terror gótico y profundiza en la intriga. Francamente, debería ser una lectura obligada.» Edición original
Conceived and developed by Adelina Anthony, Dino Foxx and Lorenzo Herrera y Lozano, Tragic Bitches documents the process and poetry of three queer Xicana/o artists seeking to revel and heal in the darkest and most vulnerable spaces of love, desire and loss.
Leaders of the Mexican American Generation explores the lives of a wide range of influential members of the US Mexican American community between 1920 and 1965 who paved the way for major changes in their social, political, and economic status within the United States. Including feminist Alice Dickerson Montemayor, San Antonio attorney Gus García, civil rights activist and scholar Ernesto Galarza, the subjects of these biographies include some of the most prominent idealists and actors of the time. Whether debating in a court of law, writing for a major newspaper, producing reports for governmental agencies, organizing workers, holding public office, or otherwise shaping space for the Mexican American identity in the United States, these subjects embody the core values and diversity of their generation. More than a chronicle of personalities who left their mark on Mexican American history, Leaders of the Mexican American Generation cements this community as a major player in the history of activism and civil rights in the United States. It is a rich collection of historical biographies that will enlighten and enliven our understanding of Mexican American history.
This collection presents a rich, multidisciplinary inquiry into the role of religion in the Mexican American community. Breaking new ground by analyzing the influence of religion on Mexican American literature, art, activism, and popular culture, it makes the case for the establishment of Mexican American religious studies as a distinct, recognized field of scholarly inquiry. Scholars of religion, Latin American, and Chicano/a studies as well as of sociology, anthropology, and literary and performance studies, address several broad themes. Taking on questions of history and interpretation, they examine the origins of Mexican American religious studies and Mario Barrera’s theory of internal colonialism. In discussions of the utopian community founded by the preacher and activist Reies López Tijerina, César Chávez’s faith-based activism, and the Los Angeles-based Católicos Por La Raza movement of the late 1960s, other contributors focus on mystics and prophets. Still others illuminate popular Catholicism by looking at Our Lady of Guadalupe, home altars, and Los Pastores dramas (nativity plays) as vehicles for personal, social, and political empowerment. Turning to literature, contributors consider Gloria Anzaldúa’s view of the borderlands as a mystic vision and the ways that Chicana writers invoke religious symbols and rhetoric to articulate a moral vision highlighting social injustice. They investigate the role of healing, looking at it in relation to both the Latino Pentecostal movement and the practice of the curanderismo tradition in East Los Angeles. Delving into to popular culture, they reflect on Luis Valdez’s video drama La Pastorela: “The Shepherds’ Play,” the spirituality of Chicana art, and the religious overtones of the reverence for the slain Tejana music star Selena. This volume signals the vibrancy and diversity of the practices, arts, traditions, and spiritualities that reflect and inform Mexican American religion. Contributors: Rudy V. Busto, Davíd Carrasco, Socorro Castañeda-Liles, Gastón Espinosa, Richard R. Flores, Mario T. García, María Herrera-Sobek, Luís D. León, Ellen McCracken, Stephen R. Lloyd-Moffett, Laura E. Pérez, Roberto Lint Saragena, Anthony M. Stevens-Arroyo, Kay Turner
As he lay bleeding in a Vietnamese rice paddy, his right arm shredded by shrapnel, artist Jesse Treviño realized that he wanted to honor and preserve his family and his cultural heritage through his artwork. After receiving a Purple Heart and undergoing two years of rehabilitative therapy and the amputation of his right forearm—including his painting hand—Treviño enrolled in San Antonio College, determined to learn how to draw and paint with his left hand. In 1974 he produced the impressive La Historia Chicana, a one hundred-foot-long work embracing six centuries of Mexican American heritage now on display inside the Sueltenfuss Library at Our Lady of the Lake University in San Antonio. Since then, Treviño has completed many more paintings and public artworks, including Spirit of Healing, the nine-story hand-cut tile mosaic that graces Christus Santa Rosa Children’s Hospital in downtown San Antonio. His work has been collected by the Smithsonian American Art Museum, the Lyndon Baines Johnson Library and Museum, and the San Antonio Museum of Art. Anthony Head’s sensitive and elegant biography now offers readers an intimate view of the artist’s life. Head captures Treviño’s determination, artistic vision, and the deep pride in his Chicano heritage that he transmits to the world through his creations. Spirit: The Life and Art of Jesse Treviño promises to engage and inspire readers with its vivid portrayal of this triumph of art and the human spirit.
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