In this thought-provoking new book, Anthony Smith analyses key debates between historians and social scientists on the role of nations and nationalism in history. In a wide-ranging analysis of the work of historians, sociologists, political scientists and others, he argues that there are three key issues which have shaped debates in this field: first, the nature and origin of nations and nationalism; second, the antiquity or modernity of nations and nationalism; and third, the role of nations and nationalism in historical, and especially recent, social change. Anthony Smith provides an incisive critique of the debate between modernists, perennialists and primordialists over the origins, development and contemporary significance of nations and nationalism. Drawing on a wide range of examples from antiquity and the medieval epoch, as well as the modern world, he develops a distinctive ethnosymbolic account of nations and nationalism. This important book by one of the world's leading authorities on nationalism and ethnicity will be of particular interest to students and scholars in history, sociology and politics.
I have nothing to look forward to. Eighteen years old and every vision I've ever had, every memory of the future; they've nearly all become real memories now. What you would call the past." Ezekiel, eighteen and clairvoyant, knows the end is coming. He's been expecting it for years. But with mere weeks to go, he may have finally met his savior. Her name is Mona, and she filled his visions long before she walked into his life. The question is — why? ,
In 1915, British moviegoers voted Fred Evans second only to Charles Chaplin as their favorite film comedian. Appearing as the roguish and anarchic "Pimple," Fred made 200 silent movies between 1910 and 1922, running amok in frantic chases and sending-up current events and fashions. With a rich family heritage in pantomime and music hall, Evans introduced a satirical approach to filmmaking, frequently lampooning the recently introduced feature films. Pimple's burlesques deflated the seriousness of such productions, providing subversive support for audiences adjusting to the the new form. But continual mockery of themes, acting styles and film techniques did not endear him to all. Changing public tastes and industry disapproval eventually resulted in an end to Evans' screen appearances and a return to the stage. As Evans has been almost entirely sidelined by film historians, this is the first book-length biography of him. It places Evans not only in a film context but within the wider entertainment and social perspectives of his time. Amongst topics discussed are the beginnings of the star system, war propaganda, the growth of film fandom and concerns about the influence of cinema on children.
Focusing on national identity in the Netherlands, France, and Britian, The Nation Made Real offers an original interpretation of the role of visual art in the making of nations in Western Europe.
Modern scholarship has effectively demonstrated that, far from being a knee-jerk reaction to the challenges of Protestantism, the Catholic Reformation of the sixteenth and seventeenth centuries was fuelled primarily by a desire within the Church to reform its medieval legacy and to re-enthuse its institutions with a sense of religious zeal. In many ways, both the Protestant and Catholic Reformations were inspired by the same humanist ideals and though ultimately expressed in different ways, the origins of both movements can be traced back to the patristic revival of the fifteenth and sixteenth centuries. Nevertheless, it is undeniable that many contemporaries, and subsequent historians, came to view the Catholic Reformation as an attempt to challenge the Protestants and to cut the ground from beneath their feet. In this new revised edition of Dr Wright's groundbreaking study of the Counter-Reformation, the wide panoply of the Catholic Reformation is spread out and analysed within the political, religious, philosophical, scientific and cultural context of late medieval and early modern Europe. In so doing, this book provides a fascinating guide to the many doctrinal and interrelated social issues involved in the wholesale restructuring of religion that took place both within Western Europe and overseas.
The first major study in over three decades to explore the essential arguments of all the major theoretical interpretations of nationalism, from the modernist approaches of Gellner, Nairn, Breuilly, Giddens and Hobsbawm to the alternative paradigms of van den Bergh and Geertz, Armstrong and Smith himself. In a style accessible to the student and the general reader Smith traces the changing view of this hotly discussed topic within the current political, cultural and socioeconomic arena. He also analyses the contributions of such historians, sociologists and political scientists as Seton-Watson, Reynolds, Hastings, Horowitz and Brass. The survey concludes with an analysis of post-modern approaches to national identity, gender and nation, making it indispensable reading to all those interested in gaining full and authoritative knowledge of nationalism.
J. Anthony Blair is a prominent international figure in argumentation studies. He is among the originators of informal logic, an author of textbooks on the informal logic approach to argument analysis and evaluation and on critical thinking, and a founder and editor of the journal Informal Logic. Blair is widely recognized among the leaders in the field for contributing formative ideas to the argumentation literature of the last few decades. This selection of key works provides insights into the history of the field of argumentation theory and various related disciplines. It illuminates the central debates and presents core ideas in four main areas: Critical Thinking, Informal Logic, Argument Theory and Logic, Dialectic and Rhetoric.
For the last two centuries, nationalism has been a central feature of society and politics. Few ideologies can match its power and resonance, and no other political movement and symbolic language has such worldwide appeal and resilience. But nationalism is also a form of public culture and political religion, which draws on much older cultural and symbolic forms. Seeking to do justice to these different facets of nationalism, the second edition of this popular and respected overview has been revised and updated with contemporary developments and the latest scholarly work. It aims to provide a concise and accessible introduction to the core concepts and varieties of nationalist ideology; a clear analysis of the major competing paradigms and theories of nations and nationalism; a critical account of the often opposed histories and periodization of the nation and nationalism; and an assessment of the prospects of nationalism and its continued global power and persistence. Broad and comparative in scope, the book is strongly interdisciplinary, drawing on ideas and insights from history, political science, sociology and anthropology. The focus is theoretical, but it also includes a fresh examination of some of the main historical and contemporary empirical contributions to the literature on the subject. It will continue to be an invaluable resource for students of nationalism across the social sciences.
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
For forty years, this widely acclaimed classic has remained unsurpassed as an introduction to art in the Western world, boasting the matchless credibility of the Janson name. This newest update features a more contemporary, more colorful design and vast array of extraordinarily produced illustrations that have become the Janson hallmark. A narrative voice makes this book a truly enjoyable read, and carefully reviewed and revised updates to this edition offer the utmost clarity in contributions based on recent scholarship. Extensive captions for the book’s incredible art program offer profound insight through the eyes of twentieth-century art historians speaking about specific pieces of art featured throughout. Significantly changed in this edition is the chapter on “The Late Renaissance,” in which Janson offers a new perspective on the subject, tracing in detail the religious art tied to the Catholic Reform movement, whose early history is little known to many readers of art history. Janson has also rearranged early Renaissance art according to genres instead of time sequence, and he has followed the reinterpretation of Etruscan art begun in recent years by German and English art historians. With a truly humanist approach, this book gives written and visual meaning to the captivating story of what artists have tried to express—and why—for more than 30,000 years.
An impassioned guide to opera's political dimension. Taking us on a tour of 200 years of great opera, from "The Marriage of Figaro" to "Nixon in China", Anthony Arblaster uncovers the political dimension of an art form all too often considered as purely aesthetic and reveals opera's full vitality and passion for liberty.
This comprehensive yet streamlined narrative history of the Western world brings the stories of ordinary people as well as famous leaders and events to life.This book offers exceptionally broad social and geographical coverage highlighting the global setting of Western history and emphasizing the effects of the West's repeated encounters with the non-Western world.
Collects aphorisms, essays, stories, and anecdotes, and enacts the author's interest in showing how attention to "traces" can serve as a mode of philosophizing. In an example of how the literary can become a privileged medium for philosophy, his chief philosophical invention is to begin with what gives an observer pause.
For undergraduate one-semester courses in Art History, Art Appreciation, and General Humanities. Retaining the intelligence and freshness of H.W. Janson's classic original work, this unsurpassed introductory survey on the history of Western art from the ancient through modern worlds is specifically written and designed to make art history accessible and enjoyable for students. Now with a new Art History CD-ROM containing nearly 400 images in a flash card format, and an exciting new design, the Sixth Edition enhances its narrative with in-margin coverage of historical/terminology notes, drawings, tables on historical events and personages, explanation of artistic processes, and boxes with history of music and theater topics.
This book explores the rapidly growing interdisciplinary area of hermeneutics and its significance for biblical studies, combining wide, fundamental, rigorous, and creative theoretical concerns with practical questions about how we read biblical texts.
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
In 1989, the Cold War abruptly ended and it seemed as if the world was at last safe for democracy. But a spirit of uneasiness, discontent, and world-weariness soon arose and has persisted in Europe, in America, and elsewhere for two decades. To discern the meaning of this malaise we must investigate the nature of liberal democracy, says the author of this provocative book, and he undertakes to do so through a detailed investigation of the thinking of Montesquieu, Rousseau, and Tocqueville. Paul A. Rahe argues that these political thinkers anticipated the modern liberal republic's propensity to drift in the direction of “soft despotism”—a condition that arises within a democracy when paternalistic state power expands and gradually undermines the spirit of self-government. Such an eventuality, feared by Tocqueville in the nineteenth century, has now become a reality throughout the European Union, Canada, Australia, New Zealand, and the United States. So Rahe asserts, and he explains what must be done to reverse this unfortunate trend.
Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.
A theory of human origins that is one-half Charles Darwin and one-half Cain and Abel is bound to entail a lot of rethinking of traditional themes. René Girard’s thesis of original human violence and the Bible’s power to reveal it has been around for more than a generation, but its consequences for Christian theology are still only slowly being unpacked. Anthony Bartlett’s book makes a signal contribution, representing an astonishing leap forward in understanding what a biblical disclosure of founding violence means for Christian thought and life. If human language arose directly out of the primal experience of murder, then semiotics becomes a core area for theological examination. Tracing the discipline of semiotics through postmodern thinkers, then back through its birth in the Latin era, Bartlett shows how Girard’s thought is itself a semiotic emergence, beyond standard Christian metaphysics. Above all, Girardian theory of human signs demands we see the generative impact of violence in our language and thought, and then, conversely, that the Word of God, crucified without retaliation and risen in the same identity, brings a totally new sign and relation into history, offering a thoroughgoing transformation of human life and meaning.
The evidence assembled, Julius concludes his hard-hitting dissection of the landscapes of contemporary art by posing some important questions: what is art's future when its boundary-exceeding, taboo-breaking endeavors become the norm? And is anything of value lost when we submit to art's violation?"--BOOK JACKET.
One of the finest architectural photographers in America, Robert W. Tebbs produced the first photographic survey of Louisiana's plantations in 1926. From those images, now housed in the Louisiana State Museum, and not widely available until now, 119 plates showcasing fifty-two homes are featured here. Richard Anthony Lewis explores Tebbs's life and career, situating his work along the line of plantation imagery from nineteenth-century woodcuts and paintings to later twentieth-century photographs by John Clarence Laughlin, among others. Providing the family lineage and construction history of each home, Lewis discusses photographic techniques Tebbs used in his alternating panoramic and detail views. A precise documentarian, Tebbs also reveals a poetic sensibility in the plantation photos. His frequent emphasis on aspects of decay, neglect, incompleteness, and loss lends a wistful aura to many of the images -- an effect compounded by the fact that many of the homes no longer exist. This noticeable vacillation between objectivity and sentiment, Lewis shows, suggests unfamiliarity and even discomfort with the legacy of slavery. Poised on the brink of social and political reforms, Louisiana in the mid-1920s had made significant strides away from the slave-based agricultural economy that the plantation house often symbolized. Tebbs's Louisiana plantation photographs capture a literal and cultural past, reflecting a burgeoning national awareness of historic preservation and presenting plantations to us anew. Select plantations included: Ashland/Belle Helene, Avery Island, Belle Chasse, Belmont, Butler-Greenwood, L'Hermitage, Oak Alley, Parlange, René Beauregard House, Rosedown, Seven Oaks, Shadows-on-the-Teche, The Shades, and Waverly.
Using the seminal anthropology of Rene Girard and drawing out its radical implications Virtually Christian reconfigures the traditional framework of theology. Gone are the heavenly otherworld and its metaphysical God. In their place is revealed a God deeply implicated in the human story and laboring with us for a transformed earth. The identity and mission of Jesus become fully understandable against this background. The consequences for teaching and practice are enormous and especially relevant for emerging church Christians. This book provides a vital contemporary reading of both the gospel message and classical Christian thought.
Influential, exciting and often controversial, psychoanalytic theory has had a major impact in the humanities and social sciences. In a new edition of this classic book, Anthony Elliott masterfully introduces the reader to psychoanalytic theory. - Discusses leading psychoanalytic theorists - from Freud to Lacan, Klein to Kristeva, Žižek to Laplanche; - Examines the political and cultural dimensions of psychoanalytic studies, from feminism to postmodernism; and - Contains new material on Lacanian and post-Lacanian theory, the post-Kleinian psychoanalyst Wilfred Bion, psychoanalytic feminism and deconstructive psychoanalysis. Written by one of the world's leading social theorists, this engaging and influential text is essential reading for anyone wanting to learn about psychoanalytic theory and its cultural importance in our lives. New to this Edition: - New and fully revised edition with new material on theories
In this extensively illustrated work, one of Paris' leading historians links the beauty of the city to its harmonious architecture, the product of a powerful tradition of classical design running from the Renaissance through the 20th century.
These essays explore the relationship between art and religion. The first part, 2001-2002, is essays about "The Ism," where 1994-9 Padgett united religious and spiritual perspectives by uniting the art-forms appropriate to them. The second part is essays from 2002-2005, when Padgett studied at Wimbledon School of Art, London, for an MA in Theory of Contemporary Art and Performance. Padgett looks at artists (Damien Hirst, Thomas Hirschhorn, Anton Artaud, Jake and Dinos Chapman Brothers, Guillermo Gomez-Pena etc) and develops the idea of "Postmodern Religious Art." His program of uniting the art-forms is progressed by uniting the specific material forms of religions in semi-irony with the profane - whilst keeping the sacred as of highest importance. The final part is the questionnaire that Padgett submitted to the Employment Tribunals, giving the main arguments behind his claim that the Tate Galleries were exercising religious discrimination in the way they selected artworks.
During and after the Harlem Renaissance, two intellectual forces—nationalism and Marxism—clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day. Nationalism, Marxism, and African American Literature Between the Wars: A New Pandora's Box challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Jessie Redmon Fauset, Alain Locke, and Marcus Garvey, who remained enmeshed in nationalist and racialist discourse. Evaluating the great impact of Marxism and nationalism on black authors from the Harlem Renaissance and the Depression era, Anthony Dawahare argues that the spread of nationalist ideologies and movements between the world wars did guide legitimate political desires of black writers for a world without racism. But the nationalist channels of political and cultural resistance did not address the capitalist foundation of modern racial discrimination. During the period known as the “Red Decade” (1929–1941), black writers developed some of the sharpest critiques of the capitalist world and thus anticipated contemporary scholarship on the intellectual and political hazards of nationalism for the working class. As it examines the progression of the Great Depression, the book focuses on the shift of black writers to the Communist Left, including analyses of the Communists' position on the “Negro Question,” the radical poetry of Langston Hughes, and the writings of Richard Wright.
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