The papers in this volume derive from the 28th Spring Symposium of Byzantine Studies, held for the Society for the promotion of Byzantine Studies at the Univesity of Birmingham in March 1994. Virtually from the time of their first foundation, the monastic communities of Mt Athos assumed a central position in the world of Orthodox Christianity. The spiritual, and political and economic influence of the Holy Mountain soon transcended the boundaries of the Byzantine empire within which it lay, to take on a supra-national importance and become one of the pillars of Orthodoxy after the fall of the empire. For the historian, the significance of Mt Athos is enhanced by the fact that its archives contain the most substanial body of Byzantine documentation to have survived the Middle Ages, and its libraries, treasuries and buildings have preserved much that has elsewhere been lost. These archives are now largely edited, and investigation of the art and archaeology is yielding substantial evidence. The papers in this volume, by an international set of scholars, embody the fruits of this research. Starting from Athos itself, they embrace the whole phenomenon of Byzantine monasticism, dealing with questions of asceticism, authority, community, economy, enlightenment, fortification, hesychasm, liturgy, manuscripts, music, patronage, scandal, spirituality, and women (to take an alphabetical sample). Together these papers provide a coherent and immediate view of scholarship in the field.
Provides an analysis of some of the most traumatic situations involving famine and war of the last two decades, helping us to understand what it takes to be an aid worker and how important humanitarian action is today. Famine and war evoke strong emotional reactions, and for most people there is a limited amount they can do. But the relief worker has to convert emotional responses into practical action and difficult choices - whom to help and how. Their own feelings have to motivate action for others. But can they separate out their own selfish feelings and prejudices in such an emotive climat.
A submarine's deadliest antagonist is another sub. Some of our most illustrious writers have tried their best to sink their enemies, using all the weapons at their command-wit, humor, sarcasm, invective, and the occasional right cross to the jaw. In these eight profiles of quarrels between famous authors, Anthony Arthur draws on a lifetime of reading and teaching their works to describe the feuds as lively duels of strong personalities. Going beyond mere gossip, he provides insights into the issues that provoked the quarrels-Soviet communism, World War II, and the natural tension between the critical and the creative temperaments among them. The result reads like a collection of short stories, with the featured authors as their own best characters and having the best lines. For example: --Ernest Hemingway on his one-time friend and tutor: "Gertrude Stein was never crazy/Gertrude Stein was very lazy." --Sinclair Lewis to Theodore Dreiser "I still say you are a liar and a thief." --Mary McCarthy on Lillian Hellman " . . . every word she writes is a lie, including 'and' and 'the. ' " These great writers are a quarrelsome bunch indeed, and these true tales of bookish bickering are guaranteed to enlighten and entertain even the most discriminating literature lovers.
This is the first comprehensive, single-author history of the eastern Roman empire (or Byzantium) to appear in over a generation. It begins with the foundation of Constantinople in 324 AD and ends with the fall of the empire to the Ottoman Turks in the fifteenth century, covering political and military history as well as all major changes in religion, society, demography, and economy. In recent decades, the study of Byzantium has been revolutionized by new approaches and sophisticated models for how its society and state operated. The book's core is an accessible and lively narrative of events, free of jargon, which incorporates new findings, explains recent models, and presents well-known historical characters and events in new light. Two overarching themes shape the narrative. First, by projecting accountability the Roman state persuaded its subjects that it was working in their interests and thereby forestalled separatist movements. To do so, it had to restrain the tendency of elites to extract ever more resources from the labor-force. Second, the effort to sustain a common identity, both Roman and Christian, was subject to powerful forces of internal division and put under severe strain by western Europeans in the later Middle Ages. The book explains in detail the alternating periods of success and failure in the long history of this polity. It foregrounds the dynamics of Christian identity, asking why it tended to fracture along lines of doctrine, practice, and ultimately over Union with the Catholic West"--
The work On the Reigns attributed to Genesios is an important and pivotal source for the history of the latter part of the ninth century and of the later stages of the iconoclast controversy. This is the first English translation. The translation is accompanied by a detailed commentary including references to current scholarly work in this area. Like the recently published translation of Theophanes, it will add to the increasing network of sources for Middle Byzantine history available in annotated English translation. Anthony Kaldellis, of the University of Michigan, has held a Bliss Fellowship at the Dumbarton Oaks Center for Byzantine Studies, where much of the work leading to the publication of this book was carried out.
A leading historian argues that in the empire we know as Byzantium, the Greek-speaking population was actually Roman, and scholars have deliberately mislabeled their ethnicity for the past two centuries for political reasons. Was there ever such a thing as Byzantium? Certainly no emperor ever called himself “Byzantine.” And while the identities of minorities in the eastern empire are clear—contemporaries speak of Slavs, Bulgarians, Armenians, Jews, and Muslims—that of the ruling majority remains obscured behind a name made up by later generations. Historical evidence tells us unequivocally that Byzantium’s ethnic majority, no less than the ruler of Constantinople, would have identified as Roman. It was an identity so strong in the eastern empire that even the conquering Ottomans would eventually adopt it. But Western scholarship has a long tradition of denying the Romanness of Byzantium. In Romanland, Anthony Kaldellis investigates why and argues that it is time for the Romanness of these so-called Byzantines to be taken seriously. In the Middle Ages, he explains, people of the eastern empire were labeled “Greeks,” and by the nineteenth century they were shorn of their distorted Greekness and became “Byzantine.” Only when we understand that the Greek-speaking population of Byzantium was actually Roman will we fully appreciate the nature of Roman ethnic identity. We will also better understand the processes of assimilation that led to the absorption of foreign and minority groups into the dominant ethnic group, the Romans who presided over the vast multiethnic empire of the east.
Although Greek and Roman authors wrote ethnographic texts describing foreign cultures, ethnography seems to disappear from Byzantine literature after the seventh century C.E.—a perplexing exception for a culture so strongly self-identified with the Roman empire. Yet the Byzantines, geographically located at the heart of the upheavals that led from the ancient to the modern world, had abundant and sophisticated knowledge of the cultures with which they struggled and bargained. Ethnography After Antiquity examines both the instances and omissions of Byzantine ethnography, exploring the political and religious motivations for writing (or not writing) about other peoples. Through the ethnographies embedded in classical histories, military manuals, Constantine VII's De administrando imperio, and religious literature, Anthony Kaldellis shows Byzantine authors using accounts of foreign cultures as vehicles to critique their own state or to demonstrate Romano-Christian superiority over Islam. He comes to the startling conclusion that the Byzantines did not view cultural differences through a purely theological prism: their Roman identity, rather than their orthodoxy, was the vital distinction from cultures they considered heretic and barbarian. Filling in the previously unexplained gap between antiquity and the resurgence of ethnography in the late Byzantine period, Ethnography After Antiquity offers new perspective on how Byzantium positioned itself with and against the dramatically shifting world.
Corrections: A Text/Reader, Second Edition is designed for undergraduate and/or graduate corrections courses. Organized like a traditional corrections text, it offers brief authored introductions in a mini-chapter format for each key Section, followed by carefully selected and edited original articles by leading scholars. This hybrid format – ensuring coverage of important material while emphasizing the significance of contemporary research - offers an excellent alternative which recognizes the impact and importance of new directions and policy in this field, and how these advances are determined by research.
This second edition of Historical Dictionary of African American Theater reflects the rich history and representation of the black aesthetic and the significance of African American theater’s history, fleeting present, and promise to the future. It celebrates nearly 200 years of black theater in the United States and the thousands of black theater artists across the country—identifying representative black theaters, playwrights, plays, actors, directors, and designers and chronicling their contributions to the field from the birth of black theater in 1816 to the present. This second edition of Historical Dictionary of African American Theater, Second Edition contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on actors, playwrights, plays, musicals, theatres, -directors, and designers. This book is an excellent resource for students, researchers, and anyone wanting to know and more about African American Theater.
However, in the second half of the twentieth century co-operatives experienced a protracted period of decline, facing a series of internal structural challenges, fierce competition amongst food retailers, and a rapidly-changing marketplace.
This third and final volume of A. David Moody's critical life of Ezra Pound presents Pound's personal tragedy in a tragic time. In this volume, we experience the 1939-1945 World War, and Pound's hubristic involvement in Fascist Italy's part in it; we encounter the grave moral and intellectual error of Pound holding the Jewish race responsible for the war; and his consequent downfall, being charged with treason, condemned as an anti-Semite, and shut up for twelve years in an institution for the insane. Further, we see Pound stripped for life, by his own counsel and wife, of his civil and human rights. Pound endured what was inflicted upon him, justly and unjustly, without complaint; and continued his lifetime's effort to promote, in and through his Cantos and his translations, a consciousness of a possible humane and just social order. The contradictions run deep and compel, as tragedy does, a steady and unprejudiced contemplation and an answering depth of comprehension.
FROM PATENT TO PROFIT Patents and patent strategies are increasingly pertinent to the success of information age businesses, from affecting valuations to gaining tax advantages to increasing the starting price per share when taking a company public. Patent Strategy illustrates the impact patents can have on technology-driven businesses' tactical and strategic efforts. Here is step-by-step guidance to the patent process, the laws, and basic strategies-from a business-goal perspective-so that middle and upper-level managers can recognize the significance of patents in relation to a particular business and can incorporate proper patent management efforts into their business framework. In addition, this book serves as an invaluable reference for management and executives when making patent-related decisions such as whether a patent infringement study must be performed; whether the budget for patent matters should be increased or decreased; whether attempts should be made to license certain patent technology; and whether the firm should sue for patent infringement. * Case studies throughout the book give you a specific business context within which to consider the concepts introduced * Statistics are presented to assist you in assessing various issues, planning patent strategies, and implementing patent management programs
Musicians, both fictional and real, have long been subjects of cinema. From biopics of composers Beethoven and Mozart to the rise (and often fall) of imaginary bands in The Commitments and Almost Famous, music of all types has inspired hundreds of films. The Encyclopedia of Musicians and Bands on Film features the most significant productions from around the world, including straightforward biographies, rockumentaries, and even the occasional mockumentary. The wide-ranging scope of this volume allows for the inclusion of films about fictional singers and bands, with emphasis on a variety of themes: songwriter–band relationships, the rise and fall of a career, music saving the day, the promoter’s point of view, band competitions, the traveling band, and rock-based absurdity. Among the films discussed in this book are Amadeus, The Blues Brothers, The Buddy Holly Story, The Commitments, Dreamgirls, The Glenn Miller Story, A Hard Day’s Night, I’m Not There, Jailhouse Rock, A Mighty Wind, Ray, ’Round Midnight, The Runaways, School of Rock, That Thing You Do!, and Walk the Line.With entries that span the decades and highlight a variety of music genres, The Encyclopedia of Musicians and Bands on Film is a valuable resource for moviegoers and music lovers alike, as well as scholars of both film and music.
African American Theater is a vibrant and unique entity enriched by ancient Egyptian rituals, West African folklore, and European theatrical practices. A continuum of African folk traditions, it combines storytelling, mythology, rituals, music, song, and dance with ancestor worship from ancient times to the present. It afforded black artists a cultural gold mine to celebrate what it was like to be an African American in The New World. The A to Z of African American Theater celebrates nearly 200 years of black theater in the United States, identifying representative African American theater-producing organizations and chronicling their contributions to the field from its birth in 1816 to the present. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries on actors, directors, playwrights, plays, theater producing organizations, themes, locations, and theater movements and awards.
John McGuckin, a world-renowned expert on ancient Christianity, has synthesized a lifetime of work to produce the most comprehensive and accessible history of the first millennium of the Christian church. This readable account explores the history in chronological order and then examines the same period thematically, looking at issues like women, war, and the Bible.
Miscellaneous Verdicts represents the best of Anthony Powell's critical writing over a period of four decades. Drawn from his regular reviews for the Daily Telegraph, from his occasional humorous pieces for Punch, and from his more sustained pieces of critical and anecdotal writing on writers, this collection is as witty, fresh, surprising, and entertaining as one would expect from the author of Dance to the Music of Time. Powell begins with a section on the British, exploring his fascination both with genealogy and with figures like John Aubrey, and writing in depth about writers like Kipling, Conrad, and Hardy. The second section, on America, also opens with discussions of family trees (in this case presidential ones) and includes pieces on Henry James, James Thurber, American booksellers in Paris, Hemingway, and Dashiell Hammett. Personal encounters, and absorbing incidents from the lives of his subjects, frequently fill these pages—as they do even more in the section on Powell's contemporaries—Connolly, Orwell, Graham Greene, and others. Finally, and aptly, the book closes with a section on Proust and matters Proustian, including a marvellous essay on what is eaten and drunk, and by whom, in A la Recherche du Temps Perdu. "An urbane book, quietly erudite, very sensible, highly civilized, remarkably useful."—Anthony Burgess, Observer "An acute intelligence and fastidious sense of humor make [Powell] the funniest and most profound living writer of the English language."—Hugh Montgomery-Massingberd, Sunday Telegraph Anthony Powell was born in London in 1905. He is the author of seven novels, a biography of John Aubrey, two plays, a collection of memoirs, and the twelve-volume novel sequence Dance to the Music of Time.
A long overdue and thrillingly paced narrative of one of the most dramatic periods in Medieval history, Streams of Gold, Rivers of Blood provides an engaging chronicle of the various imperial upheavals, from the conquests of Basil to the collapse of Constantinople, concluding with the First Crusade.
This fourth collection of Dr Luttrell’s studies on the military order of the Hospital concerns its activities on the island of Rhodes, acquired between 1306 and 1310, where it struggled to contain the naval aggression of the Anatolian Turks and to settle the island and organise its society and economy. At the same time it had to exploit its Cypriot possessions and its European provinces in order to secure the manpower and resources needed to sustain its Eastern activities. The author has spent over 40 years working in the Hospital’s archives on Malta and elsewhere throughout the West, studying the Hospitallers’ military and naval affairs, their spiritual and medical activities, and the organisation of their Western priories and commanderies. These studies illustrate the workings of an extensive multi-national corporation dedicated to the defence of Christendom.
Based on the acclaimed two-volume Encyclopedia of Eastern Orthodox Christianity (Wiley Blackwell, 2011), and now available for students, faculty, and clergy in a concise single-volume format An outstanding reference work providing an accessible English language account of the key historical, liturgical, doctrinal features of Eastern Orthodoxy, including the Non-Chalcedonian churches Explores the major traditions of Eastern Orthodoxy in detail, including the Armenian, Byzantine, Coptic, Ethiopic, Slavic, Romanian, Syriac churches Uniquely comprehensive, it is edited by one of the leading scholars in the field and provides authoritative articles by a team of leading international academics and Orthodox figures Spans the period from Late Antiquity to the present, encompassing subjects including history, theology, liturgy, monasticism, sacramentology, canon law, philosophy, folk culture, architecture, archaeology, martyrology, and hagiography Structured alphabetically and is topically cross-indexed, with entries ranging from 100 to 6,000 words
The eighth edition of Textbook on Administrative Low provides a concise and topical account of this fast-moving area of law. This edition remains as accessible as ever, fully exploring the core areas of the subject and setting them in a contextual framework. In addition to widespread recognition as an invaluable core text for LLB and GDL students, Textbook on Administrative Law is a stimulating introduction for postgraduates and for non-law undergraduates with an interest in the field. Key coverage: Fully updated and revised to reflect changes in the administrative state post 2015 election, Comprehensive analysis of developments in judicial review with reference to the main decisions including Evans, HS2, Sandiford, Pham, and Keyu, m Analysis of the main developments in human rights jurisprudence, Reference to developments in EU law and their impact on domestic administrative law, Revised discussion of ombudsmen and tribunals as non-judicial remedies Book jacket.
Anthony Musso was born and raised in Brooklyn, New York, where he was first attracted to the groundbreaking music recorded by many of the artists featured in this book. His interest in history and more important, historic accuracy resulted in his first book, FDR and the Post Office and was followed by Setting the Record Straight, Volume One. Musso lives in upstate New York's Hudson Valley region. Setting the Record Straight, Volume Two continues author Anthony Musso's quest to dispel countless rumors, and maccurate information that surrounds the music and careers of another 50 top recording artists from the 1950s and 1960s. By way of first hand interviews with solo artists and/or founding and original members of leading vocal groups of the era, readers will learn the real stories about each artist's musical influences entry mix the music industry, and experience while touning and performing during the infancy of the rock and roll era Learn how legendary vocalist Jerry Butler was first dubbed "The Iceman," why Ben E. King described his first year as lead singer of the Drifters as a grueling and somewhat harrowing experience, and how Gladys Hortort and four childhood friends from Inkster, Michigan (known as the Maryelettes) scored the very first number one hit recording for Motown Records. Hear how Connie Francis first entered the business with an accordion in tow, why Peggy March decided to relocate to Europe and subsequently became a top international star, and learn about the bittersweet performance that a young Bobby Vee gave as the replacement act for his departed idol Buddy Holly. These are the indispurable and accurate accounts as told by the artist themselves, with the mient of finally "Setting the Record Straight." "Tony Musso bus written one of the most comprehensive biography that Danny and the Junior have ever bud. He's recally cleared up the facts and voe absolutely love the way it was dossel." Joe Terry founding members of Danny and the Junior. "If you are looking for accuracy about the unsing heroes and legends of rock and roll, Tony Musso is your man." Kenny Vance founding member of Jay and the Americans and Kenny Vance and the Planiones. "Tony Musso did a wonderful job in straightening out many of the that have existed in The Diamonds and many other artists biographies for a long time. Setting the Record Straight certainly lived up to its name and intent Thank you." Dave somerville original lead singer of The Diamonds.
The second edition of Stroke Medicine incorporates considerable advances in the treatment of stroke that have occurred since the first edition published. This provides an up-to-date and easily accessible source of information on all aspects of stroke care, from acute care through to rehabilitation and secondary prevention. The new edition includes some additional updates on cardiac investigation of stroke, due to novel methods for detecting atrial fibrillation, and new trial data has been added to the chapter on Treatment of Stroke. The book includes numerous illustrations and tables presenting information in an easy-to-follow way and is designed to be used by the practising physician as a practical handbook of stroke care.
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