In the early sixties at the Royal College of Art in London, three extraordinary personalities collided to reshape contemporary art and literature. Barrie Bates (who would become Billy Apple in November 1962) was an ambitious young graphic designer from New Zealand, who transformed himself into one of pop art's pioneers. At the same time, his friend and fellow student David Hockney—young, Northern, and openly gay—was making his own waves in the London art world. Bates and Hockney travelled together, bleached their hair together, and, despite being two of London's rising art stars, almost failed art school together. And in the middle of it all was the secretary of the Royal College's Painting School—an aspiring young novelist called Ann Quin. Quin ghost-wrote her lover Bates's dissertation and collaborated with him on a manifesto, all the while writing Berg: the experimental novel that would establish her as one of the British literary scene's most exciting new voices. Taking us back to London's art scene in the late fifties and early sixties, award-winning writer Anthony Byrt illuminates a key moment in cultural history and tackles big questions: Where did Pop and conceptual art come from? How did these three remarkable young outsiders change British culture? And what was the relationship between revolutions in personal and sexual identities and these major shifts in contemporary art? From the Royal College to Coney Island and Madison Avenue, encountering R. D. Laing and Norman Mailer, Shirley Clarke, and Larry Rivers, The Mirror Steamed Over is a remarkable journey through a pivotal moment in contemporary culture.
Denny was selected to represent New Zealand at the 56th Venice Biennale, exhibiting Secret Power at the New Zealand Pavilion. Anthony Byrt is an Auckland-based critic and journalist. He is a regular writer for Metro, a contributing editor to Paperboy, and the New Zealand correspondent for Artforum International. His book This Model World: Travels to the Edge of Contemporary Art was shortlisted for the 2017 Ockham national book award. Together the pair have created an exhibition, The Founder's Paradox, including essays, on a series of large art pieces based on familiar board games. The games unpack extreme libertarian ideologies such as those held by 'new' New Zealander Peter Thiel and other Silicon Valley thought leaders. The Founder's Paradox is on at the Michael Lett Gallery until December 22."--www.radionz.co.nz.
The paintings and sculptures of Berlin-based Marlon Wobst (born 1980) celebrate physical interaction in all its shyness, awkwardness, desire, humor and curiosity. Extra presents a group of his ceramic sculptures, each an abstract encounter between naked bodies.
In April 2011, Anthony Byrt was living in Berlin and building a career as a critic, writing about the world of contemporary art for magazines like frieze and Artforum International. Then one day his world turned upside down and Byrt, his wife and their new-born son suddenly found themselves booked on a one-way trip home to New Zealand. This Model World is a portrait of what Byrt found when he came back. Built around hundreds of hours spent in galleries, artists' studios and on the road from Brisbane to Detroit to Venice, this is a deeply personal journey into the contemporary New Zealand art world and the global world it inhabits. It's a book about major figures like Yvonne Todd, Shane Cotton, Billy Apple, Peter Robinson, Judy Millar and Simon Denny, and emerging artists such as Luke Willis Thompson, Shannon Te Ao and Ruth Buchanan. It's about severed heads and failed cities; about bright young stars and old men with a final point to prove; about looking for God and finding Edward Snowden; and about what it means to investigate the boundary where our bodies hit the world. This Model World – a riveting first-person account of one author's travels to the edge of contemporary art.
In the early sixties at the Royal College of Art in London, three extraordinary personalities collided to reshape contemporary art and literature. Barrie Bates (who would become Billy Apple in November 1962) was an ambitious young graphic designer from New Zealand, who transformed himself into one of pop art's pioneers. At the same time, his friend and fellow student David Hockney—young, Northern, and openly gay—was making his own waves in the London art world. Bates and Hockney travelled together, bleached their hair together, and, despite being two of London's rising art stars, almost failed art school together. And in the middle of it all was the secretary of the Royal College's Painting School—an aspiring young novelist called Ann Quin. Quin ghost-wrote her lover Bates's dissertation and collaborated with him on a manifesto, all the while writing Berg: the experimental novel that would establish her as one of the British literary scene's most exciting new voices. Taking us back to London's art scene in the late fifties and early sixties, award-winning writer Anthony Byrt illuminates a key moment in cultural history and tackles big questions: Where did Pop and conceptual art come from? How did these three remarkable young outsiders change British culture? And what was the relationship between revolutions in personal and sexual identities and these major shifts in contemporary art? From the Royal College to Coney Island and Madison Avenue, encountering R. D. Laing and Norman Mailer, Shirley Clarke, and Larry Rivers, The Mirror Steamed Over is a remarkable journey through a pivotal moment in contemporary culture.
Co-published by Whitecliff College of Arts and Design and Ramp Press. A publication produced on the occasion of Sticky 13 - 31 July 2004 at the Randolph Street Gallery, Whitecliff College of Arts and Design, Auckland and Ramp Gallery, Wintec, Hamilton. Featuring the art of: Luise Fong, Sara Hughes, Noel Ivanoff, Judy Millar, Bill Riley, Peter Stichbury, Rohan Wealleans.
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This second edition of secondary school text first published in 1990, has been completely updated and restructured. Features five chapters of case studies, a reference section introducing key concepts in information technology, a set of folio tasks and suggestions for major projects. A teacher's resource book and disk are also available. The authors are experienced teachers.
Book and accompanying disk to support the second edition of the students' text of the same name. This book contains answers to all of the chapter questions in the student text and the disk contains further solutions, advice to teachers, and database, spreadsheet and word-processing files. It also contains VCE course advice to be used in conjunction with the information technology study design and CDSM. The word-processed documents are in Word for Windows V2.0 format and are also included as plain text files. The spreadsheets are saved as Excel V4.0 files and also in a Works V2.0 format which will work for both Windows and DOS versions of Works. The database programming language used is Dbase III and the programming language used for the programs is Turbo Pascal V5.5.
Bristol Baptist College is the oldest continuing Baptist College in the world, and has a rich story of faith, service, challenge, and people. As the College moves into its fourth century, this book explores the story of the first three centuries.
Since its first publication in 2000, Baptism and the Baptists has become the definitive work on the subject. It examines the theology and practice of believers' baptism among twentieth-century Baptists associated with the Baptist Union of Great Britain, and identifies the major influences which have led to its development. In the nineteenth and early twentieth century, the majority of Baptists concentrated predominantly on the mode and subjects of baptism (immersion and believers), understanding the rite merely as an ordinance--the believer's personal profession of faith in Christ. However, in continuity with a tradition of Baptists going back as far as the first Baptists in the second and third decades of the seventeenth century, there were also a significant number of ministers and scholars who saw the inadequacy of this view of baptism both biblically and theologically. This sacramental view developed and grew throughout the twentieth century, and influenced a resurgence of baptismal sacramentalism in the early twenty-first century among Baptists not just in Britain, but also in North America, Europe, and further afield.
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.
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