In many respects the present volume differs from the most of those which have been issued by the Society; there is in it very little history, as commonly understood. The author, it is true, lived in a stirring time, and was himself an actor in some of the incidents which have shed a glory on our naval records; but his account of these is meagre and of little importance. The interest which attaches to his ‘Recollections’ is entirely personal and social; we have in them sketches roughly drawn, crude, inartistic, and perhaps on that account the more valuable, of the life of the time; of the men who were his companions in the berth, or the gunroom or the wardroom; on deck, in sport or in earnest. In all this, there is perhaps little that we did not know before in an otiose sort of way. We knew that the men of the time were often coarse in speech, rude in action; but it may be that the reality, as portrayed by Commander Gardner, exceeds anything that we had imagined. It seems to carry us back to the days of Roderick Random, and to suggest that there had been but small improvement since Smollett wrote his celebrated description. A closer examination will correct this impression; will convince us that there had, on the contrary, been a good deal of improvement; that the life was less hard, the manners less rude; and if the language does not show very much difference, it has to be considered that Smollett was writing for the public and Gardner was not; that Smollett’s dialogues are more or less literary, and Gardner’s are, for the most part, in the vernacular. Occasionally, indeed, the language has been modified, or its undue strength merely indicated by a ——; but where oaths and expletives formed such a large part of the conversational currency between intimates; when ‘son of a bitch’ was the usual equivalent of the modern ‘chappie’ or ‘Johnnie’ or ‘rotter’; when ‘damned’ was everywhere recognised as a most ordinary intensitive, and ‘damn your eyes’ meant simply ‘buck up,’ it has been felt that entirely to bowdlerise the narrative would be to present our readers with a very imperfect picture of the life of the day. Independent of the language, the most striking feature of the portraits is the universal drunkenness. It is mentioned as a thing too common to be considered a fault, though—if carried to excess—an amiable weakness, which no decent commanding officer would take serious notice of. Looking down the lists of old shipmates and messmates, the eye is necessarily caught by the frequency of such entries as ‘too fond of grog,’ ‘did not dislike grog,’ ‘passionately fond of grog,’ ‘a drunken Hun,’ a term of reprobation as a bully, rather than as a drunkard, ‘fond of gin grog,’ ‘mad from drink,’ ‘insane from drink,’ and so on, passim. For the officer of the watch to be drunk scarcely called for comment; it was only when, in addition to being drunk, he turned the captain out at midnight to save the ship, that he narrowly escaped being brought to a court martial; ‘but we interceded for him, and the business was looked over’ (p. 217).
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Lee and Young have admirably elucidated this foundational volume in the history of American photography by developing references that emerge from prior readings of these images, as well as thoughtfully producing new ways of seeing the landscapes Gardner presents. The book makes available to a wide audience one of the most important photographic records of any war and certainly the most interesting visual record of the American Civil War. This is superior scholarship."—Shirley Samuels, author of Facing America: Iconography and the Civil War "Anthony Lee and Elizabeth Young's deceptively slim volume is a complex, enlightening, and elegant study of a significant Civil War-era document that also greatly enhances our understanding of nineteenth-century visual culture. The analysis and format of this collaborative effort will serve as a model for cultural scholarship for years to come."—Joshua Brown, author of Beyond the Lines: Pictorial Reporting, Everyday Life, and the Crisis of Gilded Age America "In this beautifully written analysis of one of the most important works of nineteenth-century American photography, Lee and Young restore Gardner's Sketch Book to its rightful place as a key document of American history. At once a report of a newsworthy event and a meditation on its historical meaning, Gardner's album is less unmediated reportage than a carefully constructed argument. In clear, lucid prose, Lee and Young help us understand just how Gardner made this work that helped fix the Civil War in American memory."—Martha A. Sandweiss, author of Print the Legend: Photography and the American West
For sixty years, the United States has supported European integration on a bipartisan basis—not only because this has served European interests, but because it has promoted American interests as well. As core partners in transatlantic efforts to address regional and global economic, political and security challenges, the US and the EU have collaborated critically over the years to make the world a less turbulent place. That is, until the 2016 election of Donald J. Trump. In this era of Brexit and President Trump’s incendiary rhetoric regarding Europe, it has never been more important to understand and defend the EU as a significant and valuable American ally. Written by President Barack Obama’s Ambassador to the European Union, Stars with Stripes provides an analytic yet accessible look at how the US and the EU have worked together effectively on numerous core issues such as trade, the digital economy, climate change and more. In blending humor, personal experience, references to popular culture, and incisive analyses of the major issues and players in the diplomatic relationship between the US and the EU, former Ambassador Anthony Luzzatto Gardner tells an illuminating story of this essential partnership, and provides an exclusive insider look at US/EU diplomacy as well as the Brussels political scene.
A child is born to a single mother. His feckless father has vanished, leaving the mother to cope as best she can, watched over by a kindly Jamaican. A country cottage is visited by a young photographer, whose happiest days of childhood were spent there; he longs to live in it again but first must negotiate the duplicities of adult and professional politics. Intimations of immortality, nostalgia and dreams of excape to a reggae or post-hippy lifestyle permeate these interwoven histories. A vivid London of the day-before-yesterday is evoked against apprehensions of a more ideal form of existence.
Renowned for her screen performances, down-to-earth personality, and love affair with Frank Sinatra, Ava Gardner left an indelible mark on Hollywood history. Her adventurous life story is told through authoritative text and hundreds of photos in Ava: A Life in Movies. Ava is an illustrated tribute to a legendary life. Authors Kendra Bean and Anthony Uzarowski take a closer look at the Academy Award-nominated actress's life and famous screen roles. They also shed new light on the creation and maintenance of her glamorous image, her marriages, and friendships with famous figures such as Ernest Hemingway, John Huston, and Tennessee Williams. From the backwoods of Grabtown, North Carolina to the bullfighting rings of Spain, from the MGM backlot to the Rome of La Dolce Vita, this lavishly illustrated biography takes readers on the exciting journey of a life lived to the fullest and through four decades of film history with an iconic star.
Lee and Young have admirably elucidated this foundational volume in the history of American photography by developing references that emerge from prior readings of these images, as well as thoughtfully producing new ways of seeing the landscapes Gardner presents. The book makes available to a wide audience one of the most important photographic records of any war and certainly the most interesting visual record of the American Civil War. This is superior scholarship."—Shirley Samuels, author of Facing America: Iconography and the Civil War "Anthony Lee and Elizabeth Young's deceptively slim volume is a complex, enlightening, and elegant study of a significant Civil War-era document that also greatly enhances our understanding of nineteenth-century visual culture. The analysis and format of this collaborative effort will serve as a model for cultural scholarship for years to come."—Joshua Brown, author of Beyond the Lines: Pictorial Reporting, Everyday Life, and the Crisis of Gilded Age America "In this beautifully written analysis of one of the most important works of nineteenth-century American photography, Lee and Young restore Gardner's Sketch Book to its rightful place as a key document of American history. At once a report of a newsworthy event and a meditation on its historical meaning, Gardner's album is less unmediated reportage than a carefully constructed argument. In clear, lucid prose, Lee and Young help us understand just how Gardner made this work that helped fix the Civil War in American memory."—Martha A. Sandweiss, author of Print the Legend: Photography and the American West
To what extent can music be employed to shape one culture's understanding of another? In the American imagination, Japan has represented the "most alien" nation for over 150 years. This perceived difference has inspired fantasies--of both desire and repulsion--through which Japanese culture has profoundly impacted the arts and industry of the U.S. While the influence of Japan on American and European painting, architecture, design, theater, and literature has been celebrated in numerous books and exhibitions, the role of music has been virtually ignored until now. W. Anthony Sheppard's Extreme Exoticism offers a detailed documentation and wide-ranging investigation of music's role in shaping American perceptions of the Japanese, the influence of Japanese music on American composers, and the place of Japanese Americans in American musical life. Presenting numerous American encounters with and representations of Japanese music and Japan, this book reveals how music functions in exotic representation across a variety of genres and media, and how Japanese music has at various times served as a sign of modernist experimentation, a sounding board for defining American music, and a tool for reshaping conceptions of race and gender. From the Tin Pan Alley songs of the Russo-Japanese war period to Weezer's Pinkerton album, music has continued to inscribe Japan as the land of extreme exoticism.
Packed with revelations, this is the first complete account of a career built on raw talent, sheer willpower--and criminal connections. Anthony Summers--bestselling author of Goddess: The Secret Lives of Marilyn Monroe--and Robbyn Swan unveil stunning new information about Sinatra’s links to the Mafia, his crowded love life and his tangled relationships with U.S. presidents. Exclusive breakthroughs include the discovery of how the Mafia connection began--in a remote Sicilian village--and moving interviews with his lovers. Never-before-published conversations with Ava Gardner get to the core of the tragic passion that dominated his life, came close to destroying him, and made his best work heartbreakingly personal. Sinatra delivers the full life story of a complex, flawed genius.
Hollywood's Masters of Illusion and F/X Cinema is illusion, and the 12 masters of magic to be found in this book are the best to be found in Hollywood. The films featured include: Terminator Two, Aliens, Living Dead, Hellraiser, Jurassic Park, The Fly, The Exorcist and many more. Ideal interested in learning the craft of movie make-up or for film buffs who want to know how its all done. Foreword by Clive Barker.
This book offers a unique and fascinating investigation into the lives and careers of the British in eighteenth-century Russia and, more specifically, into the development of a vibrant British community in St Petersburg during the city's first century of existence as the new capital of an ever-expanding Russian empire. Based on an extremely wide use of primary sources, particularly archival, from Britain and Russia, the book concentrates on the activities of the British within various fields such as commerce, the navy, the medical profession, science and technology and the arts, and ends with a broad survey of travellers and of travel accounts, many of them completely unknown. Also included are many attractive and unusual illustrations which help demonstrate the variety and character of Russia's British community.
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
A new examination of a classic Christian text begins with the Greek text of the Corinthians and outlines the most important theological, ethical, and socio-historical issues surrounding this seminal book.
This book attempts to explain the functioning of the combinatorial, semi-mechanical demonstrative techniques of Ramon Llull's 'Art', how it began as an apologetic instrument, how it developed through two main stages, and how it ended trying to reformulate key aspects of medieval Aristotelian logic.
On the edge, all things are possible... From Stranded, by Anthony Francis She crested a ridge overlooking the wreck--and froze, bewitched. Climbing from the ship were the most beautiful people she'd ever seen. They wore armored spacesuits, patched in a thousand places, and painted to look like animals. Helmets folded back revealed inner pressure suits decorated too: one girl in a leopard outersuit had a snakeskin helm, adorned with feathers, over skin painted a pale blue. Serendipity gasped. These were adventurers. The gravity was clearly punishing their slender frames, but they kept going, crawling out of the smoking ship from every hatch, rappelling down on spacelines, tools jangling on their belts when their boots touched the broken earth. Not one of them looked a day over sixteen. That should have meant nothing--her grandmother didn't look a day over sixteen--but as fractured shale dislodged by her slogs crackled down the slope, they turned and stared at her with youthful shock. They had none of the smug poise of ancient souls newly young. What Serendipity saw instead, and felt keenly, was fear. Her gut churned. The boys were armed with projectile automatics. ? Three Great Authors--Three Great Science Fiction Stories A Strand In The Web New York Times Bestselling Fantasy Author Anne Bishop makes her U.S. debut in Science Fiction with this engaging futuristic novella. The Restorers travel the universe fulfilling a purpose handed down through the generations. They live and die aboard city-ships, never knowing the worlds they create and save. What begins as a disastrous training exercise in creating and balancing ecosystems becomes an unexpected fight for survival. The only hope may be the secret project of an untried Restorer team. A Host Of Leeches Award winning author James Alan Gardner pens a wonderfully imaginative tale, in which a young woman wakes to find herself the sole human on an orbiting, mechanical space station. To find a way home, she must navigate the dangerous politics of war between opposing robot leaders. Stranded Popular urban fantasy writer Anthony Francis (Dakota Frost, Skindancer series) explores the clash of ethics and survival when a young, genetically engineered centauress from the ultra-advanced Alliance lays claim to a rare, strategic garden planet, only to find herself captured by a band of rag-tag Frontier refugees who've crashed their vintage ship on her unexpectedly hostile world. On the edge, all things are possible... From Stranded, by Anthony Francis She crested a ridge overlooking the wreck--and froze, bewitched. Climbing from the ship were the most beautiful people she'd ever seen. They wore armored spacesuits, patched in a thousand places, and painted to look like animals. Helmets folded back revealed inner pressure suits decorated too: one girl in a leopard outersuit had a snakeskin helm, adorned with feathers, over skin painted a pale blue. Serendipity gasped. These were adventurers. The gravity was clearly punishing their slender frames, but they kept going, crawling out of the smoking ship from every hatch, rappelling down on spacelines, tools jangling on their belts when their boots touched the broken earth. Not one of them looked a day over sixteen. That should have meant nothing--her grandmother didn't look a day over sixteen--but as fractured shale dislodged by her slogs crackled down the slope, they turned and stared at her with youthful shock. They had none of the smug poise of ancient souls newly young. What Serendipity saw instead, and felt keenly, was fear. Her gut churned. The boys were armed with projectile automatics. ?
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