In the current debate on art, thought on time has commanded a prominent position. Do we live in a posthistorical time? Has objective art historical time and belief in a continual progress shifted to a more subjective experience of the ephemeral? Has (art) history fallen away and, if so, what does this mean for the future of art? How does a visual archive relate to artistic memory? This volume investigates positions, arguments and comments regarding the stated theme. Philosophers and theorists explore the subject matter theoretically. Curators articulate the practice of art. The participants are: Hans Belting, Jan Bor, Peter Bürger, Bart Cassiman, Leontine Coelewij, Hubert Damisch, Arthur C. Danto, Bart De Baere, Okwui Enwezor, Kasper König, Sven Lütticken, Manifesta (Barbara VanderLinden), Hans Ulrich Obrist, Donald Preziosi, Survival of the Past Project (Herman Parret, Lex Ter Braak, Camiel Van Winkel), Ernst Van Alphen, Kirk Varnedoe, Gianni Vattimo, and Kees Vuyk.
At the core of this issue is the question of the concept of art. Could the task of art be transfered to philosophy, as Arthur Danto maintains? Or is there still a moral assignment for art inherent to Modernism? Various artists and theorists will respond to these questions in this issue. Among them are: J.C. Ammann, Victor Burqin, Don Cameron, Arthur Danto, Catherine David, Chris Dercon, Marlene Dumas, Jan Hoet, Joseph Kosuth, Donald Kuspit, Pieter Laurens Mol, Maarten van Nierop, A.B. Oliva, Frank Reynders and Haim Steinbach.
Create, edit, sort, analyze, summarize, and format data as well as graph it in Excel 2019. Chock full of visuals, user-friendly instructions, and reader exercises, this in-depth guide makes it easy for you to get on the bandwagon taking advantage of this powerful software and what it can do. Essential Excel 2019 doesn’t mess around. It provides the most clear and concise, but complete, information you need to successfully use the expansive features of Excel in your work environment. The second edition of this soup-to-nuts book delivers essential how-to and reference information for users who are new to Excel, those who want to continue building their Excel skills, or anyone who wants to get up to speed on the latest changes and features in Excel 2019. It is heavy on the practical examples and light on the theory, providing a step-by-step process of what you need to do when you are working with Excel. You will begin with the basics, advancing as each chapter builds on knowledge from previous chapters. You will appreciate real-life examples and exercises that reinforce what you have learned, and upon finishing the book, you will have the confidence to use much more than the typical 10% that most people use in Excel. What You Will Learn Create amazing visualizations of your data Get up to speed on easy and accurate methods for entering data Extract the information you want from imported data; manipulate and format it to meet your needs Export your results to other programs or share with others in the cloud Organize, summarize, filter, and consolidate your data in multiple ways Audit, validate, and protect your data Who This Book Is For Anyone new to Excel or looking to take better advantage of the advanced features of the platform
Advanced art education is in the process of developing research programs throughout Europe. What does the term research actually means in the practice of art? What is the relation to the scientific methods of alpha, beta or gamma sciences, directed toward knowledge production and the development of a certain scientific domaine? What will be the influence of scientific research on the art forms?
In this volume, architects, artists, theorists, three symposia and four exhibitions attempt to find answers to questions such as: Could the architectonic study and/or deconstruction of space play a decisive role in the shift of attention to space?, and: What is the role of the aesthetization of the environment on our concept of space?
At the core of this issue is the question of the concept of art. Could the task of art be transfered to philosophy, as Arthur Danto maintains? Or is there still a moral assignment for art inherent to Modernism? Various artists and theorists will respond to these questions in this issue. Among them are: J.C. Ammann, Victor Burqin, Don Cameron, Arthur Danto, Catherine David, Chris Dercon, Marlene Dumas, Jan Hoet, Joseph Kosuth, Donald Kuspit, Pieter Laurens Mol, Maarten van Nierop, A.B. Oliva, Frank Reynders and Haim Steinbach.
In the 21st century, the screen - the Internet screen, the television screen, the video screen and all sorts of combinations thereof - will be booming in our visual and infotechno culture. Screen-based art, already a prominent and topical part of visual culture in the 1990s, will expand even more. In this volume, digital art - the new media - as well as its connectedness to cinema will be the subject of investigation. The starting point is a two-day symposium organized by the Netherlands Media Art Institute Montevideo/TBA, in collaboration with the L&B (Lier en Boog)series and the Amsterdam School of Cultural Analysis (ASCA).Issues which emerged during the course of investigation deal with questions such as: How could screen-based art be distinguished from other art forms? Could screen-based art theoretically be understood in one definite model or should one search for various possibilities and/or models? Could screen-based art be canonized? What are the physical and theoretical forms of representation for screen-based art? What are the idiosyncratic concepts geared towards screen-based art? This volume includes various arguments, positions, and statements by artists, curators, philosophers, and theorists. The participants are Marie-Luise Angerer, Annette W. Balkema, René Beekman, Raymond Bellour, Peter Bogers, Joost Bolten, Noël Carroll, Sean Cubitt, Cãlin Dan, Chris Dercon, Honoré d'O, Anne-Marie Duquet, Ken Feingold, Ursula Frohne, hARTware curators, Heiner Holtappels, Aernout Mik, Patricia Pisters, Nicolaus Schafhausen, Jeffrey Shaw, Peter Sloterdijk, Ed S. Tan, Barbara Visser and Siegfried Zielinski.
In the current debate on art, thought on time has commanded a prominent position. Do we live in a posthistorical time? Has objective art historical time and belief in a continual progress shifted to a more subjective experience of the ephemeral? Has (art) history fallen away and, if so, what does this mean for the future of art? How does a visual archive relate to artistic memory? This volume investigates positions, arguments and comments regarding the stated theme. Philosophers and theorists explore the subject matter theoretically. Curators articulate the practice of art. The participants are: Hans Belting, Jan Bor, Peter Bürger, Bart Cassiman, Leontine Coelewij, Hubert Damisch, Arthur C. Danto, Bart De Baere, Okwui Enwezor, Kasper König, Sven Lütticken, Manifesta (Barbara VanderLinden), Hans Ulrich Obrist, Donald Preziosi, Survival of the Past Project (Herman Parret, Lex Ter Braak, Camiel Van Winkel), Ernst Van Alphen, Kirk Varnedoe, Gianni Vattimo, and Kees Vuyk.
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