Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
Now updated to also include all our George Cross winners, VC has been considered a classic work of Australian military history ever since its first publication in 1963. Together with detailed descriptions of the battles they fought in, VC contains full biographies of all Australians who have won the Victoria Cross, the Commonwealth's supreme decoration for gallantry in battle. Fully illustrated with rare photos from the Australian War Memorial, the book also sets out the history of the Victoria Cross itself. These dramatic stories will arouse both admiration for the courage of these gallant me.
The new, revised and expanded paperback edition of this widely-used textbook for film history brings up to date its authors' demonstration of how a close study of films in their historical and cultural settings can enrich our understanding of both cinema and historical events. It introduces three new chapters, one focusing on _The Blue Lamp_ and changes in cinema's depiction of the police from that key 1949 film up to the 1960s, another on the 'British New Wave' centring on _The Loneliness of the Long Distance Runner_, and a third which, starting from _Scandal_ and its recreation of the 1960s Profumo scandal, goes on to examine the 'retro' fashion for covering crimes of the 1940s, '50s and '60s in films of the 1980s like _Let Him Have It, Dance with a Stranger_ and _Chicago Joe and the Showgirl_. This edition has a new, accessible format and provides a valuable Resource Section for teachers, students and scholars.
This book examines the prominent role played by constitutional history from 1870 to 1960 in the creation of a positive sense of identity for Britain and the United States.
For the more than fifty years that Democrats controlled the U.S. House of Representatives, leadership was divided between Massachusetts and Texas. When the Speaker was from Texas (or nearby Oklahoma), the Majority Leader was from the Boston area, and when the Speaker was from Boston, the Majority Leader was from Texas. The Austin-Boston Connection analyzes the importance of the friendships (especially mentor-prot?g? relationships) and enmities within congressional delegations, regional affinities, and the lynchpin practice of appointing the Democratic Whip.
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