Annette d Chand's Books

One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book explores the evolution of mime and pantomime from the Greeks to the 20th Century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. With over sixty illustrations, this worldwide study is indispensable for the student, teacher, or fan of mime.

Reproduction of the original: The Bābur-nāma in English by Annette Susannah Beveridge

This volume covers all aspects of film studies, including critical terms, concepts, movements, national and international cinemas, film history, genres, organizations, practices, and key technical terms and concepts. It is an ideal reference for students and teachers of film studies and anyone with an interest in film studies and criticism.

Originally published in 1977 and compiled over a period of 25 years of teaching and research in the fields of education and anthropology, this annotated bibliography was designed as a single source reflecting (1) historical influences (2) current trends (3) theoretical concerns and (4) practical methodology at the interfaces of these disciplines. All entries, listed alphabetically by author, are numbered for ready reference, and the material covered spans nearly three centuries, from the earliest entry in 1689 to the most recent in 1976. The volume also contains entries for items dealing with the teaching of anthropology and the use of anthropological concepts and data in teaching.

This book looks at the mental health system in South Australia and Australia in general" -- Provided by publisher.

Book's by Annette d Chand

From the Greek Mimes to Marcel Marceau and Beyond

From the Greek Mimes to Marcel Marceau and Beyond

The Bābur-nāma in English

The Bābur-nāma in English

A Dictionary of Film Studies

A Dictionary of Film Studies

Education and Anthropology

Education and Anthropology

For the Love of Kate

For the Love of Kate

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